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That night, after Crabbe’s parents leave for the club, Crabbe packs his canoe and supplies into the family station wagon. It takes him so long to pack that his parents arrive home before he can finish. He hides under his car and overhears a conversation his parents are having about him. They leave, and Crabbe begins his journey to the northern wilderness of Canada, saying that he feels “sort of free” and “almost happy” (44).
Just before dawn, Crabbe arrives at the town of Noelville, in northern Ontario. He leaves the main road to head toward the French River. He finds a hiding place for the car along the riverbank, then takes his canoe and supplies out of the car. After taking a nap, he clumsily puts the canoe afloat on the river and loads his supplies. He remembers that he forgot to bring a life jacket. With some difficulty, he steers the canoe down the river until the tributary feeds into the lake, bringing him closer to his eventual destination. He feels a “sense of accomplishment” and “officially free” (50).
Crabbe follows a stream out of the lake. It takes him several hours to get the canoe under control. Farther down the stream, he gets out of the canoe to carry it around a beaver pond. He admits that he hasn’t done even one day’s work in his prior life because everything was always provided for him or outsourced to hired help. He contrasts his experience that day with the previous trip he took with his father, who handled all the preparations for the trip. Crabbe pictures images of men carrying canoes in the outdoors and notes how his own struggles with his backpacks and canoes contrast with their seeming ease. He also realizes that he’d “packed like a fool” (55): the items in the backpack are stowed so carelessly that they dig into his back. He eventually finds the campsite where he camped with his father and decides to stop for the night.
Crabbe wakes up the next morning, his body sore from the hard labor of the previous day. Crabbe has a brief longing for Silent Sam, the alcohol he used to drink back home to soothe himself. He sees some large animal droppings around his campsite. He remarks that “[f]oresight has never been a strong point with me” (59) after discovering that his food, books, and matches have gotten wet in the rain from the previous night. While eating he spills fish oil on his sleeping bag and drops wrappers from his snacks on the tent floor. He then spends a few moments observing the sounds and sights of nature around him, a new experience for him. Ordinarily he finds his mind overwhelmed with the details of his life back home. There in the wilderness, however, he describes himself as “a skinny, aching buddha in his little orange cave” (60).
He wakes up during the night with a deep sense of foreboding. While feeling anxiety and dread is a regular occurrence at home since he suffers from anxiety attacks, this feeling is different. He eventually hears a “soft tearing sound off in the woods behind [him] like the ripping of wet paper” (61). As the sounds get nearer, Crabbe realizes that an animal is at his campsite, a fact that is confirmed when what he thinks is a black bear enters his tent and takes a swipe at him. He rolls into a ball and faints. When he wakes up the bear is gone, and he discovers that he has soiled himself. He cleans himself and leaves his campsite, swearing that from now on he will only camp on islands. After locating an island to camp on, Crabbe settles in for the night, has another longing to drink and a momentary desire to return home, and then falls asleep. He wakes up the next morning and continues his journey.
Crabbe admits that when he set out on his journey into the wilderness he had no idea where he was going, especially since he neglected to bring a map or a compass, items he did not recognize as essential at the time. In retrospect, he realizes that he didn't know he was lost.
That night, as he settles down to sleep, he notices many sounds in the forest as it gets darker, an experience that is surprising for him. He has another longing to drink alcohol, and spends what he calls “a long fearful night” (70) trying to sleep and seriously considers going back home.
The next day is sunny and beautiful, which improves Crabbe’s mood. Crabbe continues navigating down the rivers and streams after breakfast. While he is navigating around a snag, he accidentally goes over some falls. He falls out of his canoe, which is destroyed, and the weight of his packs drag him down into the water. “The dark,” Crabbe says, “was a dead, chilling liquid. And it was like I was slowly sinking into it and it flowed into my ears and nose and mouth and filled me, dissolved me in blackness” (74). He blacks out and has what he thinks is an “erotic dream” of a naked woman rescuing him and then holding him (74). When he wakes up he realizes it is no dream.
In these chapters, the reader learns more about Crabbe’s self-perception and Bell shifts the setting from the closed-off interiors of buildings in the city of Toronto to the open spaces of the North, or the Canadian wilderness. Crabbe as a physical being is ineffectual and judges himself with the same harsh language he applies to others in his life. In “Journal: 5,” he describes himself as “not good at lifting things,” “skinny, gangly, and not strong” (40), quite a contrast to what even he recognizes as highly idealized “pictures of guys carrying canoes, jaunting along happily through a natural wonderland, heads invisible under the noble craft that rested…lightly on their shoulders” (54). Crabbe is also unprepared for life outdoors, illustrated by his failure to bring a lifejacket, map or compass.
Despite his weakness and lack of preparation, he sees the North as a hopeful place that will allow him to transform himself. Crabbe’s decision to flee there reflects his desire for autonomy and a new identity. Crabbe’s retrospective acknowledgement that the lack of compass and map meant he was lost without knowing it (68), his encounter with the bear (caused in large part because he ignored basic precautions for food storage when camping), and his near-death experience at Trout Falls on the French River all drive home the point that his lack of experience place him in conflict with nature and the original intent of his journey is in many ways misguided.
Crabbe’s early descriptions of nature hold hints of both this misguided perspective and a nascent and more realistic perspective. In “Journal: 8,” Crabbe meditates for the first time, an act that happens only because he is in the quiet of nature: he “sat and looked out through the rain across the campsite, past the well-spaced pines and over the lake. My mind was unusually calm” (60). That unusual calm causes him to imagine himself as a “skinny, aching, buddha” (60) and is in deep contrast to the anxiety attacks he experiences at home and his coping mechanism, drinking “Silent Sam,” his name for his preferred vodka (61). The potential for his relationship with nature to be transformative is apparent in the satisfaction he feels as he meets the physical challenges of entering the wilderness. He feels a sense of accomplishment, especially since he had “never done a day’s work” in his life before running away (53).
Crabbe is attacked by a black bear moments later, evidence of his later realization that nature is indifferent or even dangerous if a person fails to observe his or her surroundings and act accordingly (94). The ultimate symbol of nature’s indifference and a counter to the wilderness as a place of absolute autonomy is Crabbe’s near-death experience on Trout Falls. His survival is a result of mere happenstance and his dependence on another, more knowledgeable person, Mary Pallas, his rescuer. That her relationship proves pivotal to both his knowledge of himself and nature is symbolized by the erotic dream he has of her; erotic experiences and dreams are frequently indications of physical maturation, and sexual experience in Judeo-Christian, Western culture is associated with knowledge, going all the way back to the Adam and Eve story in the Christian Bible.
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