42 pages • 1 hour read
Content Warning: Dibs: In Search of Self discusses emotional abuse and mental health in ways that could be considered ableist.
The Introduction to Dibs: In Search of Self, written by child psychologist Leonard Carmichael, outlines the fundamental reasons why Dibs’s story became so significant in the field of psychology. In the memoir, Dibs is five years old and refuses to engage with other students or school material. He remains mute or crawls around, sometimes having temper tantrums. With the help of Dr. Virginia M. Axline’s play therapy techniques, which challenge the idea of relying on classical or operant conditioning to help a child patient, Dibs is able to find confidence and courage. In turn, Dibs’s healing helped heal his family.
Dr. Virginia M. Axline opens her account of Dibs’s transformation by explaining that Dibs desired a source of stability amidst the chaos of the larger world. She helped Dibs learn to embrace the hopes and disappointments of life—making his story relatable.
The opening scene sees Dibs, his teacher, and teaching assistant Hedda in the classroom at the end of the school day. Every day, Dibs becomes upset when it’s time to go home, either shutting down in silence or screaming and fighting. He seems to drift between these two extremes, either being passive as teaching assistant Hedda puts his jacket on, or screaming and punching as his mother’s chauffeur carries him to the car. Dibs’s mother occasionally drops him off but seems to avoid interacting with him during difficult moments. Dibs doesn’t cry when he’s dropped off in the mornings, but still needs to be coaxed into the classroom. He usually crawls under tables or reads by himself in a hiding spot. He seems “determined to keep all people at bay” (14), and after two years of school, is still in a state of social withdrawal. Dibs’s teachers suspect he has a developmental disorder, yet there are times when he exhibits independence unusual for his age. Dibs withdraws the moment he realizes he’s being noticed and seems to only act with intelligence when he thinks he has privacy. Dibs’s teacher Miss Jane often spends time sitting near him and talking to him about various subjects, and though he lies motionless, she senses he is listening.
Dibs is accepted into a private school after his mother fights for his entry; the family donated to win the school’s favor. When teachers tell Dibs’s mother that he needs professional help, she dismisses his lack of communication as a phase. After two years, the teachers collectively decide that it is not fair to Dibs nor them to leave him be. They call psychologist Dr. Virginia M. Axline, and express confusion and frustration over Dibs’s unpredictable behavior and his mother’s indifference. Hedda blames Dibs’s mother for what she calls his emotional disturbance. Dr. Axline can sense the staff’s concern and decides to set up a series of play therapy sessions with Dibs’s parents’ consent.
Dr. Axline begins thinking about her new patient and reminding herself to be aware of her own limitations. She admits that, because she isn’t Dibs himself, she can never fully understand him or what drives him; like everyone, Dibs has his own “private world of meaning, conceived out of the integrity and dignity of his personality” (20). She believes admitting to one’s limited knowledge can bring about new possibilities. Dr. Axline stresses the importance of drawing on both facts and empathy in trying new approaches.
On the first day of casual observation, Dr. Axline talks to Miss Jane and watches Dibs stand near the doorway in silence. Slowly, he goes to a sensory table of rocks and similar objects and begins inspecting them until he notices Dr. Axline watching him. He immediately crawls under the table, and as the rest of the class gathers for a circle, he remains there, giving no indication as to whether he is listening in or not. Afterward, Dibs crawls around the room, observing a terrarium and picking up objects. During recess, Dibs initially resists, but when he hears Dr. Axline say she wants to go outside, he complies. Outside, he plays alone with a stick, scratching it in the dirt. He comes inside and rests willingly, and then Dr. Axline invites him to accompany her to another playroom. Dibs silently agrees, holding Dr. Axline’s hand tightly. The playroom is a messy place, but Dr. Axline believes it will allow Dibs to feel and think with clarity, and to reform his world into something he can manage. She sits, and Dibs initially stands and sighs. He eventually starts making his usual circles around the edges of the room, touching everything and naming the objects in a questioning tone: “Crib? Dresser? Radio?” (29). Dr. Axline replies with simple phrases. He sits in front of a dollhouse and stares at it in silence, which Dr. Axline accepts, knowing he must have reasons for his choices. Then, Dibs expresses a strong dislike of locked doors, picking up mother, father, and sister dolls and telling them to go to the store. He takes off the walls of the dollhouse. Dr. Axline gives Dibs a five-minute warning before they have to leave, and afterward, walks him partway down the hall before asking him to go the rest of the way on his own. She gives him as much support as he needs—no more, no less—in order to help him find security within himself. She leaves her first meeting with Dibs impressed with his courage.
