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In the summer of 1851, Jacob pursues Joaquín Murieta for four months, hoping to interview the bandit. Jacob constructs the legend that Murieta is “the avenger of oppressed Spanish peoples” (343), naming him “the Robin Hood of California.” Jacob’s newspaper articles create a sensation among the public. When Jacob fails to locate Murieta, he invents midnight meetings with the bandit, lapsing into the same eloquent falsification that got Jacob into trouble as a fraudulent missionary in Chile.
Arriving in Chinatown one year earlier, Tao learns that every Chinese immigrant has to join one of five tongs, organizations with criminal ties that guarantee protection and work. When he joins the Cantonese-affiliated tong, Tao acquires many patients. One day, Tao receives an urgent message to come to the address of a brothel. The “singsong” girls, young Chinese prostitutes who chant in indecipherable English, remind Tao of his sister who was sold as a child. Tao is paid to sign the death certificate of a 13-year-old whore who was poisoned because she was too sick to continue working. In China, Tao viewed the slavery of such young girls as their karma, but he now believes the horrible fates of these “singsong” girls can be altered. After communicating with the spirits of Lin and his acupuncture master, Tao investigates the trafficking of Chinese girls in San Francisco. Ah Toy runs a chain of brothels, importing young girls that she can exploit for money. Ah Toy trains the prostitutes to gather information on powerful American or Chinese men so she can blackmail them when bribery fails. White policemen and immigration officers ignore Chinese in distress. Tao discovers that new girls are sold at auction in “The Queen’s Room.” He saves money to buy some of them, preserving their lives.
When Tao tells Eliza of the girls’ plight, she suggests getting Christian churches and missionaries to help them. Tao does not believe that any white people will care about the Chinese who are viewed as “the lowest among the undesirable foreigners invading California” (344). Eliza goes to speak with James, the Quaker, and his pregnant wife, Esther, whose newfound “peace lighted her like a halo” (354).
Paulina’s business of importing Chile’s summer produce to San Francisco generates more profit than her husband’s gold mining by the winter of 1852. Yankees tormented the Chilean peasants who worked for Feliciano, taking the ore from months of work. Paulina, however, enjoys the San Francisco ambience, “the openness, the freedom, and the ostentation of that young society, exactly the opposite of the hypocrisy of Chile” (356). The indomitable women now pouring into the West work in all kinds of jobs, buy and sell property, or get divorced if they wish. In California, the past can be erased, and a new life can be invented.
In the new country, Jacob retained his weakness of fictionalizing even though he changed his name and clothing. As a result of Jacob’s articles, all unsolved crimes in California are attributed to Joaquín Murieta. Eliza begins to believe that her lover may be Murieta when she recalls how Joaquín tried to help the downtrodden and protested against abuses. In the summer of 1852, Eliza started to search again for Joaquín, but she returned after five weeks because she could not bear to be away from Tao. Eliza and Tao work together in Chinatown, “as close in spirit as an old married couple” (359). Eliza still wears men’s clothing because they help her remain invisible on their missions to rescue “singsong” girls.
Eliza’s unresolved connection to Joaquín and Tao’s link with Lin’s spirit haunt the pair. Unbeknownst to Eliza, the spirit of Lin encourages Tao to marry again, recognizing his love for the young Chilean woman. Neither Eliza nor Tao want to return to the constraints of their former lives in their homelands of Chile and China. Tao laughingly proposes that if Eliza does not find Joaquín within one year, she should marry Tao. This conversation causes tension in their previously easy companionship, although they are drawn to each other. Tao dreams of acquiring American citizenship and a permit to practice medicine legally in California.
The evil madam Ah Toy summons Tao to treat her asthma. Tempted to poison Ah Toy because of her exploitation of the “singsong girls,” Tao resists the impulse. Eliza realizes that Tao was correct in confronting her to set a deadline on her search for Joaquín. In truth, Eliza “had never been totally happy” in Joaquín’s arms (370), and she suspects that “she had fallen in love with love” (370). Trying to achieve closure, Eliza visits the newspaper office of Jacob Freemont to ask if he knows the whereabouts of Joaquín Murieta. Despite Jacob’s change of name, Eliza recognizes the scent of Miss Rose’s suitor. Annoyed by her questions about Joaquín, Jacob says he cannot help the Chilean youth. Only after her exit does Jacob realize that his visitor was Eliza dressed in men’s clothing.
