56 pages • 1 hour read
Tavia secretly asks Naema for help, invoking the siren “network credo” to “respond to any distress call” (98). She pleads for Naema’s help because the latter is dating Priam, her ex-boyfriend, and is connected to Priam’s father, the officer who witnessed her siren song. Naema thinks Tavia is upset that she’s dating Priam, saying she can’t stand Tavia and Effie’s drama. When Tavia shares her story, Naema says, “So you’re saying that while half of PDX is covering for you so you can do this whole sad-little-pretty-girl routine, you purposely unleash a call and basically out yourself to get out of a traffic violation” (103). Tavia argues against her conclusion.
While Naema lashes out, Tavia’s siren song builds. She remembers how she tried to choke herself at 11 years old, dreading her sirenness due to her father’s negative view: “I wanted it to end, but just that. Just my voice, and my sirenness, and my loneliness, and my fear” (98). The belt buckle pinched her neck, causing young Tavia to fall unconscious. At the hospital, her parents had to tell the social worker that she was either a siren or that she’d tried to die by suicide. Her parents picked the latter.
Naema texts until Tavia uses a new siren song. Naema growls that Tavia doesn’t own her, and that she wasn’t texting about her. She says she’s eloko first. Tavia tells her not to cross her or Effie, and Naema storms out.
At school, Tavia’s social studies class watches the live footage of Rhoda Taylor’s trial. The judge and jury rule that Rhoda’s boyfriend, who killed her, is not guilty, as they believe Rhoda Compelled him to do so. Tavia feels hopeless and afraid because “killing sirens is not a crime” (108).
During lunch, Tavia and Effie’s friends show them the latest Camilla Fox video, but it’s not about hair. Camilla shares that she’s a siren, using Compel to get people to listen and protect Black bodies. Tavia is afraid for Camilla, who will be at a protest to speak about Rhoda Taylor, police brutality, and Black rights. She feels scared but inspired, thinking she should keep her voice as protection and search for her grandmother’s guidance again.
A few days after Camilla Fox’s announcement video, Effie thinks Tavia seems stronger and calmer. She wants to find contentment with her identity too, admiring her first mermaid tail costume and recalling Renaissance Faire days spent with her mother. Effie thinks she could be a mermaid, like Naema said, since she swims like a fish and her hair moves. Elric and his father enjoy Renaissance Faire myths, so Effie stalks Elric online, hoping he’ll have answers.
Effie’s assumed great-grandmother, Mama Theo, arrives and asks about the last time Effie visited her mother’s grave, pressing for the exact date. Effie can’t recall, and Mama Theo seems scared and agitated. She nearly cries, but won’t tell Effie what’s wrong, other than “You have to stop this if you can” (118). Effie is bewildered. She’s itchy all over, and her hair moves.
Priam’s father, the police officer, visits the house, interrupting Effie and Mama Theo. He talks to Tavia’s mother about Tavia getting pulled over. Mama Theo and Tavia’s mother are skeptical, acting polite and confused. Tavia is returning from a walk, so Effie hugs Mama Theo and races outside, warning Tavia that Priam’s father is there. She asks when Tavia was going to tell her about using her siren song in front of cops, but Tavia goes still. Effie promises that Priam’s father won’t denounce her; he actually came to warn the family. They hope he won’t suggest Tavia wears a dampening collar.
To distract Tavia, Effie brings her along to stalk Elric, but doesn’t tell her. They find him at the movie theater with friends. Effie is shy around her crush, but he doesn’t know about the “gifts” she says he left on her porch. He only leaves her gifts in the Cove. Elric (Rick) only speaks in an old-fashioned language, perfectly in character and calling Effie “Euphemia.” Effie is confused and humiliated, and decides not to ask about her mermaid theory. Rick kisses her hand and leaves. Tavia soothes Effie.
Tavia drives Effie’s car, insulting Elric for not loving her “for real” (128). She speculates that Effie loves Elric and their shared fairytale, not Rick the actual person. She wonders why Rick wouldn’t own up to the gifts on the porch. Tavia says she would have loved Priam to accept her as a siren, connecting to Effie’s performance as Euphemia. Tavia’s mother advised her to let the Renaissance Faire be Effie’s thing. Effie admits her mermaid theory and Naema’s verbal abuse, and Tavia thinks of her strange symptoms—her skilled swimming, dry skin, and blackouts. Tavia tells her that mermaids don’t appear this far North in cold waters, adding that she should forget Naema.
Tavia reminisces about Priam. At a football game, Priam took her behind a school bus and kissed her until she giggled. When she said he was tickling her, he bit her neck instead. He bit too hard, drawing blood, which led to fear, since elokos were rumored to be cannibals in their myths: “[E]veryone saw that I’d been bitten, maybe being an eloko wouldn’t be such a charmed life anymore” (135). Tavia reassured Priam that she knew the myth was a “heinous untruth,” but he dropped her off and ghosted her afterward.
That night, Tavia decides to attend the same protest for Black rights as Camilla Fox, and Effie agrees to join. Tavia tries to fall back asleep, but indigo waters stain her vision, and suddenly she’s at a construction site. These waters are a sign of her grandmother, but a replica of Naema appears. Tavia tries to stir the fake Naema, then says her name as a siren song, and awakens.
