48 pages • 1 hour read
The narrative switches back to the present. Red’s moving out soon, but the family hangs up Halloween decorations anyway, because Abby made the ghost decorations from cheesecloth and hung them up every year. Denny announces during Saturday evening dinner that he’s returning to New Jersey the next morning, and the shock is palpable. Jeannie asks why he’s leaving before Red and Stem are settled, and Denny says it’s because Hurricane Sandy will soon make landfall and he needs to prep things at “home.” Red panics, since Denny is supposed to connect his Internet. Nora calms him, however, though she makes a crack about Denny being the “prodigal son.” Jeannie upbraids Denny further, reminding him how he always runs off whenever he chooses.
Red drags his feet Sunday morning, requesting eggs for breakfast when everything is packed. Nora, always gracious, acquiesces. He then eats slowly as the two Hughs load up cars with belongings. While Jeannie waits listlessly for Red, Denny arrives, packed and ready. Red mentions he had a dream about the house burning down, while Denny asks for a ride. Though Jeannie flat out refuses, Nora agrees. Red then asks Denny if he paid someone to play the French horn years prior so that the family might miss him. This confuses everyone. Red says bye to Denny. and they all leave.
Denny and Nora make small talk while heading to the station. When she queries him about teaching full-time, he admits that he doesn’t like teaching. Instead, he might try making furniture. She thanks him for never telling Stem about his birth mother. Denny then admits that, when he searched for thread for Red’s dashiki, he opened one of Abby’s closets and a spool of blue thread the exact color he needed fell into his hands. Denny says, “It’s like she’s telling me she forgives me […] Or she’s telling me she knows I forgive her” (456).
The station is pure chaos inside. Even though Denny has a reserved seat, he’s afraid train cancellations will force him back to the Bouton Road house, “[stuck] in his family, trapped. Ingrown, like a toenail” (458). Luckily, he’s allowed to board, and he calls someone named Alison. Though she sounds annoyed at hearing from him, he promises to prepare the house for the hurricane. She hasn’t given him permission to return home, but he presses her until she agrees. She also agrees to bring his belongings back in, despite knowing she’s being a pushover. When he hangs up, he assesses his fellow passengers. Two girls giggle loudly behind him, while others read or work on laptops. To his horror, the teenage boy sitting next to him cries openly. Denny briefly panics. It reminds him of when Stem always cried himself to sleep each night as a child, or when he himself cried at night at boarding school. In the end, he ignores the crying teenager and looks out the window.
Though the Whitshanks agree to sell their house and will soon move, they pay one last respect to Abby by placing up her favorite ghost decorations. The decorations symbolize just how much Abby’s presence will remain in their lives. Just as she hovered over her family in life, Abby is present in death. As they finish packing, for instance, whenever someone passes by the ghosts, they “would be snared from time to time in swags of cheesecloth, and they would duck and curse and struggle to free themselves” (445). The concept of ghosts and freeing oneself continues when Denny imagines Abby placing the spool of blue thread in his hands. From the afterlife, Abby forgives him, or she shows him that she knows he forgives her for years of feeling entangled by her overprotectiveness.
Though the house’s fate is unknown, Red has a dream about the house burning down. This destruction symbolizes the destruction of the family unit, in terms of the family previously feeling beholden to the house. So much of the Whitshanks’ lives center around the house, as if none of them can properly grow until the house is metaphorically burned down. They’re all ghosts who hover around the house that Junior built. Now that Abby is gone, they can free themselves of the house. The dream of the burning house ultimately symbolizes closure, made clear as well by the novel’s ending. Though Denny doesn’t know how things will turn out with Alison, he’s returning home—his own home, a definition of which is more malleable and fluid—dreaming of closure.
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By Anne Tyler