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Summary
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Chapter Summaries & Analyses
Key Figures
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Important Quotes
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Given the widespread dominion of crime boss Whitey Bulger, whose criminal enterprises held sway over South Boston during the 1970s and 1980s, residents of “Southie” maintained a strong code of silence when it came to dealing with their own internal troubles, and there was an intense level of social censure against being a “snitch”; talking to the police or even reporting crimes was highly frowned upon, and those who conformed to this code earned the ultimate mark of respect in Southie, even if keeping quiet meant serving a life sentence in prison. This fanatically tight-lipped mentality arose partly because of Whitey Bulger’s encouragement and partly because of the Irish nationalism that many of Southie’s citizens clung to during this time frame.
This omnipresent code of silence manifests in a variety of different ways in MacDonald’s memoirs of his tumultuous childhood in Southie but is particularly prominent within his account of his family dynamics. For example, several of Michael’s siblings—such as Kevin and Kathy—were actively engaged in criminal activities of one kind or another throughout their childhood and adolescence. Kathy succumbed to the influences of addiction, while Kevin developed considerable skills in a life of confidence games and drug dealing, gradually escalating his activities until he become a close associate of Whitey Bulger himself. Throughout these years, the MacDonald family and their neighbors were aware of these activities, but the close-knit culture of South Boston was such that no one would ever think of reporting such crimes to the police, who were widely distrusted and despised.
In MacDonald’s adult career in activism, however, he is acting upon the realization that South Boston’s cultural emphasis on silence is counterproductive because it takes away the voices of people who might otherwise use their experiences to create positive change. Understanding that this code of silence convinces people that change itself is impossible, MacDonald actively works to bring people’s stories to light. When he finds his own voice and begins publishing articles about the issues closest to his heart, he is surprised to realize that “people wanted to talk after years of silence” (8). Ultimately, MacDonald’s shift to a life of activism in the wake of his family’s many tragedies indicates his deep understanding that speaking out against injustice and working toward creating a better neighborhood are also types of loyalty.
As MacDonald’s narrative reveals a complex landscape of fraught family dynamics, local neighborhood attitudes and views, and broader political turmoil, the emphasis of his descriptions remains focused upon the various implications of the close-knit Southie community that dominated his childhood. From the moment of the family’s arrival in Southie, they are forced to contend with the importance of carving their own niche within this tough-minded neighborhood; as the young Michael’s new friend Danny explains, Michael himself is destined to get into a fight or three before he and his family manage to establish their bona fides within the neighborhood. Ma’s approach to this issue illustrates the complex dynamics involved, for when her family is initially threatened by local gangsters, she brazenly walks up and down the street with a shotgun to illustrate her lack of fear. Combined with her children’s growing reputations for toughness, confidence, and street smarts, this ensures the MacDonald family earns its place among the hard-nosed residents of Southie.
However, membership in this community comes with its own unique hardships, for as MacDonald observes, “In Southie the worst thing you could be was a snitch” (67). Distrust of authority figures is simply part of the local landscape, and the MacDonald siblings’ dabbling in criminal activities leads several of them to harsh and violent ends. The collective family grief over this series of tragedies binds the surviving members closer together, and as they and the rest of their community struggle to contend with the broader social and political violence raging around them, their sense of belonging to the extremely tight-knit community of Southie intensifies.
As an extension of this dynamic, the community of Southie, with its predominantly Irish Catholic origins, stands as a discrete unit amid the wider population of Boston, maintaining a distinct culture and personality. This sense of unity, while often beneficial for its residents on a personal level, also contributes to the collective outrage, violence, and acts of racism that run rampant during the busing crisis of the 1970s and 1980s, for many of the white residents of South Boston see the Black residents of nearby neighborhoods such as Roxbury as their enemy. MacDonald’s descriptions of the ensuing violence match other accounts of anti-busing protests and mobs in which people gathered to jeer and throw bricks at the approaching school buses that were bringing Black students to South Boston High School. Opponents of the busing initiative wished to retain control of where their children were sent to school, but these incidents gave South Boston a widespread reputation for rampant racism. Amid this widespread turmoil, MacDonald’s account of the dynamics of Southie indicates that the entire neighborhood of Old Colony sees itself as a family of sorts, and the narrative indicates that white people in South Boston see themselves as a family feuding with nearby communities of Black people. Furthermore, the Southie of MacDonald’s youth clearly sees itself as a unit that is largely separate from the rest of Boston, and the descendants of Irish immigrants who live there see themselves as a family that is opposed to many American ideals and much of its government.
In the earliest chapters of All Souls, MacDonald’s commentary makes it clear that fathers and strong male role models of any kind are not a fixture in Southie, and his own family unit also feels this lack, for he and his siblings, along with many of the children he meets, never knew their fathers; they were abandoned from the outset. The young Michael experiences a personal sense of this loss on his 10th birthday when he gives in to the temptation to call his father, George, for support. Faced with hostility from George’s mother, who declares that George does not have a son, Michael must also endure George’s assumption that Ma “put [him] up to this” (121). In this moment, Michael experiences a sense of disillusionment and gives up his forlorn hope of having any sort of meaningful connection with his father.
The theme of abandonment continues to manifest in a wide variety of ways as the narrative progresses, for although Ma is a strong woman who is dedicated to caring for her children, she nonetheless engages in a series of disastrous relationships with irresponsible and outright abusive men. Thus, with the failure of each successive relationship, her children must endure repeated experiences of abandonment, growing ever more distrustful that circumstances might one day change for the better.
Their instinctive distrust is mirrored in the attitudes of other young people in Southie, and the busing crisis in the 1970s contributes to the entire community’s growing sense of disenfranchisement, for Southie itself comes to see itself as having been abandoned by both the state and the federal government. MacDonald’s narrative therefore asserts that the poor of South Boston—white people and Black people alike—are largely abandoned by upper-class liberals who talk about progress but make ill-informed decisions that create combustible situations. MacDonald presents the busing initiative as a key example of this dynamic, as the subsequent actions of warring factions give rise to chaos, racism, and collective outrage that ravages the very social fabric of the city.
The long-term effects of abandonment manifest in varying ways within the MacDonald family as well, for Davie, to the young Michael’s mind, abandons his family when he dies by suicide, while Ma’s boyfriend Coolie refuses to take responsibility for getting her pregnant. Later in the narrative, Frankie’s partners in the failed robbery abandon and kill him in order to save themselves the trouble of treating his injuries and risking arrest for their recent crime. Ultimately, even the legal system and the police force abandon their responsibilities and utterly fail the MacDonald family; when Stevie is wrongly convicted of murder, Michael finds himself consumed by rage against all of the injustices that he feels helpless to correct. Thus, the expectation of abandonment feeds Michael’s cynicism and growing hopelessness.
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