Tao and Eliza work at night rescuing “singsong girls” and transporting them to their Quaker abolitionist friends. These Quakers send the escaped prostitutes to a network of safe houses in other states so the girls can start new lives in decent jobs.
Captain John arrives back in Valparaíso on March 15, 1853, Eliza’s 21st birthday. Captain John has transported his employer, Paulina, back to her homeland so she can give birth to her fourth child there before returning to her new San Francisco mansion. Paulina’s father, Agustín, has suffered a stroke and forgotten that he once rejected his daughter for marrying below her social class. Miss Rose is ill every year on Eliza’s birthday. Miss Rose never realized the depth of her maternal love for Eliza until the girl had vanished. Miss Rose blames herself for Eliza’s presumed death because of the secrets she kept and her failure to empathize. Captain John tells his siblings that Jacob has seen Eliza alive in San Francisco. The news gives Rose a reason to go on living. Rose plans to travel to California to find Eliza. Joaquín’s mother believes that her son died in California because she only received one letter from him.
The California governor authorizes a manhunt for Joaquín Murieta. Jacob writes in the newspaper that this mission is equivalent to a lynching since no one knows Joaquín’s true appearance or possesses evidence of his misdeeds. In her dreams, Eliza sees her Joaquín with a star of light on his forehead. Eliza begins to feel desire again, but for Tao. The rebellious Irish beauty Lola Montez arrives in San Francisco and inspires Eliza with her fearlessness. Eliza dresses again in women’s clothing and writes to Miss Rose. The leader of the manhunt kills an unguarded Hispanic man that he proclaims was Murieta. Tao accompanies Eliza to try to identify the dead man’s preserved head. Eliza sees it and states only that she is now free.
Allende displays the changes in Tao as a result of his experiences with Lin, Eliza, and the wider world beyond China. Tao loses his indifferent acceptance of the young Chinese female prostitutes’ enslavement in Chinatown and becomes a compassionate rescuer. Through Tao’s investigation, the novel exposes the injustice of the young Chinese women’s situation: They are lured to California under false pretenses, and many die from the harsh treatment.
The tendency of Jacob to invent stories, already demonstrated by his negative experience in Chile, reaches new heights in California. Allende cleverly uses Jacob’s tendency to fabricate as a way to keep the character of Joaquín Murieta vague. Did Joaquín Murieta ever exist, or was the legendary figure a useful scapegoat for Americans eager to criminalize Mexicans? Conversely, was Joaquín Murieta a noble avenger of the Hispanic people’s mistreatment and a type of revolutionary? While Eliza needs closure, Allende portrays her as less and less motivated to search for Joaquín as she develops a growing attachment to Tao.
Allende uses Tao’s communications with the spirit of Lin as a way to explain Tao’s realization of his love for Eliza and his decision to move forward in making a commitment to her. Both Tao and Eliza decide that returning to their respective homelands would mean a curtailment of the freedom they found in California to determine their own lives. Paulina, the wife of Feliciano Rodríguez de Santa Cruz, also has decided to move permanently to California with her family, drawn to the openness of the young society, which is the opposite of the social hypocrisy in Chile.
The disappearance of Eliza teaches Miss Rose about the depth of maternal love she has for Eliza. Miss Rose regrets ever lying to Eliza about her origins and not sympathizing with her first experience at romantic love. Against her brother Jeremy’s opposition, Miss Rose decides to go to California when she learns that Eliza is alive. With the promise of her returned strength, Allende suggests there may be a second chance for Miss Rose in California as well.
In the final chapter, Allende introduces the historical figure of Lola Montez, an Irish actress who flouts social convention by openly doing what she wants. The fearless, triumphant appearance of Lola Montez in San Francisco inspires Eliza, who recalls the numerous constraints endured by Miss Rose as a 19th-century woman.
When the California governor orders a manhunt for the mysterious Joaquín Murieta, the hunters kill a group of Mexicans, preserving the leader’s head in a jar of gin. Allende uses Jacob’s comments to raise doubts about the identity of the head in the jar, which is placed on exhibit in San Francisco. Tao accompanies Eliza when she tries to verify whether the preserved head is that of her lover Joaquín. Eliza simply declares that she is free when Tao asks her if it is the right man. Allende intentionally leaves the identity of the preserved head ambiguous. Eliza’s quest for Joaquín was actually a search for her true self. Eliza realizes that she has achieved that self-knowledge when she answers that she is finally free.
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