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As its title suggests, Dry depicts a world consumed with thirst and dehydration in the absence of water. During the Tap-Out disaster, the residents of California, long drought-ridden, are entirely cut off from municipal drinking water. Even though Californians like Alyssa, Garrett, and the other characters in Dry have been used to water restrictions and other attempts to conserve water, many have never experienced real thirst. Garrett, for example, doesn’t immediately realize the implications of the Tap-Out and at first continues freely drinking a Gatorade from the Morrows’s limited supply. Alyssa thinks, “He’s ten—six years younger than me. Ten-year-olds have issues with delayed gratification. It’s almost finished anyway, so I let him keep it” (6). Although Alyssa thinks herself to be preparing for the Tap-Out, her willingness to give in to the whining of a 10-year-old shows that she too has no idea yet what real thirst and water rationing feels like.
Those in Dove Canyon, unaccustomed to being even moderately thirsty, make the mistake of breaking into an old water tanker. Henry thinks, “We had water two days longer than anywhere else. The problem is, now everyone’s getting sick from it” (187). The old water tanker gives Dove Canyon’s residents a brief reprieve from the thirst that other Californians feel, but the water that they believed would save them gave them dysentery. Even a brief period of need—of lacking a life necessity like water—caused them to overlook danger and fall into the easy temptation of the old tanker, making them worse off than they were before.
Near the novel’s end, the main characters of Dry begin to feel the effects of dehydration and desperation themselves. In his only point-of-view chapter, Garrett is scared and thinks:
Where are you, Mom and Dad? Are you as thirsty as we are? I think I’m gonna die. But if you’re already dead, I’m not so scared. Except I am scared—but not so scared if you’re there and you’re waiting for me. And if there’s water (331).
This is a remarkable change from the Garrett who guzzled a Gatorade so easily at the beginning of the novel. Now he shows how terrified he is, knowing that he’s so thirsty he’s close to death, which itself wouldn’t be as bad if water were there. Now that the group of kids is facing death by dehydration, a manifestation of that menace begins to threaten them in the form of fire. Fire, the opposite of water, is a more immediate and violent manifestation of drought than thirst, which is the slower killer. When Alyssa sees that she, Garrett, and Kelton are trapped between fire and dehydration, she thinks, “Which is worse, … death by fire or death by thirst? How can you choose the lesser of two evils, when both evils are too great to measure?” (357). Both fire and thirst therefore represent the worst possible ways to die. At this moment, Alyssa is desperate and close to death herself from the lack of water, both in her body and in the surrounding forest. Although the kids are saved, the moment of decision between thirst and fire marks the peak of the novel’s conflict between the need for water and the thirst and desperation that need produces.
When the Tap-Out begins, a quick division occurs between those who feel prepared to deal with disaster and those who don’t. As the Tap-Out continues, the division changes to one between those who are really prepared to deal with disaster and those who only felt prepared. Kelton McCracken and his family begin the novel considering themselves prepared. The rest of their neighborhood knows them for their obsession with preparedness. Alyssa thinks, “Kelton and his reclusive family always seem to have a worst-case scenario plan for anything” (20). They show off these plans in the form of equipment and resources, which put them in stark contrast with their surroundings. However, despite all his plans and preparation, Kelton isn’t really prepared, at first, to make tough decisions and take difficult actions. When a teenage boy grabs Alyssa, Kelton threatens to shoot the boy. However, he thinks, “With all the training, with everything I’ve been taught about self-defense and the wielding of weapons, something inside me blows a critical fuse. I can’t bring myself to pull that trigger” (118). As it turns out, preparing oneself and being prepared are hugely different things. Training differs from reality.
