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Black Panther: The Young Prince

Fiction | Novel | Published in 2018

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Issues 5-9Chapter Summaries & Analyses

Issue 5 Summary: “Jungle Action #8, January 1974”

T’Challa fights multiple men in the crimson dusk of Wakanda, his wounds from fighting Killmonger and Venomm still fresh. The fight is one of the trials in the ceremony that gifts him his Black Panther abilities. Mendinao, the herbalist who knows the secrets of the heart-shaped herbs, watches T’Challa, just as he watched T’Challa’s forebearers do the same. Beside him is W’Kabi, who believes T’Challa does better than expected. Both, however, notice the rage he still holds for Killmonger. Mendinao believes T’Challa is losing control and wonders if it is a result of his time in the US. After the fight, T’Challa tells Mendinao that he needs the sacred panther powers now. He is ready for the next step.

In the palace, Malice, a woman sent by Killmonger, finds Venomm guarded by Taku, who questions Venomm about his past. As a child, Venomm, whose real name is Horatio Walters, was bullied. A classmate threw acid in his face, disfiguring Horatio. After this, Horatio became a recluse, studying reptiles and working up an immunity to most snake poisons. One night, at university, Horatio was attacked by a group calling him a freak. Killmonger intervened and promised to take Horatio to Wakanda, which he would take by force.

Monica sees T’Challa surrounded by men and runs to intervene, believing they are hurting him. W’Kabi cannot stand her interruption of a sacred ceremony and pleads with T’Challa to do something. T’Challa cuts the ritual short and walks with Monica into the palace, much to Mendinao’s dismay. In the castle, T’Challa narrowly misses a spear thrown by Malice. His powers are weakened, and the spear cuts him before splitting a stone pillar in half. Malice declares that Killmonger gave her this strength. She means to escape with Venomm, but T’Challa fights her, and W’Kabi runs in and grabs Venomm, telling T’Challa that if they’d tortured Venomm days ago to learn Killmonger’s whereabouts, this wouldn’t be happening. T’Challa warns against such a violent path. Malice escapes through a window, and T’Challa stops W’Kabi from killing Venomm, telling him it is not the way.

Issue 6 Summary: “Jungle Action #9, May 1974”

A child named Kantu walks through the jungle of Wakanda when a rhinoceros bursts through the foliage. T’Challa, on its back, yells at Kantu to get out of the way. T’Challa struggles against the beast and reflects on how his death may impact his kingdom and enable Killmonger. He finally kills the rhinoceros, and Monica hugs Kantu until his parents, Karota and M’Jumbak, arrive. Karota looks disdainfully at Monica, unable to trust an outsider.

Back at the palace, Monica sits with T’Challa as his advisor Zatama paces the room and Tanzika, a court handmaiden, serves them. Zatama grows angry at T’Challa and W’Kabi, believing they both become too familiar with violence. Monica tells T’Challa that she feels as though she is a symbol that represents what the Wakandans hate.

M’Jumbak takes a nighttime walk through a graveyard when hands suddenly shoot up from the ground. The Baron Macabre rises and kills M’Jumbak. At the palace, T’Challa comforts Monica when Zatama bursts in and tells T’Challa that W’Kabi wants to torture Venomm. Zatama tells T’Challa that he is losing control of his people. Zatama brings in Karota, who tells T’Challa that M’Jumbak disappeared in a graveyard haunted by Baron Macabre.

T’Challa rushes to the graveyard and finds M’Jumbak’s body. Suddenly, more bodies rise from the ground, and T’Challa comes face to face with Baron Macabre. Baron Macabre shoots fiery blasts at T’Challa that burn him while his minions overwhelm T’Challa and bring him to the Baron. In the palace, Zatama sits and considers how quickly the palace and technology appeared around him as he grew up outside the palace gates. Someone approaches and kills him with a spear.

In the graveyard, Baron Macabre wraps his fingers around T’Challa’s throat. T’Challa escapes from beneath Baron Macabre and flees, vowing to return. T’Challa rushes back to the palace to witness W’Kabi arresting Monica. T’Challa demands to know what happened, and W’Kabi tells him that Zatama is dead, and Monica’s fingerprints are on the spear.

Issue 7 Summary: “Jungle Action #10, July 1974”

The day after Monica’s arrest, T’Challa sits on the shore of the River of Grace and Wisdom and contemplates his reflection, unsure of who he is. A crocodile sneaks up on him, and T’Challa fights for survival. He and the crocodile roll and struggle, crashing through the water. Taku, T’Challa’s communications officer, arrives and calls to his chieftain. T’Challa frees himself from the crocodile, and Taku pulls him ashore. There, T’Challa tells Taku that he believes Killmonger has an influence on him, but Killmonger would rule selfishly. Taku asks T’Challa if he believes he rules differently.

