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Raquel and Ivon stand at a levee looking at the polluted Río Grande River, where Irene swam the night before. Inside Paco’s house, Ivon questions his purple-haired wife, Ariel, about what happened. Ariel brushes off her questions, and Ivon is livid when Ariel reveals Raquel took the girls there so she could buy drugs.
Ariel hands over Irene’s backpack, which was found in the outhouse. Inside are Irene’s Mickey Mouse wallet, her purchases from the fair, and a Tori Amos CD. Ivon, disgusted by the dirty conditions of the kitchen and fearful for her sister, throws up in the sink. Ariel makes some phone calls to try to locate Irene, while Paco gives Ivon a soda and tells her they will find her.
A missing person advertisement for Irene is released, stating that Irene Feliciana Villa is a 16-year-old girl from El Paso who has been missing since Thursday morning. It explains that she went to the Juárez Expo Fair and then joined her friends at a party in Colonia La Soledad. It describes what she was wearing and the metal stud in her tongue, and it asks that “[a]nyone with information […] contact the nearest law enforcement agency” (146).
At a bar, a girl thinks about how attracted she is to the handsome blond man in the cowboy hat, who readers recognize as J.W. The girl was introduced to the man—known as El Güero—by her supervisor Ariel.
J.W. says he does not like to dance but that he would like to watch her dance by herself. The girl feels foolish and wonders if Ariel told him she is a 14-year-old virgin. When J.W. dances close to her, the girl feels uncomfortable and retreats to their table. As he sits down next to her, a waitress passes him a folded-up napkin, which he currently ignores. He laughs when the girl orders a Shirley Temple.
J.W. asks her name and whether she is in school; she says her name is Mireya and that she works at the Phillips plant. She thinks about how sore her hands are by the end of the day but how she is frequently told how many girls would take her place. The lineman says he is going to help her enter a beauty pageant.
J.W. jokes and flirts with her, asking whether she knows who the Lone Ranger is and what a movie producer does. Mireya tears up thinking of how her stepfather killed her mother and how she left for Juárez to escape him. She declines his offer to go to the movies, saying she must meet Ariel.
J.W. compliments the jewelry in Mireya’s hair. As she explains where she got it, he is distracted by someone at the bar. He reads the napkin and says to the waitress, “‘Tell them not now’” (151). When he tells Mireya she could be in one of his movies, she thinks of “how lucky she is” (152). He offers to ask his friend, who sells Avon, to give her some free samples, and makes a phone call. Mireya is wary when he says they must go to his friend’s house, but she is eager for the samples and reassured when he says his friend has children.
Mireya is surprised that J.W.’s car is not fancy or in good condition. As she sits, she sees plastic bags and a rope on the backseat. After noticing handcuffs, she tries to leave, but the door has no handle. Trapped, she begs him to let her out. He punches her, calls her a “little whore,” and tells her “[i]t’s not time to scream yet” (153).
Pete McCuts has been a detective for only three weeks and is tagging along with Detectives Ortiz and Borunda for “an undercover operation called Rail Raid that was investigating a spate of thefts from the Southern Pacific Line” (154). Though he is still training, he has already been assigned a Missing Person’s case involving a girl from El Paso (Irene). His commander did not want to spend time on a case involving someone missing in Juárez, but Pete’s father, Judge Anacleto Ramírez, requested Pete’s assignment to the case because the missing girl is related to one of Judge Ramírez’s social workers (Ximena).
As the detectives wait by the Río Grande, Pete entertains them with the raucous story of how his mother, a lesbian, begged his father to have sex with her while she was ovulating and agreed to let Anacleto name Pete using an acronym of the muses’ names. His story is interrupted by a suspicious noise, and Ortiz and Borunda order him to stay in the car and call for help if they do not return in 10 minutes.
Pete, growing anxious, exits the car in time to see his colleagues being viciously beaten and dragged to the river. He calls in for help, and officers find them barely alive. Suspects are arrested across the river, and the injured detectives are taken away by helicopter. Pete declines a ride from another officer and sits in Borunda’s car contemplating how his father warned him a life in law enforcement would mean risking his life. Pete realizes “that his life really was on the line in this job” (162) and that he could have been attacked too. He is surprised to find himself crying.
Lydia blames Ivon for Irene’s disappearance. Though hurt, Ivon agrees. To distract herself, she writes down what she knows about Irene’s disappearance.
A day and a half after Irene was reported missing, Pete McCuts was assigned the case. He informed them that unless they can prove she was kidnapped, Irene is simply considered a missing person. Ivon and Uncle Joe waited six hours before reporting Irene’s disappearance to PREVIAS, an agency in Juárez.
Both Juárez and El Paso police departments deny that Irene’s case is within their jurisdiction, and Ivon feels Pete subtly suggested Irene is at fault because she went across the border to attend a party. Ivon also learned that the INS and Border Patrol have a “binational task force” (166) to stop car thefts but have done nothing to stop the murders. She suspects that “immigration laws […] have always targeted women of color to prevent them from entering the U.S. and breeding babies of color” (166).
Ivon spoke with families at the PREVIAS office. Many of the missing women came from the interior of Mexico and were lured north by factory jobs. The families believe God will bring back the women, and Ivon refrained from challenging them. She was annoyed when the PREVIAS lawyer took a phone call in the hallway because she could hear his laughter. She writes, “They don’t give a shit about any of us” (168). The lawyer said police action will be taken “only when it has been determined that an offense has occurred” (168).
