38 pages • 1 hour read
In a country torn by rebellion and strict government repercussions, the characters often have to make choices between actions for their own benefit or for the benefit of the society.
On the side of personal gain without consideration for the community are Mugo and Karanja. Mugo is mostly concerned with himself and his own small, peaceful existence—when this is interrupted, first by Kihika and later by the members of the Movement who seek to honor him at the Uhuru celebration—he is puzzled and frightened. Karanja also acts for his own good, selling out his countrymen for higher standing with British authorities and browbeating Mumbi into agreeing to sleep with him in exchange for help during the Emergency. His desire to elevate his own position in society often puts him in conflict with his own people, as seen when he became a Chief in the homeguard and later, when the people of Thabai are quick to denounce him as a traitor.
On the other side, willing to do everything for the greater good as they perceive it are Kihika and Mumbi. Kihika has little regard for himself as an individual, throwing himself wholly into the service of the Movement. A Christ figure and the “grain of wheat” of the novel’s title, he joins the Mau Mau fighters to rid Kenya of white occupiers and kills DO Robson to stop that man’s reign of terror, despite the fact that this makes him a wanted man. Mumbi also acts primarily for the good of others. She continues being a good wife and mother even when Gikonyo rejects her. She decides not to reveal Mugo’s betrayal of Kihika to preserve peace even though Kihika is Mumbi’s brother, so she could want revenge. Finally, she tries to protect Karanja from public humiliation and execution by warning him away from the Uhuru ceremony despite the fact that seeing him put down would avenge his treatment of her.
During the Emergency, the British occupying forces and those working for them as the homeguard commit a number of atrocities. A Grain of Wheat contains horrific stories of the emotional, physical, and sexual abuse of detainees, and stories of brutal executions like the death of the deaf boy Gitongo and the hanging of Kihika.
While Mau Mau rebels also kill while fighting for their cause, what stands out is the callous and dehumanizing view of black Africans that British administrators hold. Through them, the novel dissects the different strains of racism present in whites trying to colonize Kenya in particular and Africa as a whole. We learn about DO Robson, whose cruelty and terrorizing of Kenyan residents was more for personal sport than for any governmental objective. We learn about John Thompson, who is floored when he overhears African students discussing literature, cannot tell black men apart from one another, and sees nothing wrong in brutally torturing prisoners, all despite professing to want to help Kenya. We learn about Mrs. Thompson, who sees the Kenyan men around her as objects for her sexual gratification and is unhappy to find they have minds and thoughts of their own. And we learn about Dr. Lynd, whose patronizing and degrading treatment of the village residents stems from her paranoia and inability to see the residents as anything other than potential threats.
Although the novel chronicles Kenya’s independence, Thompson’s belief that the country will never be free from European interference even as he is packing to leave introduces an ominous note into the otherwise happy ending.
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By Ngũgĩ wa Thiong'o