59 pages • 1 hour read
Mangroves are a species of tree that grow in tropical or subtropical coastal salt water. They are characterized by dense, tangled roots that grow above ground, which allow the trees to withstand the movement of tides. Ecologically, mangrove forests provide a stabilizing function, reducing coastline erosion brought on by storms, tide changes, and water currents.
In Dreamland, one of Morgan and Colby’s first dates is kayaking through a mangrove forest. As they travel through a narrow canal, they share the same experience of feeling suspended in time and in a world of their own. Their shared response to the mangroves reflects their ability to supplement and balance each other’s strengths and weaknesses. In addition, the mangroves symbolize the protective cocoon of their relationship, which, if it is to endure, must survive in and coexist with the world outside of it. To experience the full potential of their love, they must be willing to endure the pain that will inevitably come with it, from dealing with fear of rejection, to thriving despite long distances and opposite lifestyles, to figuring out how to reconcile family responsibilities with their commitment to each other.
In Chapter 34, during one of Colby’s sets at Bobby T’s, a huge storm hits St. Petersburg, knocking out the power in the neighborhood where Colby is staying. He and Morgan arrive at his rental in the dark, soaked from the heavy rain. Both must change out of their wet clothes, and they light candles to compensate for the lack of electricity.
In one sense, the storm propels the narrative forward: Colby realizes that Morgan anticipated staying over because she brought a change of clothes, and the candles contribute to a romantic mood. In addition, the storm symbolizes the intensity of their feelings for each other, arriving suddenly and powerfully in a way that neither entirely understands nor can control. Like creativity, love follows its own timeline. To experience it requires patience, allowing it to develop at its own pace.
The osprey is a bird of prey that appears once in the novel, in Chapter 68. Colby is preparing to say goodbye to Morgan, who will be returning home to Chicago ahead of her move to Nashville. As Colby embraces her, he watches “as an osprey [takes] flight over the lapping waves” (348). The bird’s graceful movement recalls for Colby an image of Morgan gracefully kayaking through the mangrove forest “in a place that already seemed far, far away” (348). In addition to the osprey representing Morgan’s grace, it also symbolizes Colby’s fear that he cannot hold on to Morgan, and more broadly, that he can never have the things he truly wants. She does not belong in his small town, and he cannot believe that he belongs in her world either. Because of his commitments to his family’s farm and Paige, he fears this leaves no room for a romantic relationship with Morgan.
The need for balance forms a motif throughout the novel, connecting each of the novel’s themes, particularly through Colby’s arc. In order to move forward with his life, Colby will need to balance Love and Pain as Two Sides of the Same Coin, The Bonds of Family with his desire for romantic love, his responsibilities at his farm with the Transformative Power of Creativity in his music, and his passivity with the need to act. Balance is also what Morgan and Colby provide for each other. Morgan is highly structured and future-oriented. She has spent her college years preparing to launch her music career and has meticulously planned each step in the journey she anticipates for herself. Conversely, Colby has primarily been reactive, doing what the moment seems to demand without thinking about how it will affect or play out in his future. His capacity for spontaneity and being present in the moment balance Morgan’s regimented approach, while her planning provides structure for him.
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By Nicholas Sparks