53 pages • 1 hour read
Three posts are erected in the parade ground outside the prison camp. The remaining men of the mutinous regiment are led into area before the posts. Realizing that they have been brought to witness the corporal’s execution, they fling themselves at the ground beneath the post until they are dragged away by guards. The corporal, Lapin, and Horse are brought out and tied to the posts. 20 soldiers are assembled opposite them as the execution order is read aloud. The soldiers fire on command and shoot the three condemned men. The corporal’s body falls from the post into a “rubbish-filled trench” (385) where it becomes entangled in a knot of barbed wire. The body is cut free and carried away. The posts are removed.
The corporal’s body is carried to the edge of the camp where it is handed over to the corporal’s wife. She plans to bury it in St. Mihiel, in a battle zone “with Germans on one side of it and Americans on the other” (387). The corporal’s relations take his body through the streets of the town. A crowd assembles, watching silently. Once the body is gone, the streets of the town empty. The body is carried on a cart through the quiet countryside until Marthe is stopped by French soldiers. They have a “cheap wooden coffin” (392), into which they place the corporal’s body. They tell Marthe that she will be carried to St. Mihiel by train. Everything has been arranged, she is told, and her husband will meet her at the destination. The coffin is loaded into the train and, as they clamber into the train car with the coffin, an American sergeant leaps in after them to bring them coffee.
They arrive in the station near St. Mihiel and American soldiers help to remove the coffin from the train. Marthe’s husband Dumont meets them with a cart as she thanks the soldiers. They ride slowly through the battlelines, still silent. The lands around the house are “ruined” and will take years to recover, but the family home is not damaged. They bury the corporal beneath a beech tree which has not been destroyed by the war, adding the corporal’s medal to his coffin. As the women prepare supper, Dumont grieves his ruined land. Marthe thinks about the future, in which they will need to restore the land as a way to navigate their grief. At dawn, the family wakes Marthe to alert her to the distant firing of the guns. The sound is nearing them. They flee the house and hide in a crater. Dumont repeats “the land” to himself like a mantra as Marthe studies the falling artillery. She climbs out of the crater and sees the soldiers running across no-man’s land toward their enemy as shells fall. Marthe and her family run to the beech tree, which has been hit by a shell. Nothing remains but “splinters and fragments” (401). They bury the shards of wood that they can find but the corporal’s body is gone.
A dour, insular sergeant leaves 12 men on a train journey to collect the body from St. Mihiel. Six months have passed since the “false armistice” (403) and actual peace has been declared. The men are too inebriated to deal with the nature of their assignment, having pilfered the brandy bottles from the sergeant’s valise. When they arrive in the town, the drunken men are watched by a crowd of local people. An elderly woman begs to be taken out to the battlefield to retrieve the body of her son, who died in the war in 1916. The sergeant refuses her pleas. They ride a truck past the towns which are being slowly rebuilt with American help. The smell of rotting corpses and the sight of dead bodies disgusts the men. Teams of people carry out the bones of the dead and bury them, identifying who they can and constructing monuments in their honor. Despite the men’s pleas, the sergeant insists that they try to find a body matching the demands of their assignment. They try to locate a suitable body, one which has “no identification of name regiment or rank” (411). Once a body is found and the documents are signed, the men take the valise from the sergeant and insist on drinking in the dead man’s honor. They are shocked that the valise is empty save for one bottle. Once finished, they carry the body out to the truck. They abandon the body to search for the missing alcohol. Finding nothing, they agree to reconvene in Verdun. The body is loaded up into the truck and they drive away.
In Verdun, the men argue with the sergeant over the availability of alcohol. As the sergeant signs papers, the old woman from earlier in the day talks to the self-elected leader of the men, a former lock picker. She begs to look at the body to see whether it is her son. They agree to show her the body in exchange for brandy. She looks, even though the body is so badly damaged and rotten that “it was no longer man” (416). Nevertheless, she is insistent that the dead man is her son. She demands the body to bury and offers more money or brandy. The picklock agrees and the men shift the body into her cart in exchange for 100 francs. They send a man to buy brandy and reseal the now-empty coffin. When he returns, the sergeant is outraged but the men are too intoxicated to care. They take the empty coffin on a train back to Paris.