In Monica’s cell, T’Challa explains to her that he believes she was framed. He does not believe she killed Zatama. Later, T’Challa and W’Kabi argue over Monica. W’Kabi is enraged, questioning T’Challa’s allegiance as T’Challa insists that Monica is innocent. Their argument ends when Karota enters, and T’Challa must tell her of M’Jumbak’s passing. That night, T’Challa returns to the graveyard to retrieve M’Jumbak’s body but is again waylaid by the dead. He fights them off, forcing one to tell him where he can find Baron Macabre. The corpse tells him that there are tunnels under the graves that will lead T’Challa to the Dark Realm, where Baron Macabre and King Cadaver reside.

T’Challa jumps down a grave into a dark tunnel. Lights flash on, momentarily blinding him. T’Challa is surrounded by mirrors, with Baron Macabre and King Cadaver’s reflections everywhere. King Cadaver is hideous, with a bulbous head made of mold, but a soft voice. King Cadaver’s voice pervades T’Challa’s mind. T’Challa wonders how Killmonger could grant such power. T’Challa begins breaking mirrors and finds Baron Macabre. T’Challa defeats him, and when he finds King Cadaver, T’Challa expects his face to be a mask but is horrified to find it is real. T’Challa throws King Cadaver through the final mirror and is stunned to find himself in the computerized weapons depot under central Wakanda. He realizes that Killmonger mined these tunnels to steal the weapons.

Issue 8 Summary: “Jungle Action #11, September 1974”

T’Challa, W’Kabi, and Taku approach the village of N’Jadaka and send their forces to the village. Though T’Challa lost Baron Macabre and King Cadaver at the mines, information from Taku’s conversations with Venomm is essential in planning this attack. In the village, Tayete and Kazibe are ambushed by T’Challa. Soldiers run out, followed by their leader, Lord Karnaj. A battle ensues, with T’Challa’s men swarming the camp and Karnaj’s soldiers wielding deadly, sonic disruptors. As T’Challa and W’Kabi fight Lord Karnaj, Baron Macabre sneaks up behind W’Kabi, ready to fire his lasers into W’Kabi’s back. T’Challa beats Baron Macabre, saving W’Kabi. W’Kabi is in awe of the Black Panther’s power and tells T’Challa that his actions remind him of the T’Challa he once revered. The two shake hands in renewed friendship.

T’Challa’s mind strays to Monica. Before the battle, Monica insists that she is the embodiment of what the Wakandans fear. T’Challa assures her that he knows she is innocent and will find evidence that proves it. That night, T’Challa stalks the forest, seeking Zatama’s real murderer. Near the river, T’Challa sees Tanzika crouching. Just as she is about to throw a package into the water, T’Challa springs over her and grabs it midair. He reveals that the murder weapon was not a spear, but Monica’s shish kebab stick with an extra segment attached. Tanzika defends herself, saying she had a secret romance with Zatama, but that when he broke it off, she had to do something. T’Challa now has pictures proving their relationship.

Back on the field of battle, Malice appears and fights W’Kabi while T’Challa faces Lord Karnaj. Taku, the most peaceful of T’Challa’s advisors, sees the body of a murdered child, and rage fills him. He attacks Lord Karnaj, beating him while he begs for mercy. T’Challa stops Taku, the battle over, and reminds him of his own words against such violence. As Taku takes the child and walks into the distance, W’Kabi and T’Challa lament seeing this new side of Taku.

Issue 9 Summary: “Jungle Action #12, November 1974”

T’Challa, Monica, and Taku bring the captured Tayete and Kazibe to the Land of the Chilling Mist, where Killmonger and King Cadaver are heading. T’Challa leaves Monica and Taku, leading Tayete and Kazibe to Killmonger. Ahead of them, Killmonger and King Cadaver trek through the snow to meet Sombre at the Altar of Resurrection. Sombre, the Oracle of the Altar of Resurrection, is a ghastly man with soulless eyes and a mask melded into his face.

Behind the villains, T’Challa, Tayete, and Kazibe encounter a river. T’Challa breaks ice off a glacier and uses it as a bridge. He asks the men where Killmonger is going, and when they tell T’Challa that Killmonger seeks the Altar of Resurrection, T’Challa realizes the enormity of the task ahead: The altar is built over the remains of a fallen star, and above its flames lies King Cadaver. Sombre comments that King Cadaver is not afraid. Killmonger explains that King Cadaver knows he will be stronger after and that initially, he followed Killmonger because, like many others, he was not satisfied with his own life. In central Wakanda, Monica visits Kantu and Karota, though Karota begs Monica to leave, expressing her distrust of her. Monica persists, however, saying that they both understand tragedy and can help each other.

T’Challa calls out to Killmonger and attacks, resuming the fight from three months earlier, when Killmonger threw T’Challa from Warrior Falls. Killmonger seems glad to see T’Challa, claiming it will be a short fight. He quickly overpowers the Black Panther and throws him into the flames. With his quick agility, T’Challa recovers and bounds out of the flames, only to lose consciousness from Sombre’s acidic touch. T’Challa wakes alone in the snow with nothing but a spear, surrounded by wolves. In a brutal fight, he kills wolves as they attack, until the pack leaves. Alone, freezing, and on the brink of death, T’Challa seeks shelter, contemplating the immense task of fighting.