Given that “[a]uthorities on both sides are washing their hands of this situation” (168), Ivon decides to find Irene herself. She has a feeling Irene is alive and that somehow Irene “knows what to do” to stay that way (168). Father Francis complained to the mayor about the length of time it took for the police to speak with them, so Ivon no longer suspects him of being the killer.
Ximena assigned her brother William to search Juárez with Ivon. She and William are going to hand out flyers in Juárez, then she will join Ximena and Father Francis on a rastreo the next day.
Ivon told Brigit about Irene’s disappearance and rejected her offer to come down to El Paso. Seeing Lydia worry over Irene makes Ivon “realize that this is what it means to have children” (170). She and her mother continued to fight; at one point Lydia told Ivon that she wishes she did not exist.
A man is yelling into a megaphone that they “need another one” (171). He tells his men “[t]his is supposed to be a nickel, not a penny” (171). He is angry that they are wasting time and that “[n]ow that El Diablo isn’t around,” he “has to rely on crack heads” (171). Irene, who is tied up naked and trapped under a cot, gathers that they do not realize she speaks Spanish.
Irene is suffering from allergy attacks brought on by the dust under the cot. Men “do things” on the cot (172)—things Irene cannot determine—and they list violent things they want to do to a girl. Irene memorizes the men’s names; she has already learned that the man on the megaphone is Junior, “the rich guy at the fair” (172).
Everything in the room is red. A woman comes in, pulls Irene out by her feet, and cleans her with a bleach solution. The woman wears a mask, but Irene can see purple hair, leading readers to believe this is Ariel, Paco’s wife. She also sees that the woman is wearing Irene’s headphones and portable CD player. When the woman steps out, Irene tries to see the view outside, which always seems to be changing. The woman feeds her and makes her empty her bowels. Irene studies the graffiti on the wall and sees three columns, one with lines for pennies, one with lines for nickels, and one with lines for dimes.
Irene feels as if the woman has drugged her. Back under the cot, she prays and tries to keep her allergies at bay.
The scene in which Mireya is lured by J.W. shows how youth and innocence are exploited. Gaspar de Alba carefully establishes that Mireya is still a child not only by revealing that she is 14 years old and a virgin but by allowing the reader to listen in on her childlike thoughts. For example, Mireya is excited that her friends are going to “pitch in and buy her a present” (151) for her quinceañera. Just as Irene was proud to be at the fair on her own, Mireya “loves […] living in a real city” because she can “do what she wants without permission” (147).
Mireya fails to pick up on signals that J.W. intends to hurt her, such as the message in the napkin. She does not understand what is pressing against her belly—J.W.’s penis—as he dances with her. She is susceptible to compliments and easily drawn by his promise of free makeup. She is pleased that the lineman at work is “going to recommend her for the beauty pageant” (149), and when J.W.’s hand wanders too freely, she moves away “just slightly so he understands he’s getting too close” (151). Mireya believes these men are honorable with pure motivations, and she never imagines that J.W. is preying on her naiveté with violence in mind.
By praising Mireya’s appearance and offering her free makeup, J.W. exploits not only her youth but also her desperation and poverty. Mireya is, in Ivon’s words in Chapter 23, one of the “gente humilde,” or the “humble people from the interior that have been lured to this border by the promise of jobs at the maquiladoras” (167). The revelation that she fled her home to escape her abusive stepfather only reinforces her vulnerability.
When J.W. calls Mireya a “little whore” (153), it reiterates the point that women who eschew gender roles by working in factors are sexually loose—regardless of their actual sexual activity, which is nonexistent in Mireya’s case.
Mireya appears for only one chapter, just long enough to show readers how the murders occur. Though readers have already been exposed to the brutality of the murders, being confronted with Mireya’s innocence makes the murders that much more tragic. Briefly, Mireya stands in for the many girls who have been similarly hurt and exploited, then she disappears from the novel, just as the other victims disappeared from the streets and their families’ lives.
Ironically, these innocent girls and women are blamed for their own deaths, and the authorities feel no real urgency to save them. Ivon is frustrated by how long it takes the police to visit, and when Detective Pete McCuts finally arrives, he offends her with his harsh language, telling her the kidnapping unit will not intervene until “her body turns up” (165). He also implies that Irene put herself in danger by attending a party across the border. The PREVIAS lawyer also speaks condescendingly of the missing American girls, suggesting they are irresponsible partygoers who “like to come over the Juárez to drink and have a good time” (168) and minimizing the brutality of the kidnappings.
The lack of seriousness with which the government takes the murders illustrates how the girls are dehumanized and their lives devalued. The Juárez and El Paso police departments avoid taking responsibility for Irene’s case, which slows down progress. Ivon has to wait in the PREVIAS office for six hours; many other waiting families are told to come back the next day. The lawyer frequently stops the interview with Ivon to check his beeper, then laughs in the hallway as he takes a phone call.
These chapters foreshadow Ivon’s later revelations about how racism and sexism are relevant to both the murders and the authorities’ lack of interest; one clue is her theory that women of color are often targeted by immigration laws.
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