17 pages • 34 minutes read
“Driving toward the Lac Qui Parle River” by Robert Bly (1962)
This poem also appeared in Silence in the Snowy Fields and contains several of the same elements—driving, evening, solitude, rural Minnesota—as “Driving to Town Late to Mail a Letter.” This poem also employs some of the surrealist images Bly was well-known for in this collection. For example, the speaker notes that the “soybeans are breathing on all sides” (Line 3) of the road, personifying the plant with human characteristics.
“Snowbanks North of the House” by Robert Bly (1981)
This is one of the most famous poems from The Man in the Black Coat Turns—one of Bly’s later collections. An emotionally bleak offering dealing with grief, the poem still utilizes the winter landscape of the Midwest and centers on thoughts regarding solitude. Like “Driving to Town Late to Mail a Letter,” it employs long lines and significant use of end-stops.
“Winter Poem” by Robert Bly (1999)
Here, Bly reads a poem from the collection, Eating the Honey of Words. Natural imagery is created in the same sharp, controlled way as in “Driving to Town Late to Mail a Letter.” Bly correlates the winter ant’s “slow, dim-witted ways” to the human’s desire to hide emotional wounds and become isolated. As is usual in his poetry, he connects objective observation with emotional resonance.
"Robert Bly: A Thousand Years of Joy" by PBS (2020)
This is an hour-long documentary about Bly’s life, featuring interviews with many of his contemporaries. This is an extremely accessible overview, which contains footage of Bly performing his poems and being interviewed. It does contain some volatile news clips from the Vietnam war.
“The Village Troublemaker” by Tony Hoagland (2011)
This essay by American poet Tony Hoagland appeared in American Poetry Review and details how Bly’s observations of American culture are sometimes combative and ferocious but always worthwhile. Hoagland particularly hones on Bly’s use of imagery in his poetry, studying how it shifts over Bly’s career.
“Leaping Into the Unknown: The Poetics of Robert Bly’s Deep Image” by Kevin Bushell (1995)
This essay defines the term “deep image” associated with Robert Bly’s poetry. Bly rejected the term, but Bushell convincingly argues how it could be applied in a modified fashion. The essay presents an overview of Bly’s views on poetry: his rejection of English tradition, his movement from modernism, his embrace of surrealist spontaneity, and his clear preference for “leaping” images, or images of associative quality.
“Driving to Town Late to Mail a Letter” read by Robert Bly (2020)
In Robert Bly: A Thousand Years of Joy, the PBS documentary, Bly reads the poem at the time stamp 23:15. Although the documentary was produced in 2020, this is an earlier recording.
“Driving to Town Late to Mail a Letter” read by Garrison Keillor (2005)
This is an audio recording of host Garrison Keillor reading “Driving to Town Late to Mail a Letter” in January of 2005. This was recorded for The Writer’s Almanac—a podcast about poetry and literary history.
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