65 pages • 2 hours read
Content Warning: This section of the guide includes discussion of child sexual abuse, incest, and misogyny.
Both men and women in A Thousand Acres are expected to follow strict gender roles. Men tend to be rewarded for conforming to masculine standards of toughness and authority. Larry is highly respected in town for being a good farmer and a strong father. His daughters—and some townspeople—are afraid and intimidated by him, which allows him to exert power and control over them. After he yells at Ginny and Rose, he decides to go out into the storm, rather than seek shelter. This is a hyper-masculine act and shows Larry’s commitment to his male pride. While Larry is never the same after the storm, in many ways, people have more sympathy for him following it. This implies that he is ultimately rewarded for acting masculine even when it is detrimental to his health.
Rose and Ginny, meanwhile, are repeatedly punished for failing to conform to their community’s expectations of femininity. On the surface, both women are extremely domestic and dedicated to farm life. They care for Larry, always making sure he is fed and has everything he needs. They almost take on a maternal role for Larry. When Ginny remembers Larry sexually assaulting her, she remembers “feeling him suck [her] breasts” (228), which is reminiscent of breastfeeding a baby. Some of the tension in Ginny and Rose’s relationship with Larry stems from the way his sexual abuse blurred which feminine gender role they occupy relative to him: They are unsure if they are his daughters, his mothers, or his wives.
While Larry decides to give his daughters the farm, he does seem to resent the fact that he is passing it down to women instead of men. Following the storm, he tells Jess that the “whores had sent him out into the storm and that he wished he’d had sons” (195). Rose and Ginny have done nothing to Larry but question his erratic behavior, but by wishing he had sons, he implies that this kind of questioning is a uniquely female thing to do. As a result, the women are punished by him for forgetting to act submissively. Additionally, both Ginny and Rose are seen as being manipulative and conniving by the townspeople and are accused of orchestrating Larry’s decision to give them the farm. This is not true, as it was Larry’s idea to give them the farm. However, because they are women, they are not expected to have such a level of power and authority, leading people to believe they only could have attained that power and authority through manipulative or evil ways.
Additionally, both women have had elements of their femininity removed from them, highlighting that they are seen as “bad” women by the men around them. Ginny is never able to carry a pregnancy to term, which means that no one in the Cook family produces any male heirs. Larry is especially bothered by this and goes so far as to call her a “barren whore.” At the beginning of the novel, Rose has just undergone a mastectomy due to a breast cancer diagnosis. As a result, Pete no longer wants to see her naked, requesting that she wear her nightgown in front of him. Both Ginny and Rose become obsessed with reclaiming the aspects of their femininity taken from them: Ginny tries in vain to become pregnant, while Rose begins to act hyper-sexually to reclaim her body and the innocence Larry took from her when she was a teenager. Ultimately, both women fail to reclaim these aspects of their womanhood and lose the men in their lives as a result.
Interestingly, Caroline does not adhere to the strict gender roles found on the farm, and she is not punished for this failure. This could be because she is an outsider, and, as a result, she is not expected to adhere to the same expectations as her farmwife sisters. Regardless, Caroline’s ability to act more masculine and assertive toward Larry and the other men frustrates Rose and Ginny because it is something they are unable to do. Overall, by adhering to the strict gender roles on the farm, the characters in the novel are always unhappy and angry at each other, never finding peace.
Throughout the novel, the Cooks are desperate to maintain their carefully crafted appearance of being a successful and respected farm dynasty. Their focus on appearances is so profound that some members of the family, particularly Ginny and Caroline, deceive themselves about the realities of their lives and relationships. Eventually, the characters are forced either to confront the dark truths they are hiding or be torn apart by them.
Larry in particular is often put on a pedestal in the community because “he’s a good farmer. Everyone respects him and looks up to him. When he states an opinion, people listen” (104). However, the reality is much darker. While he appears to be an upstanding man, he is vindictive and violent. He sexually assaults Ginny and Rose throughout their teenage years, leading both women to have strained and tense relationships with him. Rose struggles to contain her rage regarding Larry’s abuse and believes that the town is willing to overlook his negative attributes because of his good farming history:
Either they don’t know the real him and we do, or else they do know the real him and the fact that he beat us and fucked us doesn’t matter. […] [He] can go out into the community and get respect and power, and take it for granted that he deserves it” (302).
Even when Larry begins suffering from an apparent mental health condition, it is never completely clear whether he is just pretending to gain sympathy.
