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Seeking relief from his heartbreak, James visits Blackfriars Bridge, a favorite place for his family—but the familiar setting brings no comfort. Matthew joins him, understanding his sorrow through their unique parabatai bond. James grabs Matthew’s flask and drinks Blue Ruin, the cheapest, strongest liquor out there. Feeling suddenly lucid, James tells Matthew he can sense something plaguing his parabatai, but Matthew evades James’s question. James suddenly faints, almost slipping off the bridge. In a dream, he sees himself with a great winged demon on his back. Cordelia kills the demon, using Cortana.
James wakes up at the Institute, where Matthew brought him. James feels oddly well, though he groans at learning everyone now knows of his heartbreak and Grace’s engagement to Charles. Matthew tells James that the injured—including Tatiana—have been moved to the Silent City, home of the Silent Brothers. Grace has been put up with the Pouncebys, a Shadowhunter family.
A letter arrives for Lucie, but James intercepts it, knowing it is actually for Cordelia. He brings the letter to Cordelia, feeling lighter than he has in months. The letter is from the Consul Charlotte Fairchild, Matthew’s mother. The letter relays that Cordelia’s father Elias’s trial has gained no momentum, since the Clave is now occupied with the demon attacks. Moreover, Elias cannot be tried by Mortal Sword—an instrument that compels truth-telling—since he has no memory of the failed expedition. James consoles Cordelia, remembering her kindness to him when he was sick. Christopher arrives and tells them that he and Thomas examined the shards from Gast’s flat at the lab in the Devil Tavern. They found acidic demonic blood on only one side of the shards. The group take another look at the sketch of the box found in Gast’s flat, and Cordelia discovers the symbols are in Old Persian, spelling “Mandikhor” or “Manticore,” the name of a demon. The Shadowhunters realize the shards are from a Pyxis box, used for trapping a demon’s essence. Because the demon must have burst out of the box, the blood is only on the inside of the shards.
To discuss matters more freely, all of the gang, including Lucie, Matthew, and Thomas, meet at the tavern. Their research indicates the Mandikhor can split into smaller demons called Khora; this explains why, while Gast spoke of trapping one demon, the attack at the lake involved many. All the attacks so far have involved Khora, not Mandikhor. It stands to reason that if the Mandikhor can be released from a Pyxis box, it can also be re-trapped.
Cordelia’s knowledge of Persian lore tells her the Mandikhor live in threshold-like spaces, such as bridges and country borders. James recalls seeing the Tower Bridge when he fell in the shadow-realm in the ballroom, which may signal that the Mandikhor is hiding there. If they can get a Pyxis Box to Tower Bridge, they may be able to trap the Mandikhor. Cordelia recalls the box with the alchemical symbol—the ouroboros, which shows a serpent eating its own tail—in Hypatia Vex’s chamber at Hell Ruelle. Realizing it is a Pyxis, the group hatches a plot to steal it. Since Anna is in the good books of the temperamental Hypatia, Cordelia suggests they ask Anna to seduce and distract Hypatia while the others take the box. When they visit Anna with the plan, she reluctantly agrees, enlisting Cordelia, Matthew, and James to accompany her to Hell Ruelle the next night. Meanwhile, Thomas and Lucie are to spy on a meeting of the Enclave.
After the visit to Anna’s flat, James walks Cordelia home. Cordelia is surprised to see a “graceful lightness” in James’s step in the aftermath of his break-up with Grace. He compliments Cordelia for her clever suggestion of enlisting Anna’s help. He also shares with Cordelia his guilt about failing Grace’s test of love. Cordelia tells him the test was unfair; love should be unconditional.
Cordelia later visits Alastair’s room to tell him about Charles’s impeding marriage to Grace. She confesses to her older brother that she knows about his love for Charles and the hurt he must be feeling at Charles’s betrayal. However, Alastair coldly informs her that he already knows about Charles’s plans and that whatever Charles is doing is for the sake of being with Alastair. He accuses Cordelia of spying on him and asks her to leave his room.
At the Institute, Lucie summons Jesse to ask him about the identity of Emmanuel Gast’s client. Jesse does not know about the warlock, but he senses “deliberate evil at work” (361), which will not stop anytime soon. As James heads in to talk to Lucie, Jesse disappears. The conversation abruptly turns to Matthew. James thinks Matthew is in love with Lucie and that, since Lucie doesn’t return his love, Matthew is in a great deal of pain. Lucie senses it may be something else that’s causing Matthew pain. The bigger problem is Matthew’s drinking.