Dr. Axline calls Dibs’s mother and is invited to the family’s home the next day. When she arrives, she can hear Dibs yelling “No locked door!” (33), a now familiar phrase. Dr. Axline sits with Dibs’s mother, who coldly states that she expects Dibs not to change. She offers him as “raw data” (34) to study for the sake of science and nothing more. Dibs’s mother seems uneasy and repeatedly asks if Dibs can be studied at home instead. Dr. Axline declines, stating she is only able to perform her study at the Child Guidance Center. Dibs’s mother insists she cannot be interviewed or participate in any way, and neither can her husband. She doesn’t give Dr. Axline a final answer, and the psychologist leaves wondering what could have happened to make her so terrified of being involved.
Dr. Axline waits several weeks for a response from Dibs’s parents, but they finally give consent. Dibs’s mother brings Dibs to the Child Guidance Center for his first appointment. There, Dr. Axline takes Dibs to a playroom much like the one at his school, but more welcoming. Dibs circles the room, touching and naming each object in the form of a question. He stops in the middle of the room, and Dr. Axline encourages him to take his coat and mitts off. Dibs wants help, and Dr. Axline complies, not wanting to push him. Afterward, Dibs inspects paints and lines them up in order of the color spectrum. He picks up each jar, names its color, and reads the brand name of the paint. Next, Dibs writes the name of each color in a color wheel, using the corresponding color. Dr. Axline describes Dibs’s actions, affirming that she understands without encouraging anything in particular. Dibs explores a sandbox and blocks and starts calling Dr. Axline “Miss A” (45). Dr. Axline believes that with patience and effort, he can “develop strength to cope with his world” (46). When the session is over, Dibs dislikes the idea of going back home with his mother and begins to cry. Dr. Axline wants to comfort him, but knows that doing so will inhibit his independence. Dibs’s mother looks uncomfortable, and when Dibs falls to the floor and cries, Dr. Axline leaves, not wanting to complicate the situation by involving herself.
The story of Dibs’s search for himself and how Dr. Axline’s therapy allows him to do so begins with the Introduction by psychologist Leonard Carmichael. Carmichael presents Dibs’s story as “everybody’s story” (ix)—one core to the human experience. Dibs is a five-year-old child who is denied the chance to be himself due to his struggle to communicate with others. In the Prologue, Dr. Axline describes Dibs’s transformation, announcing his success before the narrative begins so the reader may identify with The Pains and Joys of Finding Oneself.
In the first few chapters of Dr. Axline’s memoir, she describes who Dibs was before therapy, as well as what she knew about his family at the time. Dibs’s behavior at school gave clues regarding his mental state: His refusal to talk was due to a fear of people, and his refusal to engage with the class was due to a fear of being defined by his unusual level of intelligence. Despite his silence, Dibs showed signs that he was learning, and proves this when he meets Dr. Axline, whom he considers safe and trustworthy. Initially, Dibs is considered as having an unsolvable problem by his family, and the impact of this finality is clear. Dr. Axline describes Dibs as a complex person, not someone who is easily malleable (as was the approach of many psychologists at the time). She refuses to lead him, instead allowing him to influence his world and discover his autonomy by doing so. Dibs possesses a deeper level of understanding than most of his peers, and Dr. Axline believes children know themselves best. Like all children, Dibs has his own “private world of meaning, conceived out of the integrity and dignity of his personality” (20). This private world is missing a bridge to the outside world, but Dr. Axline believes Dibs is capable of solving this discrepancy himself.
The symbolic play that Dibs engages in becomes crucial to his self-discovery. Symbolic play is a tool that children use to work through, understand, and cope with things they have experienced or witnessed. It is a reflection of who they are, what they feel, and what they hope for. Dibs’s symbolic play begins when he removes a dollhouse’s walls and later locks up a dollhouse so nobody can get out. It is clear that Dibs has lived a life of locked doors, and as the memoir progresses, he will work to open them. His decision to create locked doors for the dollhouse also foreshadows the reveal of his father locking him in his room. One of the main principles of The Humanistic Approach to Child Therapy is to withhold judgment. Instead, Dr. Axline describes Dibs’s actions in a neutral manner or repeats what he says back to him, letting him know he is understood. She gives Dibs only as much help as he needs, which allows him to discover his autonomy. She similarly does not judge Dibs’s parents, though she is certain they play a role in his emotional issues. When Dr. Axline meets Dibs’s mother, she talks about her son like data: “Here she was, in the best scientific manner, offering me some data to study. Not a child in trouble. Not her son. Some raw data. And she made it very clear that she did not expect any change in the data” (34). This revelation shocks Dr. Axline, but she refrains from commenting. She writes her memoir the same way she treats her patients and their families—without judgment. Rarely does she insert her own biases, instead telling the events of Dibs’s sessions through direct recordings. Dr. Axline reflects on Dibs and the nature of his search for self but does so from a place of hope rather than judgment.
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