47 pages • 1 hour read
Anna Linden Weller, who published A Memory Called Empire under the pen name Arkady Martine, serves as a policy advisor for the New Mexico Energy, Minerals and Natural Resources Department’s Office of the Secretary. With her background as a city planner and a historian of the Byzantine Empire, she shares similarities with Three Seagrass, a cultural liaison or asekreta. Three Seagrass has almost encyclopedic knowledge of Teixcalaanli culture, literature, and history, and uses this knowledge to guide new ambassador Mahit and influence policy.
As Martine describes in her Acknowledgements, she finished A Memory Called Empire “in the summer of 2014, two weeks into an intensive language course in Modern Eastern Armenian” (465). The grammar of modern Armenian echoes throughout the novel, as language is important to the plot. Martine includes a glossary of terms and people, along with various grammatical forms. One example of this real-world parallel is the term “asekreta (pl. asekretim)” (451), which refers to “an actively serving member of the Information Minister” (451) on Teixcalaan. In modern Armenian, a similar word exists: ashakert (pl. ashakertnery), meaning pupil. Both words look similar, and both languages are agglutinative, meaning their morphemes—the smallest units that make up a word—combine to create changes in number and function. This amount of linguistic detail is made possible by Martine’s background.
Beyond language, the novel’s depiction of bureaucracy—the minutiae of paperwork and protocols—reflects Martine’s role as a policy advisor. Her academic background also influences the novel—specifically, her dissertation at Rutgers (2014) that focused on letters between functionaries in the Byzantine Empire as a show of imperial power. These letters reflect the role of mail in the novel, as gossip and news of war radiate to the outskirts of the fictional Teixcalaanli Empire.
The Teixcalaanli Empire is presented as a technologically advanced empire with a rich history and an insatiable appetite for conquest. This description recalls the Byzantine Empire. Lasting from 330 CE to 1453 CE, the Byzantine Empire expanded from its capital of Constantinople (now Istanbul in modern Turkey) to modern Spain, Italy, and North Africa. The Empire reached its greatest size under Justinian I (527-565 CE). Originally part of the Roman Empire, the Byzantine Empire survived this rule until its conquest by the Ottoman people in 1453. The Empire then faced invasion by Western crusaders in 1204, who pillaged various relics. A bubonic plague struck the Empire in 541-549 CE, but being engaged in trade and conquest itself, it influenced art and architecture in Spain, Turkey, and Hungary. Byzantine art and architecture, like those of the fictional Teixcalaanli Empire, were monumental. Byzantine art frequently incorporated gold and images of gold halos in pieces featuring emperors. Likewise, the Teixcalaanli Emperor, Six Direction, maintains private quarters decorated with veins of gold.
“Byzantine” as an adjective was used throughout the 20th century, referring to complex or difficult subjects to understand. According to historians like Theopanes the Confessor (c. 758-818 CE) and Leo the Deacon (c. 950 CE), the Byzantium Empire embodied complexity. These historians often worked within Byzantine bureaucracy, helping to shape and execute policy while they crafted intricate works of history and literature. Like the asekretim of the Teixcalaanli Empire, whose knowledge guide the future, these historians of Byzantine aristocracy and bureaucracy valued history.
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