The men wake up with hangovers. They are in St. Mihiel and the train has stopped to be dressed in black mourning colors. Picklock leads the men to a nearby café for coffee and bread. A stranger listens to their story and offers to help them find a replacement body. In exchange, they offer one of the men’s Swiss watches. The watch was taken from a paralyzed German officer, who was then killed and left in no-man’s land. The stranger leads them to a field, where he has recently dug up the body of a soldier. While they ride to his farm, he explains that the field belonged to “some people named Demont” (423). The man who owned the land is dead, but he left behind a wife and her sister who still live there and work the land. The body is located where a beech tree once stood. Unaware of the true identity of the body, the men dig up the corporal and load him into the coffin. With a body and more brandy, they return to Paris on the train.
Marya works on the farm. She watches the man, hired since the death of her sister’s husband, and then runs to her sister to explain that a “young Englishman” has come to take the corporal’s medal, as arranged. The Englishman walks on crutches due to a missing leg. He is traveling with “a tall thin cadaver of a man” (426). The Englishman is the runner, still suffering from the wounds inflicted when the false armistice broke. The man with him is Zsettlani. They sit down to a meal in Marthe’s house. Zsettlani rudely offers money as soup and wine are served. The runner talks about how he learned about the corporal. He asks about the corporal’s wife, who he is told has returned to the brothel in Marseille where she worked when she first met the corporal because she needed to take care of a sick grandmother. The runner takes the medal from the corporal’s family and leaves. Marthe and Marya continue to work on their farm; Zsettlani returns that evening and asks why the women refused to take his money in exchange for the food and wine. Angry, he takes the coins and leaves.
Six years pass. The marshal dies and his body is laid to rest in Paris. The funeral procession passes by the Arc de Triomphe, followed by a parade of mourners and dignitaries, all paying respects to the man who led the French army during World War I. Among them is his aged batman. At the church, a eulogy is offered. The runner pushes his way to the front of the crowd. He reveals the corporal’s medal and throws it at the caisson, demanding that the dead marshal “take it” (436). The act infuriates the crowd. They attack him, forcing the police to intervene. The police drag the runner to a nearby alley. As curious people watch, the runner lays down hurt in the gutter and laughs. From the crowd steps the Quartermaster General. He offers his sympathy to the runner, agreeing with the runner’s claim that he is “not going to die. Never” (437).
After his execution, the corporal’s body is taken away by his family. He is buried on their farm, located in no-man’s land, between the German and French trenches. He is buried equidistant between both, a symbolic reminder of the universality of his message. He is taken from the brutal execution of the officers and given back to the people, placed between the people to whom his message meant the most. The corporal does not belong to the military, nor to France, nor to anyone else. Instead, he belongs to the people he sought to help, and his burial is a tribute to the Class War element of his message. Even in death, he is able to unify.
The corporal’s body is mistakenly retrieved by the men in the last days of the war. The regiment sent to fill a coffin are content to find any corpse and ship it back to Paris. There, it will occupy the tomb of the Unknown Soldier as a tribute to those who died anonymously in the war. When they lose their first body, the inebriated soldiers acquire a new one from a neighbor of the farm where the corporal was buried. The body is implied to be the corporal, though the drunken men are unaware of this. They have lived through to the peace time of the war, but it is not a peace as the corporal imagined it. The corporal’s peace was brought about by the enlisted men collectively agreeing not to fight. The officers’ peace is brought about through destruction and violence, adhering to traditional military doctrine. The war is only over when the officers say it is over. This kind of peace has left the soldiers traumatized. They spend their entire time intoxicated to cope with the morbid nature of their task and the trauma of war time. Even peace time, they are sent to dig up the dead of the past and lie to the people about who is contained in the coffin, demonstrating the precarious balance of War and Peace. The war may have ended, but the trauma lingers on. The right body may be in the box through divine intervention, but the traumatized soldiers and the unconcerned officers had nothing to do with it.
In the final chapter, the narrative jumps ahead six years. France, Britain, and America are hailed as the winners of World War I and the marshal is considered a hero. No one seems to remember the brief armistice or the corporal who inspired it. The crowds which once filled the streets with uncertain resentment and anger now line the boulevards of Paris to pay tribute to the marshal’s funeral procession. The lavish funeral is indicative of the failure of the corporal’s message, a failure which is reinforced when no one pays much attention to the runner’s defiant protest. Instead, people are willing to buy into the idea of the marshal as a glorious figure. No one remembers that he executed his estranged son, nor that millions died for a cause that only the officers truly believed in. The officers’ peace—which is, in truth, the marshal’s peace—has been shown throughout the novel to be a hollow version of glory. The parade is a sham, as is the peace. World War II is decades away, but the traumatized public would rather accept the simple glory of the officers’ peace than address their own trauma and the systems that perpetuate it.
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