45 pages • 1 hour read
The narrative opens with the author revisiting his childhood home at Glenmerle, and the place will serve as a touchstone throughout the book. On the one hand, Glenmerle is a real, physical location. It is the place that helps to form the young Van’s imagination and desires. When Van narrates his anonymous midnight visit, he speaks about being able to imagine all the important people with whom he shared time there. He can imagine exactly how his bedroom last appeared. He can recall what it looks like peering out his bedroom window into the forest, where he first learned to appreciate beauty and mystery.
On the other hand, Glenmerle is always seen in an idealistic and almost mythical light, even coming to serve as a kind of Platonic Form of the reality of home. Whenever he thinks back on his life, he imagines that this feeling of home was formed by his time spent in such a loving place, and he similarly can imagine that the eventual passage from this life to the next would be like coming home, as he used to do at Glenmerle. When Davy is in her final days, for instance, she speaks of hoping to one day be with Van again at Glenmerle: “‘Maybe we’ll be allowed to meet again at Glenmerle if…’ And I put my arm around her and said, ‘A heavenly Glenmerle. If there’s anything I’m sure of, it is that heaven is a coming home. And, for us, Glenmerle’” (166).
Glenmerle allows Van to imagine heaven most clearly, which enables him to begin contemplating the relationship between time and eternity. Experiencing the same relationship with time that everyone does at one point or another, he points out that time always seems to disappear during one’s fondest moments. Looking back on his life during the Illumination of the Past, Van notices that he had always felt completely consumed and haunted by the passage of time:
I saw it so clearly that May: how we had been harried by time. Always we were transients. Except perhaps at Glenmerle. Glenmerle had always been, would always be. That’s why as a symbol it was so important to us. Of course it was not really immune to time… All the same Glenmerle remains, ghostly and eternal (201).
While Glenmerle may have been idealized in the way most childhood homes always feel symbolic or idealized in some manner—as all important things from childhood do—Glenmerle also seems to have been crystallized in Van’s mind due to the way he left it before the war. While Van was stationed in Hawaii for his naval service, his father died, and ultimately his mother died away from Glenmerle at the townhouse they also owned. With these circumstances, Glenmerle could never become something truly abandoned or left behind since it was such a mainstay of his life before leaving and then simply never really was again.
What initially draws Van and Davy to one another is the same thing that eventually drives them to Christianity: a common love and desire for all that is beautiful, true, and good. One of Van’s first formative memories is the memory of feeling enchanted by beauty:
He remembered as though it were but a few days ago that winter night, himself too young even to know the meaning of beauty, when he had looked up at a delicate tracery of bare black branches against the icy glittering stars: suddenly something that was, all at once, pain and longing and adoring had welled up in him, almost choking him. He had wanted to tell someone, but he had no words, inarticulate in the pain and glory. It was long afterwards that he realised that it had been his first aesthetic experience. That nameless something that had stopped his heart was Beauty. Even now, for him, “bare branches against the stars” was a synonym for beauty (16-17).
His psyche was formed from the start by beauty, and that same shared feeling of the penetrating nature of beauty sparked his relationship with Davy.
In their first conversation, Van relates how “she said something about how beauty hurts” (26), and this shared experience caused him to realize that friendship and love had blossomed that evening. Later on, in their courtship and romance, the author relates how their guiding force was not God (at least at first) but beauty: “If we were caught up in love, we were no less caught up in beauty, the mystery of beauty. Essentially we were pagan, but it was a high paganism. We worshipped the spirits of earth and sky; we adored the mysteries of beauty and love” (31). While their desire for beauty would shift into a recognition of the beauty of God, their instincts were always to seek out what was beautiful, recognizing that it was one of the only things that could draw a person out toward something greater than themselves, something beyond and outside and transcendent.
At the same time, however, Van realizes that there can be something dangerous in the quest for beauty; when it is not subordinated to the truth, it runs the risk of being a purely aesthetic endeavor. He recalls later in life, shortly before Davy’s illness: “Davy and I together had loved beauty. Now, maybe, I was worshipping beauty in the Christian God while Davy was worshipping God” (141). The desire for beauty, as he realizes, is meant to be a catalyst to seek out the source of beauty and not to seek beauty as simply an end in itself.
In A Severe Mercy, Vanauken shows how Van and Davy change as the years go by, painting a picture of a relationship that grows and matures. They fall in love quickly because they are so alike and share so many interests. Their instant kinship may appear to signal that they have nowhere to go and nothing to learn, but this is not the case. While they do not undergo radical change in their personalities or desires, they continue to learn as time passes, from each other, from others, and from the Christian tradition they come to embrace.
There are three main stages to their growth. The first occurs from the time they meet to the time they decide to go to Oxford. This first period is spent learning about each other, developing their relationship, crafting the Shining Barrier, and entering into their relationship with full enthusiasm:
Creeping separateness and sharing were opposite sides of one coin. We rejected separate activities, whether bridge or shooting or sailing, because they would lead to creeping separateness; on the other hand, if one of us liked anything, the other, in the name of sharing, must learn to like it, too (37).
They began to see, Van relates, that if one of them genuinely enjoyed something, there must be something about it to like and enjoy; in this case, if a loved one loved something, then one could also learn to love that thing.
The second stage of their growth occurs during their time in Oxford. This is the most radical time of change as they encounter Christians for the first time to whom they are attracted, and they form lasting friendships that will carry them through all the tragedies that they will have to suffer later in life. Never having given Christians a chance, their new experience shifted their perspective, the “sheer quality of the Christians we met at Oxford shattered our stereotype” (77). Not only was their experience of the Christian individual brand new, but Van relates how it was his curiosity and his desire to know for certain—to “resolve some day to have another look at the case for Christianity” (82)—whether or not this thing could possibly be true that ultimately led to their conversion. Van’s reading of Lewis’s Cosmic Trilogy proved the first step: “Apart from being beautiful and enthralling, it made me conscious of an alliance with him” (84).
The third and final stage of their growth was their growth in their newfound Christian convictions at a time and place where it was inconvenient and lonely, having left Oxford for Virginia. There they learned how to suffer and go about a life of evangelization and mentorship as they opened their home to the college students who had questions and concerns and just needed people to talk to. Ultimately, the final lesson was that of Davy’s death, as Davy learned how to die well, and Van learned how to suffer the death of a loved one and carry on in the wake of their absence. As before with their conversion, Lewis again looms large, helping Van come to terms with his grief and sense of loss.
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