Tavia wakes up and begs Gargy the gargoyle to take her to the construction site. He finally speaks to her and flies her there, where she searches until she finds her grandmother’s spirit in a stream. Gramma tells her that the song she used on Naema is called Awaken. Tavia tries it on Gramma, but the song can’t awaken the dead. She then asks Gargy where he goes when he’s not on guard. He tells her that she’s not his ward. Tavia realizes he’s Effie’s guard. She asks if he knows what Effie is becoming, and Gargy replies, “[h]erself.”
Effie visits her great-grandparents Paw Paw and Mama Theo. Crying, she tells Mama Theo that she’s quitting the Renaissance Faire, though Mama Theo is preoccupied with her not being with Tavia. Effie asks why she’s so concerned about her being with Tavia, but she says, “I thought you loved your sister, pardon me” (145). Even when pestered, Effie doesn’t admit she’s quitting her job as she thought Elric truly loved her and is heartbroken.
Mama Theo avoids Effie’s questions about her identity, then asks her to never go back to her mother’s grave. Effie shouts that she can’t promise that, and that maybe she’s a chameleon, as most orphans are, forced to change and adapt. She pushes for the truth, but Mama Theo won’t budge. Effie leaves in a rage, but sits with gentle Paw Paw on the porch beforehand. He holds her and tells her that she’s going to be alright.
Effie heads to the pool to cool off. Wallace flirts with her, asking about the Renaissance Faire, which Naema mentioned. She explains she isn’t normally mean like she was to him and Naema, but Wallace brushes it off. Effie adds that she isn’t participating in the Renaissance Faire this year, and is instead going to the protest in Vancouver on opening day. Wallace asks to come along, and he surprises her by knowing Black history and the Black Lives Matter movement. Effie agrees he can come.
Isabella texts Effie about their sprite project, checking on her. Effie assures her that she hasn’t had any strange encounters lately. She says they can meet in an hour, but then gets lunch with Wallace instead. The two chat and flirt. Naema appears at the restaurant, calling Effie “Ariel” (a reference to Disney’s The Little Mermaid). Effie tells her off this time, hair swirling.
The theme of Identity (and how people are treated because of their race or associated mythos) is essential to Effie’s character arc. With her increasingly strange symptoms, including her peeling skin, whipping hair that moves on its own, and blackouts—in addition to her childhood friends being turned to stone—Effie senses she isn’t a human. Effie’s instinct is correct, but she feels increasingly upset about how to find answers. Although she’s asked Mama Theo about her past many times, especially her mysterious father who left when she was a baby, Mama Theo keeps her secrets. A feisty character who is often ruled by emotion, Effie erupts at Mama Theo when she won’t tell her what is happening to her: “Nobody ever figured out hiding things from kids isn’t protecting them if they know something’s wrong! It just makes me think I can’t trust myself” (147). Effie needs Mama Theo’s guidance, but the latter refuses to tell her that she’s a gorgon or bring her to her gorgon father Jacoby, wanting Effie to figure things out on her own. In Effie’s perspective, Mama Theo is simply refusing to help her, leaving her to suffer on her own. This misunderstanding reinforces the theme of Hiding in Silence Versus Speaking Truth to Power, as Mama Theo could have told Effie the truth at any time; the motive behind her silence seems to be her waiting out Effie’s potential change into a gorgon.
In Effie’s search for identity, Gargy (later revealed to be Wallace) and others foreshadow the truth—that Effie is a gorgon. After Gargy admits to Tavia that Effie is his ward, he says she is becoming “herself” with no further details. This foreshadows that whatever Effie’s body is trying to become is her true form. Only later does Tavia unlock Effie’s true form, a gorgon, with the siren song Awaken. Before this point, the girls wonder if Effie is a mermaid, as some of her symptoms point to this idea. Mermaids are rare and revered like elokos; being a mermaid would give Effie a higher social standing than Tavia, which makes her envious. However, the possibility of Effie being a mermaid is ultimately subverted by the reveal of her gorgon identity, that of a traditionally terrifying creature.
Mythos provides the foundation of the novel’s world, detailing creatures like sirens and blurring the line between reality and fantasy. Effie wants to believe she is a mermaid to the point of confusing reality with her fairytale life at the Renaissance Fair. She thinks that perhaps her real identity is Euphemia the Mer, a gorgeous mermaid who drinks potions to be with her fiancé Elric, the blacksmith’s son. For two weeks every year, she gets to pretend to be a mermaid, but fixates on the idea that it could be real; she could be a mermaid, and thus her crush Elric could be in love with her. When Effie stalks Elric, convinced their feelings are real and that he will have answers regarding her identity, she experiences a painful conflict. She’s been blurring the lines between reality and fantasy, and Elric wakes her up from her imagination: “[Rick’s] not the Second Smith to the rest of the world, he’s a varsity lacrosse player hoping to play in college. His faire life comes up in some of the Vancouver articles” (126). Embarrassed, Effie calls Rick by his real name, but he responds that she’s only Euphemia to him. Rick’s confirmation that Renaissance Faire life is separate from their real lives leads to Effie’s heartbreak over not being a mermaid. Her search for identity continues, and she vows not to get caught up in a fantasy world any longer and follow facts.
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