59 pages • 1 hour read
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Literary Devices
Important Quotes
Essay Topics
Tools
Poe’s 1973 Camaro, a distinctly American model with its “punched-out 350, Weld rims, new paint” (94), represents Poe’s belief in American exceptionalism. When he races another boy’s Subaru, the race takes on a greater significance. It is not just about two cars but two countries—United States versus Japan, a global competition that Japan seemed to be winning in the 1980s with its smaller, better-built Toyotas and Hondas. For Poe, however, it’s all about the speed, and although he “smokes” the Subaru in the first race, the second round costs him his transmission, and he leaves the car in a roadside ditch. Poe reluctantly admits that the United States is falling behind, and signs of that decline are everywhere. Once, American-made muscle cars—Camaros, Ford Mustangs, Pontiac GTOs—ruled the market, but nothing is permanent, and when gas prices rose and mileage and durability became primary concerns, those once proud beasts of the American highway became dinosaurs. There was no small amount of hubris behind the belief in America’s automotive—and political—exceptionalism.
When Isaac ventures into the wild on his own, he packs the stolen cash and a knife, imagining it will come in handy at some point. Isaac, however, is not a hunter like Poe, and his relationship with the knife is theoretical rather than practical. Poe could likely use the knife to kill and skin prey, but Isaac doesn’t have those skills, so the knife is more of a prop than a useful tool. On the one occasion that the knife would come in handy—defending himself against the Baron—he chooses not to use it, and he loses his entire nest egg.
The knife as a preindustrial implement represents a stark divide between regional economies, between, for example, the Rust Belt and Silicon Valley. While Isaac’s intellectual talents may flourish in California’s Bay Area, those skills are about as useful as conflict management when confronting a wild bear. A knife in the hands of Isaac English is utterly useless, and it embodies the similar uselessness of an entire workforce whose skills have become antiquated and unwanted.
A motif of extremism—specifically, white supremacy—plays into the novel’s focus on economic deprivation. As Isaac begins his westward trek, he encounters an acquaintance from school and another young man tagging a retaining wall with spray paint. The unknown youth sports a shaved a head and a white supremacist tattoo. Isaac notes a correlation between the rise in white supremacy and the closing of the steel mills. In prison, Poe meets a gang of white supremacists. The sharp racial divides inside Fayetteville suggest a connection between economic distress and racial extremism, and while other factors certainly come into play—ideology, the appeal of a charismatic leader, the emotional benefits of belonging to a like-minded community—poverty and lack of purpose can make individuals vulnerable for recruitment by extremist groups. While the young man Isaac encounters may be more of a dilletante, claiming membership in a group he doesn’t really understand, the recurring motif—the white supremacist group in prison, Isaac’s observation that extremism is “not unusual” these days—suggest the author sees a larger trend.
Throughout Isaac’s journey, he often refers to himself as “the kid”: “The kid knows that the roads will just get him lost” (103); “The kid is a simple animal” (223). At first, it seems to be just a whimsical device, a nickname he gives himself to pass the time, but its frequency suggests something else. Sometimes, Isaac uses “the kid” as a way to bolster his confidence during times of stress: “The kid has ridden Viking prows, hunted polar bear […] Lives with honor—one of the few. The people retreat shamefaced from him and the kid stands alone” (105). However, for Isaac—the character who most longs to escape the Valley and create a new life elsewhere—“the kid” ultimately symbolizes a desire to be someone and somewhere else.
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