48 pages • 1 hour read
Hetton Abbey is the big, ugly, unfashionable country home that has belonged to the Last family for many generations. Despite the outdated aesthetics, the house is historically significant, to the point where it is included in local guides. In the novel, Hetton Abbey is a symbol of the past. It was built during a previous era and expanded upon, providing the wealthy and powerful of the area with a place to practice their various pursuits such as fox hunting. The house connects the Last family to England’s history, representing how Tony’s family is woven into the fabric of the country itself. At the same time, the house symbolizes how class structures echo through the ages. The house is built with servants’ quarters and stables that are still in use hundreds of years after being built. As much time has passed since the construction of the house, the same basic social structures remain, with the house still occupied by the Last family. Hetton Abbey and the Last family’s occupation of Hetton Abbey illustrate how the history of England is a history of enduring class stratification, intertwined with themes of both Inherited Privilege as a Source of Dissatisfaction and Social Hierarchy as a Source of Conflict.
Hetton Abbey is a very expensive house to operate and maintain. At various points in the novel, Tony complains to Brenda about the cost of operating Hetton Abbey, such as keeping staff on the payroll or performing necessary renovations in a manner that respects the history and significance of the house. The enduring irony of owning such a large and important house is that the cost of maintaining the estate leaves its ostensibly wealthy owners with comparatively little money to spend. As Tony mentions wryly to his wife, they could live far more comfortably in a smaller and more modern house. They would have far more money to spend, a point that is illustrated by Tony’s initial hesitance to pay for Brenda’s small apartment in London. To satisfy her desires, he agrees to reshuffle the family finances and delay much-needed renovation work on the house.
Furthermore, Tony feels an obligation to entertain and act as a tour guide for the house, even though he does not want to. Hetton Abbey therefore not only costs Tony financially but also forces him into social situations that he does not like. Tony never seriously considers giving up the house, however. He is invested in maintaining his family history to such an extent that he happily makes himself miserable to carry on the Last family name. The house symbolizes his self-flagellation.
During the divorce, Tony receives a suggestion that he give up Hetton Abbey to fund Brenda’s life with Beaver. He decides to no longer provide Brenda with an amicable divorce. He leaves for South America, and Brenda struggles. Tony’s lawyer tells Brenda that the maintenance of Hetton Abbey and the family history it represents is Tony’s priority. In the event of his death, she will receive nothing as everything will go to his family and the property. When Tony is declared dead, his cousins inherit the estate. They seem to have learned nothing from Tony. Rather, they view his tenure as the custodian of Hetton Abbey as something to be replicated and continued, rather than the weight that pulled him down into a tragic fate.
After the death of his son and Brenda’s request for a divorce, Tony finds himself at a loss. He meets Dr. Messinger in his club, and Messinger tells him a story about a lost city in South America. The idea of searching for this lost civilization appeals to Tony. The expedition will provide him, he hopes, with motivation to leave the country and extricate himself from a difficult situation. The city itself is not particularly important to Tony; he has no burning archeological interest in the city nor anthropological interest in the people. The discovery of the city means less to Tony than what the expedition represents to him: an opportunity to escape from the previously mundane world that has suddenly been turned upside down. The expedition to find the city, Tony hopes, will bring back structure and meaning to his now-chaotic life. In keeping with The Social Repression of Grief, Tony simply avoids thinking about his son’s death, Brenda’s affair, or even the running of his house by venturing into the jungle with Messinger to find a lost city. The lost city becomes a symbolic means of rebuilding his life.
The lost city, by its very nature, also represents a fallen civilization. Tony is a proud Englishman who, through sheer fortune, happens to live at (or near) the historical peak of the British Empire. He benefits from the ancestral wealth of the generations who came before him, and he benefits from being a privileged member of the world’s foremost superpower. Tony’s civilization, in contrast to that of the fallen city, is at a very different point in time. The lost city may once have been a wealthy and powerful place, but now it has fallen into ruin and can no longer even be found on a map. The civilization of the lost city has been reduced to myth and legend, in contrast to the global might of the British Empire. In this way, the lost city symbolizes the inevitability of civilizational collapse. Throughout history, empires have risen and fallen in regular patterns. Like Tony’s Britain, the people of the lost city were once significant. British society, riddled with the many faults that the novel has portrayed, from class conflict to the looming prospect of another World War, is in a precarious position, much like Tony. As such, the search for the lost city is a symbolic glimpse for Tony into the future of his own society.
The search for the lost city ends in disaster. Rather than finding the ruins of a lost civilization, Tony and Messinger are abandoned by their local guides. Tony contracts a terrible fever, and Messinger dies while trying to get help. When Tony does venture into the jungle, Mr. Todd finds him. In effect, Todd kidnaps Tony and makes him a prisoner. The search for a lost city, intended to reshape Tony’s life, ends unexpectedly with Tony trapped in the jungle and forgotten, just like the city itself. He is trapped in a small village where his manners, his family history, and his money mean nothing. His past with Brenda is also reduced to hallucinations, in which Brenda utters phrases that she never truly said. The trappings of civilization are ripped away from Tony and he is left with nothing, a true fall from grace. The man who went searching for a city becomes a prisoner in a village, symbolizing Tony’s fall from grace and the ultimate failure of his attempt to rebuild his life, especially as the city itself remains as lost as Tony.
A Handful of Dust begins in a private gentleman’s club, where Jock and Tony mock Beaver for never buying drinks. These private clubs are a haven of upper and upper-middle-class life, offering men from this demographic a place to spend time among like-minded people. However, even in such a setting, Beaver’s travails show that there are subtle divisions and distinctions among the clientele. Tony and Jock look down on Beaver for his relative poverty, laughing with one another that they were able to make the frugal Beaver pay for a round of drinks. While he may not be working-class, Beaver does not have the same social standing (nor the financial resources) as the other men. He is a member of the club, yet he is distinct from them. Everyone in the novel innately understands this stratification, and the private clubs function as the symbol of this complex class hierarchy.
The private clubs portrayed in the novel are also male-only spaces. As shown in the novel, men go to their clubs, where they drink and arrange affairs among those they deem their equals. Women lack an equivalent space, especially since—due to the way money is managed in these households—they do not have access to the resources to pay for them. The clubs cost more than Brenda’s apartment, for example, but she must plead with Tony for rent money while he maintains his membership at several clubs. The male-dominated sphere of the private club symbolizes the division in power and responsibility in society. The patriarchy creates and propagates male-only spaces, where men discuss power and politics in a way that excludes women. Each club symbolizes the desire to preserve this division.
Ironically, Tony’s meeting with Beaver at Brat’s Club is the catalyst for his eventual divorce and disappearance. One evening while drinking heavily in Brat’s, he invites Beaver to his house. This an invite that he extends by habit, not expecting Beaver to accept. Tony’s manners and pleasantries—extended to fellow members of his club—backfire when Beaver accepts the invitation. Beaver comes to Hetton, meets Brenda, and they embark on the affair. The meeting at the gentleman’s club seems innocuous but has far-reaching consequences, demonstrating the influence that these clubs can have on the lives of their members. Tony’s invitation symbolizes the unexpected consequence that can arise from men like Beaver not understanding the unspoken rules of these clubs.
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By Evelyn Waugh