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18 pages 36 minutes read

A Poison Tree

Fiction | Poem | Adult | Published in 1794

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Symbols & Motifs

The Apple

The apple serves as the physical manifestation of the speaker’s “wrath” (Lines 2 & 4). It is, in effect, the “fruit” of all of the effort the speaker has put into feeding and growing his festering hatred. The apple serves as a direct allusion to the story of Adam and Eve in the Garden of Eden. In this biblical tale, God creates Adam and Eve to live together in Paradise and to serve as stewards over all creation. The only rule Adam and Eve are given is to avoid eating the fruit of the Tree of Knowledge of Good and Evil in the center of the garden. Satan uses this fruit to tempt Eve into taking a bite, and Eve subsequently passes the apple to Adam for him to taste, as well. It is this transgression which, in the traditional Christian tradition, marks the beginning of original sin and is the reason Adam and Eve are cast from the Garden by God. This occurrence in the Book of Genesis symbolizes the loss of human innocence.

Just as the apple serves as the means of destruction and deception in the Book of Genesis, so it does in Blake’s poem. Like Satan, Blake’s speaker uses the apple to deceive his foe, luring him to his destruction. The apple is the ultimate temptation for the “foe,” since “he knew that it was [the speaker’s]” (Line 12). The usage of the apple also serves to remove the remaining innocence from the speaker as he has moved beyond mere suppression of emotions to physical harm. When the speaker sees their “foe outstretched beneath the tree” (Line 16), they do not express the regret or sadness expected from seeing another human dead. Rather, the speaker is “glad” (Line 15) to see that the murderous plan has worked, showing readers they truly passed a point of no return and crossed over the boundary of innocence.

Night & Day

Various binary pairs contrasting the night with the day, or darkness with light appear throughout “A Poison Tree.” Line 6 features a reference to both “Night & morning,” and this pair is later repeated, albeit reversed, at the beginning of stanza three with “day and night” (Line 9). These references indicate the passage of time as the speaker allows his rage to grow in strength and potency. The foils of night and day also correlate to the traits of innocence and deception, of “good” and “bad,” which the speaker embodies throughout the lines of the poem. In the last stanza of the poem, this particular pair of terms is broken up and separated as the foe and speaker make their final moves on one another. It is when darkness falls and “night had veiled” (Line 14) the surroundings that the foe makes his play on the speaker’s garden. “In the morning” (Line 15) when all is revealed in the light of day, the effects of the speaker’s malice literally come to light.

Wrath

Just as with the apple motif, wrath features in the religious symbolism in “A Poison Tree.” Wrath, or anger, is considered in the Christian tradition to be one of the seven deadly sins (along with pride, greed, envy, lust, gluttony, and sloth). The seven deadly sins have been widely featured in other works of art and literary productions throughout history, such as in Geoffrey Chaucer’s “The Parson’s Tale” and The Seven Deadly Sins by Paul Cadmus.

Wrath is not the only one of the seven deadly sins making an appearance in Blake’s poem. The speaker exhibits a sense of pride in not wanting to give voice to his anger when they “told it not” (Line 4). The foe is not guiltless either, as he “into my garden stole” (Line 13) to take the fruit for himself, exhibiting greed. In addition to connecting with the seven deadly sins, the concept of wrath is directly linked to the Old Testament God of the traditional Christian tradition. The God of the New Testament has been characterized as a vengeful, fearful God. His wrath is expressed as he punishes his chosen people for their transgressions against his commandments. Coinciding with the more specific connections the text has with Genesis, these religious allusions in the poem present a harsh, unforgiving worldview.

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