As part of their plan for visiting the Hell Ruelle salon, Anna sends Cordelia a package of fashionable gowns. Anna has also advised Cordelia to wear simple dresses in rich colors, so Cordelia chooses a bronze gown for the salon that evening. When Cordelia later descends from the carriage with Anna before Hell Ruelle, Matthew and James stare astonished at her beauty. Inside the salon, Hypatia Vex’s chambers have been magicked to appear completely different since Cordelia’s last visit. Claude Kellington, the master of entertainment at the salon, is flirting with Hypatia. So that Anna can approach Hypatia, Matthew draws Kellington away—but in turn, Kellington wants one of the Shadowhunters to put on a performance for the Downworlders. Much to James and Matthew’s surprise, Cordelia volunteers.
At the Institute, Lucie, Thomas, and Christopher gather above the room in which the Enclave will be meeting. Using a rune to make the floor transparent, they are able to spy. Apart from the Herondales and other prominent Shadowhunters, Charles Fairchild and Inquisitor Bridgestock are present. Charles informs the gathering that there have been six demon attacks on the Nephilim, instead of three as most people believe. The news was kept secret to avoid spreading panic. To contain the threat to London, all travel in and out of the city is forbidden indefinitely. As the Enclave erupts in anger over this decision, Charles brings more bad news: Oliver Hayward, Barbara’s fiancé, has also died from the wounds she inflicted on him in her death throes. The demonic poison is unnaturally contagious, which is why the Enclave must be particularly cautious. Meanwhile, Inquisitor Bridgestock—Ariadne’s father—wants the Enclave to punish someone for the attacks. The meeting dissolves into arguments, which disgusts Thomas. He erases the rune, knowing the young Shadowhunters must take matters in their own hands.
Cordelia ascends to the Hell Ruelle stage as James and Matthew watch nervously. Her performance is unusual and beautiful: She recounts a Persian legend while dancing gracefully with her sword. The performance is mesmerizing, and the audience find a new respect for the young woman.
As Cordelia rejoins Matthew and James, there arise whispers of a Shadowhunter’s arrival. The group look around anxiously and see Charles has arrived at the salon, possibly to investigate the demon attacks. Alarmed that his brother’s pompous manner may anger the Downworlders, Matthew wants to join him urgently. He suggests that James and Cordelia hide from Charles. James and Cordelia escape to an empty room, but when they hear someone at the door, James kisses Cordelia so they appear to be two Downworlders engaged in a romantic tryst. However, the couple continue to kiss even after the intruder leaves. They break apart when Matthew turns up, and they tell him they were engaged in mere pretense. The three head for Hypatia’s chambers, from which Anna soon emerges bearing the Pyxis box. She hands the box to them and heads back to Hypatia to avoid suspicion.
The next day, after Will and Tessa leave the Institute for a patrol in light of the heightened security protocol, Cordelia, Lucie, and the Merry Thieves examine the Pyxis box. It seems alive, as if it already contains a demon. The group know they must release and destroy this demon so the Pyxis is empty for the Mandikhor. They take the box to the Sanctuary, the only place in the Institute where Downworlders can arrive uninvited. They open the box, releasing a worm-like demon who says it will recover its master’s “lost world” and destroy this one. James slays it, and just as it disappears, Magnus Bane, the former High Warlock of London and Will’s dear friend, arrives in the Sanctuary. Magnus tells James that Henry Fairchild sought his help in studying the dirt from the shadow realm. It turns out the dirt is infused with the essence of Belphegor, a Prince of Hell, indicating it is from his realm. The young Shadowhunters tell Magnus about their plan to trap the Mandikhor. To their surprise, he agrees to help, but he warns he will alert the older Nephilim if anything goes awry.
Magnus and the young Shadowhunters go to Town Bridge, the chosen site of the trap. Khora demons surround the group, and the Mandikhor, “a demon the size of an omnibus” (407), bursts on the scene. Lumps swell under its skin, bursting to drop more Khora on the bridge; since the Mandikhor can generate endless Khora, they must trap it in the Pyxis immediately. Cordelia attacks it while Christopher mutters an incantation to draw the demon into the box.