Jacqui, on the other hand, considers herself to be prepared because she has experience in living on her own and supporting herself. She initially mistrusts Kelton’s preparedness, thinking it’d be ineffective in the reality of a real disaster, but eventually, with no better options, she trusts his family’s resourcefulness enough to place her hopes for water in the McCracken bug-out. When they arrive at the bug-out, however, it has been destroyed. In addition, Henry betrays the group and leaves them in the forest with no water, completely unprepared. Jacqui decides to punish Henry for his betrayal. However, when Garrett begs her to kill Henry, “Jacqui looks at Garrett, almost as surprised by his outburst as Alyssa is. Then she ejects the magazine and fires the bullet that’s already in the chamber into the sky” (315). Hearing a little boy beg her to kill another kid shocks Jacqui out of her furor and back into reality, where she realizes that despite the emotional preparation she thought she had, she’s not ready to kill.
In contrast, when Kelton later has a chance to save Alyssa from a predatory man, he follows through and kills the men threatening her and the group. He thinks, “I wasn’t scared, like I was when the water-zombie kid on the beach was trying to suck the water right out of Alyssa’s mouth. Pop! Pop! Done. Move on” (347). At the beginning of the novel, Kelton thought himself to be physically prepared when in fact he was only supplied, and Jacqui thought herself to emotionally prepared to make tough decisions. Later, Jacqui fails to follow through on difficult decisions, whereas Kelton can take necessary but difficult action to save Alyssa’s life. Thus, preparedness is a huge concern to the characters of Dry, but the novel shows how preparedness isn’t as simple as having supplies, being trained in weapons, or being convinced that you can do what it takes. Real preparedness can only be discovered or revealed during an actual disaster.
The Tap-Out means the lack of a necessary resource—water. With water in such short supply, people become either selfish or selfless in sharing it. Some of the characters in Dry show their selflessness by sharing resources, whereas others show their selfishness by hoarding it. Kelton’s dad is a prime example of a resource hoarder. When a neighbor comes to Mr. McCracken begging for water for his wife and their baby, Kelton thinks, “I know my dad well enough to know that he doesn’t give ‘hand-outs.’ Plus, once you start giving things away for free it’s a slippery slope. And if there’s one thing my dad hates, it’s slippery slopes” (68). Although Kelton’s dad is willing to give the neighbor advice on how to find water, he won’t give up any of his own resources. Even though they have a supply of water, he knows that it could run out, and he prioritizes his own family’s survival above all others. Kelton’s mom, on the other hand, wishes that they’d share more resources. She tries to tell her husband, “I don’t see the harm in sharing a few necessities like water if we’re going to be leaving it behind anyway…they’re our neighbors!...We’re going to have to live with these people when this is all over” (84). While Kelton’s dad hoards their resources because he’s consumed by the fear of worst-case scenarios, Kelton’s mom thinks more about their moral and neighborly obligations. She expects that they’ll be leaving behind their water supply soon anyway, and she’d prefer to share the water now while they have it and can.
Another stark contrast exists between helpers and hoarders in Charity and Henry. Charity first appears in a snapshot while driving on the interstate. The road becomes gridlocked, and Charity sees people running from a fire. Instead of running herself, “Charity marches toward the blaze, extinguisher in hand, a fire in her eyes hotter than any earthly inferno” (107). Later in the novel, the kids meet Charity when they come across her encampment, which serves as a commune of people combining resources and strengths to survive. Henry admires Charity—though for her ingenuity and not for her kindness.
After Henry betrays the group of kids, leaving them with no backup supply of water, he decides to head back to Charity’s encampment. He thinks, “My plan is simple. I will make my way back to Charity and her freeway commune. I will make myself an indispensable part of her little collective, and I will receive enough water to survive” (313). Henry’s personal escape plan, after gravely endangering Alyssa, Garrett, Kelton, and Jacqui, is to take advantage of an old woman’s kindness and charity (her namesake). Even as Henry thinks through this plan, he doesn’t hope that he can contribute something to Charity’s encampment for the sake of being a good or helpful person; he thinks only of how he can manipulate a situation and its resources for his own survival. In the water vacuum that the Tap-Out creates, need and desperation force people to reveal their true selves and their priorities. To some, their own life and the lives of their friends or family are more important than anything else, and they selfishly hoard resources. To others, moral decisions take priority over individual needs, so they willingly help others and share.
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