18 pages • 36 minutes read
Dirt, filth, and excrement in “Crazy Jane Talks with the Bishop” represent different things to the Bishop and to Jane. The Bishop warns Jane of her impending consignment to a “foul sty” (Line 6) rather than a cleaner, more luxurious afterlife. For him, dirt aligns with sin and damnation. Jane sets forth the argument that “fair needs foul” (Line 8), that salvation cannot exist without sin, but also that the “foul” (Lines 6-8) parts of life also lead to its regeneration. Jane goes on to say neither “grave nor bed” (Line 10) refutes her assertion. The grave suggests the physical dirt of the earth, the end of life, while the bed represents sexuality, considered another kind of filth by the Bishop and the culture to which he belongs. Jane reminds this celibate man of the force that generates all life, and professes that love exists in the lowest of places, in the waste-disposing regions of the body. Jane throws this image at the Bishop not just to shock him, but to illustrate the depths from which life can spring. In fact, she insists, the very brokenness and filthiness the Bishop rejects exists as the necessary precursor to transfiguration.
Like the images of fecundity and filth, body imagery in “Crazy Jane Talks with the Bishop” represents life force, creativity, and beauty, even in decay. Jane may be physically repulsive to the Bishop, who viciously throws her body's visible marks of aging in her face as a kind of scorn-driven memento mori, or reminder that death is coming for her soon, but Yeats allows her to create beauty in her intricate rebuttal to the Bishop’s admonition. The Bishop might only see her breasts and veins as no longer capable of fertility—“flat and fallen” (Line 3) and “dry” (Line 4)—but readers, who have ostensibly read the entire Crazy Jane poem cycle, know that Jane’s physical appearance mirrors the “blasted oak” from the first line of “Crazy Jane and the Bishop”—an emblem of lasting love and endurance.
Crazy Jane encounters the Bishop on the road, a place of transition. While many literary works use a road to symbolize life’s journey, Yeats may place these figures on the road to symbolize the path between this world and the next, the border between the human world and the mythic, or even a place of peril and vulnerability. In many mythologies, mortals encounter supernatural beings while traveling. The middle space of the road, neither fully ensconced in civilization, nor completely in the wilderness, provides an appropriate backdrop for this kind of exchange. The setting also casts Jane and the Bishop as representative figures, standing for the natural, old, mythic order on one side and for systems, hierarchies, and man-made law on the other.
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By William Butler Yeats
Beauty
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Challenging Authority
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Colonialism & Postcolonialism
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European History
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Modernism
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Modernist Poetry
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Mortality & Death
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Philosophy, Logic, & Ethics
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Power
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Pride & Shame
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Religion & Spirituality
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Short Poems
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