Issues 5-9 Analysis

As the struggle between Killmonger and T’Challa worsens, T’Challa faces more of Killmonger’s superpowered allies. Killmonger depends on ancient traditions and what appears as magic to enhance his allies into superpowered beings. He then delegates his campaign to these lieutenants, who then face T’Challa. This stands in sharp contrast to T’Challa’s leadership style of bearing responsibility alone, highlighting the theme of The Weight of Leadership. The greatest contrast, however, between T’Challa and Killmonger is their differing use of technology and magic. Killmonger’s emphasis on ancient rituals and supernatural enhancements reflects a deep reliance on tradition, whereas T’Challa’s technological advancements place him at odds with these traditional practices, symbolizing the tension between progress and cultural preservation. When Malice confronts T’Challa, she highlights this difference as a motivation for siding with Killmonger: “My mother thought you were the great wizard king who brought magic to our land! [...] She remained an ignorant hill woman [...] But Killmonger has given me these powers and the chance for something more in my life!” (93). Malice’s mother saw the technology T’Challa brought to Wakanda and believed it magic, yet, her life did not improve. Killmonger, however, uses the magic, influenced by Sombre, to gift Malice with abilities that can help her control the direction of her future. Malice’s disillusionment with T’Challa represents the broader theme of The Conflict Between Technology and Tradition, illustrating how individuals in Wakanda become divided by differing perceptions of progress and empowerment. Malice chooses Killmonger’s more culturally traditional path of leadership, using magic to imbue superhuman ability. She spurns T’Challa’s technology and the Wakanda he builds, allying instead with a revolution against it.

Throughout this collection of Black Panther comics, T’Challa fights many villains. However, these are not the only antagonists he faces, as he is often attacked ruthlessly by the animals of Wakanda. These interactions reflect the way nature itself seems to reject T’Challa’s rule, symbolizing the internal and external conflicts brought on by his leadership and technological modernization of Wakanda. This turmoil then manifests in nature resisting and even attacking T’Challa. One of the first large animals T’Challa faces is a rhinoceros on Pages 101 through 103. T’Challa kills this rhinoceros to protect his citizens, reminding him of his essential duties as the Black Panther. He must protect his people from human threats, as well as threats from nature. His fight with it is burdensome, and he nearly dies wrestling it to the ground. These moments with animals reinforce the tension between the natural and technological worlds, mirroring the divide between Wakanda’s traditional ways and T’Challa’s innovations. The second animal he faces is a crocodile on Pages 119 through 121. This crocodile is huge and nearly crushes T’Challa in its jaw. It sneaks up on T’Challa as he gazes at his reflection in the river, wondering who he is and struggling with his self-doubt. In this scene, the crocodile’s ambush becomes symbolic of T’Challa’s own internal ambush—his inability to reconcile his identity as both king and Black Panther, torn between tradition and progress. As he and the crocodile wrestle, though, T’Challa comes to understand himself and his duties as the Black Panther better. On Pages 168 through 171, T’Challa faces a pack of hungry and violent wolves in the mountain. They are a true test to him, and he struggles to survive, sustaining many wounds and forcing him to confront the importance of his duty as the only one who can stop Killmonger. In each of these instances, T’Challa’s bouts with nature force him to look inward and come to a new realization about who he is as the Black Panther. Thus, nature becomes a conduit for T’Challa’s personal growth, reflecting the theme of The Weight of Leadership as he grapples with self-doubt and the overwhelming weight of his responsibilities.

T’Challa feels the burden of his leadership constantly and is keenly aware that every fight he engages in is for the protection of his people. This constant devotion to the mantle of the Black Panther means that he thinks of his leadership and its impact on others nearly every moment. This is reflected in his thoughts on the page and in his appearance. T’Challa rarely wears anything but the Blank Panther costume, signifying how his duty is constant and ever present. There are moments, however, when he escapes it:

For one moment, he is free! [...] For this one moment, he does not have to be the Black Panther! [...] he does not have to be T’Challa, King of the Wakandas, either [...] and as he flexes and springs fluidly from one rocky outcropping to the next, the burdens of nobility are fleetingly lifted (139).

These moments of freedom, however fleeting, illustrate the tension between the desire for individual autonomy and The Weight of Leadership. When he engages with the nature around him or feels the extent of his powers outside of fighting, he can momentarily forget his responsibilities and instead enjoy the moment. Such moments of reprieve offer insight into the complexities of his role as a leader, highlighting the isolation and emotional toll that comes with being both king and protector. It is rare that he can use his powers for pleasure, but when he does, it reminds him of his own individuality, apart from the Black Panther mantel and its ensuing responsibilities. The Black Panther is a title explicitly given to the leader of Wakanda, with duties related to its protection, and with limited opportunities to be out of the suit, T’Challa has few moments to be himself. Ultimately, these instances reflect T’Challa’s struggle to reconcile his humanity with the elevated role he must fulfill as both leader and warrior, a burden that requires him to suppress personal desires in favor of duty.

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