The demon disappears in the box, and, for a moment, the spell seems to have worked. However, the box bursts open the next instant. The freed Mandikhor invites James to the shadow realm, where he will be honored. Only Cordelia is close enough to hear the demon. When James asks the demon if it’s referring to the kingdom of Belphegor, the demon laughs derisively. Cordelia attacks the Mandikhor, injuring it again, but she topples over the bridge in the process. Claiming indestructibility, the Mandikhor vanishes. Lucie runs to the water’s edge but cannot find Cordelia in the dark water. Then, she sees ghosts carry Cordelia out of the river. To Lucie’s relief, Cordelia is alive. Spotting Jesse clutching his golden locket at the riverside, Lucie assumes he requested the ghosts to save Cordelia. The other Shadowhunters arrive at the spot. Only Lucie can see Jesse and the other ghosts.
The narrative flashes back to Cordelia and Alastair’s childhood:
The siblings often fought over Cortana, the sword forged by Wayland the Smith, the same master forger who made Excalibur for the legendary King Arthur. One such day, Alastair and Cordelia squabbled in their father’s presence. Alastair claimed the sword was his since he was a Carstairs, while Cordelia would marry into another family. Cordelia was enraged because she was the better swordswoman of the two and had always felt a deep affinity for Cortana. Elias seemed to agree with Alastair. Cordelia shouted that Cortana was hers, and the sword flew out of its stand to rest in her hand. As the shocked siblings stared, Elias explained that sometimes the sword chooses its wielder: Cortana had claimed Cordelia for its own and belonged to her. That is how Cordelia came by her sword.
This section explores important transitions and transformations, a theme expressed through rich symbolism. Rivers, bridges, and water are dominant motifs in these chapters, representing crossings-over, flow, and change. James grieves his heartbreak on the Blackfriars Bridge; he crosses over from one emotional state to another. Though he almost topples off the bridge, he comes back to his senses dreaming of Cordelia saving him from a demon. Thus, James transitions from the cold darkness of Grace’s control to the warm light of Cordelia’s love. In another sense, he gives up his false self (which Cordelia has often thought of as the “mask”) and comes into his truth.
The bridge motif recurs in the search for the Mandikhor, with Cordelia’s research showing that the demon lives “in between spaces […] the middle of a bridge. Somewhere that is neither here nor there” (343). The demonic battle on London’s Tower Bridge marks the transition of both Cordelia and Lucie into their greater powers. Water’s symbolism is ambiguous, often representing both danger and change. For instance, the Khora demons rise from the lake in Regent Park and attack James and Grace on a riverside. Cordelia’s fall into the water symbolizes her tryst with death—yet, water can also be redemptive, as the ghosts fish Cordelia out of the water. Cordelia’s escape from the water symbolizes a rebirth and the continuing evolution of her powers.
All three protagonists—Lucie, Cordelia, and James—go through crucial realizations in this section. James realizes his feelings for Cordelia, and the two finally share a moment of passion in the Whispering Room at Hell Ruelle. The narration depicts the encounter in sensuous detail to convey the authenticity of James’s desire for Cordelia. Cordelia, who has always symbolized light, warmth, and life for him, now becomes a real, flesh-and-blood person for James. For Cordelia, the moment of transcendent transformation arrives earlier, when she performs for the audience of Downworlders. Always uneasy in London’s close-knit Shadowhunter circles, and self-conscious about her appearance, she finds a new confidence. All the things that Cordelia loves about herself—her sensual being, her Persian heritage, and her beloved sword Cortana—converge in this performance, symbolizing her full self-acceptance. As Cordelia comes into her own, Matthew and James cannot take their eyes off her. The text suggests that magnetism comes from authenticity.
Both James and Lucie possess gifts that are, in a sense, ambiguous. All through the text, James has grappled with his warlock heritage and affinity for the underworld, but he now begins to realize Uncle Jem’s words: He is defined not by the gift but by how he uses it. Lucie, too, has been troubled by Gast’s description of her power over ghosts as “monstrous,” but this monstrous power saves Cordelia’s life. Lucie’s inadvertent conjuring reveals a power she could not have imagined; no longer simply James’s protected younger sister, Lucie emerges as a hero in her own right.
This section also shows the author’s skill with foreshadowing. Clare has planted earlier details that now propel the plot—such as the barely-glimpsed Pyxis box in Hypatia Vex’s chamber in Chapter 9, and James’s vision of Tower Bridge in the first chapter. The dense plotting unifies the book, connecting themes and motifs.
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By Cassandra Clare