The Cooks care immensely about what the townspeople think of them and often go into town to hear and understand the gossip. Additionally, many of their fights take place in public, forcing them to act inauthentically to maintain their respectable reputation. When Caroline announces her wedding in the newspaper, an act that “was intended to humiliate and succeeded in doing so” (155), Rose responds with the equally showy act of sending an extravagant gift. Neither woman addresses their anger and resentment toward each other, instead maintaining the façade of being a happy family. While preparing for the hearing regarding the farm’s future, Ty, Ginny, Rose, and Pete are explicitly told to act like “model farmers” and wives until their court date because “appearances are everything with a clause like this” (284). They maintain their public-facing reputation and keep the farm. However, in the process, all four of them experience extreme tragedy, mainly because they refuse to acknowledge the devastating and suffocating effect the farm has on them.
Interestingly, most characters’ deaths or accidents appear on the surface to be caused by one thing but are revealed to be caused by something else entirely. Ginny lives her whole life on the beautiful family farm, surrounded by lush flora and fauna. However, her inability to become pregnant is most likely due to the chemicals being used on the land, meaning that the land is not as lush and healthy as it seems. Additionally, the family—and many of their neighbors—have a history of cancer, which could be attributed to the land. Harold’s accident appears to be a freak accident that reveals Howard’s increasing age, when, in reality, Pete sabotaged him. When Ginny decides to kill Rose, she does so in an extremely domestic way, grinding up water hemlock, which looks similar to other edible vegetation, and putting it in a sausage that Rose likes. On the surface, it appears to be a gift, while in reality, it is a way to remove Rose from her life.
Ultimately, attempting to maintain a positive and respected appearance deepens the darkness and dysfunction at the heart of the Cooks’ relationships and leads to their dysfunction being revealed. Their choice to sacrifice authenticity for appearances causes them to lose everything, and their dynasty vanishes. Only Caroline clings to the false front her father and family put up, and it costs her a relationship with her living sibling.
Throughout the novel, power and revenge become increasingly intertwined as characters jockey with each other to seize control and mete out punishment for past wrongs. In every instance, the characters’ quests for power and revenge lead to further pain, suffering, and even death. The novel suggests that even when the desire to exert power or exact revenge is motivated by justifiable anger, clinging to that anger only causes more harm.
At first, it appears that most of the characters are seeking power. When Ginny starts standing up to Larry as his erratic behavior increases, she is overcome with excitement and admits that “Power pumped through” her. Ty and Pete both get excited about taking on more responsibilities at the farm because it means that they will be giving directions to Larry for once instead of receiving them. Furthermore, on the surface, it appears that Larry’s erratic behavior is brought on by his sudden lack of power. He exerts immense power when giving his daughters the farm, even going so far as to leave Caroline out of the transaction because she questions his decision and, implicitly, his power. However, when he gives his daughters the farm, he loses his main source of power over them, leading him to become obsessed with getting it back. Ultimately, it costs him his life and the farm’s future, as Ty is never able to recover from the hearing’s effect on his expanded hog operation.
However, simmering below the quest for power is a quest for revenge. Rose in particular is obsessed with getting revenge against the men who have hurt her. When Pete breaks her arm, she makes a cast cover that announces Pete as the source of her injury and wears it out in public. The day Pete dies is the same day Rose announces to him that she is leaving him to be with Jess, and it is implied that her announcement causes Pete to drink and try to seek revenge at Harold’s, which ultimately leads to his death. Rose is constantly trying to “find some way to get out from under what Daddy’s done to [her] before” she dies (238), which leads her to behave almost as erratically as Larry. She forces Ginny to confront her long-buried sexual trauma to gain an ally in her fight against Larry, then taunts her with her affair with Jess. Ultimately, it is this vengeful edge that causes her to lose Ginny’s support. Ginny is unable to handle the pain of losing her one love, so she decides to seek revenge by killing Rose with poisoned sausages. While the plan is unsuccessful, Ginny never forgets the sausages, viewing them as a symbol of the evil she is capable of. What finally gives Ginny meaningful release from her suffering is leaving the farm and her family behind to build a new life for herself in the Twin Cities. The fact that Rose dies while still clinging to her anger suggests that her inability to release herself from her need for revenge is part of what kills her. Though the sisters’ desire for control over their lives and bodies and retribution for their suffering is understandable, the novel shows that the pursuit of power and revenge harms everyone it comes into contact with.
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By Jane Smiley
American Literature
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Appearance Versus Reality
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Challenging Authority
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Dramatic Plays
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Family
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Power
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Revenge
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