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59 pages 1 hour read

Death Without Weeping

Nonfiction | Book | Adult | Published in 1992

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Chapter 6Chapter Summaries & Analyses

Chapter 6 Summary: “Everyday Violence: Bodies, Death, and Silence”

Chapter 6 is a discussion of many of the interconnected themes in Death Without Weeping: deprivation, exploitation, and the ambience of death. The specific focus of this chapter is the understanding of these negative circumstances as a form of violence. The illustration of this connection is made by way of the connection between the indifference that characterizes residents of the Alto upon death, and the widespread patterns of violent repression they face while alive, but cannot discuss openly.

The beginning of this chapter situates these forces of violent repression in the "feudal" character of the political system, based on sugarcane production. The author argues that the concentration of wealth and power into the hands of relatively few wealthy families works hand-in-hand with the military government of Brazil's past. In the Northeast, the consolidation of this power occurs at the loss of the "peasant-worker" class; their attempts to organize for greater political and economic power are frequently met with violence, torture, and "disappearings."The last of these, she argues, has the greatest significance within the culture of the Alto, a paradoxical observation, given how rarely residents are willing to talk about it. Despite this, most of the residents have a friend or family member who has been "taken," most often on the pretext said individual has committed a crime. The author's argument is that the free hand the authorities are given to go after criminals is used to silence and persecute any and all political dissenters.

However, the author's focus is less an investigation into the persistence of political violence in the Northeast, and more a focus on the anxiety it creates among the population, an anxiety that mingles freely with fictional, even fantastical suspicions. Among these are that street children are being snatched away to have their organs harvested for North American and Japanese buyers and that wealthy citizens of Bom Jesus use the skin and bones of the poor in plastic surgery. This paranoia does not detract from the real threat of trafficking and kidnapping prevalent in the Alto community.

Finally, death and burial represent another form of "violence" against the lower-class communities. For an impoverished community, the cost of organizing a proper funeral can be prohibitive, fostering dependency on local patrons to provide. This, when compared with the very real mistreatment of remains that follows a "pauper's death" in the Alto, contributes to these residents' anxiety that even in death, their own bodies are not under their control. 

Chapter 6 Analysis

Chapter 6 continues a significant theme of Death Without Weeping: the insistence that the suffering received by the residents of the Alto is not merely misfortune, but the effect of violence for which the upper classes and the state are responsible. This is in line with the author's attempts to explain the manifest material deprivation and inequity through the lens of class conflict. Additionally, the author's object is to link the looming threat of political violence with cultural anxiety of the fate of one's body.

Chapter 6 continues this argument, seeking to solidify and expand this concept of class-based conflict in direct and indirect ways, all submitted under the concept of "violence."This concept is not merely physical but psychological and cultural, as well. To wit, the author's implicit argument can be read that the states of anxiety, paranoia, and fear experienced by the Alto's residents are actually mechanisms of state control. To illustrate, it is significant to examine how the author arranges the elements of this chapter. The author begins with the oblique look at political disappearances and the specter of state violence, then moves to the "urban legends" of organ harvesting, before moving to the material anxiety surrounding burial and funeral. In this way, the overall structure of the chapter creates a mood of confusion, disempowerment, and helplessness. This image provides a better idea of the oppression faced by these residents—oppression that is not merely the deprivation of basic necessities, nor a system of political repression, but the inability to make heads or tails of one's situation. The repeated stories of young men disappearing into the night and women scrambling to find cardboard coffins for their parents and children reinforce a composite image of helplessness: citizens are forced to normalize their utter lack of power over their own lives. In this light, the author's implicit argument becomes clearer: the mixture of desperation, anxiety, and fatalism that characterizes the culture of this region is but one of many tools of its subjugation. 

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