30 pages • 1 hour read
From the beginning of “Everything That Rises Must Converge,” Julian’s mother’s hat is a central symbol. Purchased for $7.50, the hat is made partly from purple velvet, a color and fabric often associated with royalty. It symbolizes Julian’s mother’s changing status in the world and her disconnect from reality. The hat’s cost was a stretch for Julian’s mother, who wonders if she shouldn’t return it and use the money for bills. The hat’s luxuriousness is juxtaposed with the setting, as Julian and his mother are taking the public bus to a free exercise class at the YMCA. This symbolizes how Julian’s mother commits to her self-conception as an upper-class white woman, even though that reality has disappeared. Carver’s mother also owns the same hat, representing the lack of social and economic distance between the two women. Julian’s mother no longer holds the status she imagines; she is no longer automatically superior because of her skin color. Julian’s assertion that the hat is “atrocious” emphasizes that his family’s glamorous past relied on enslavement and exploitation.
In the 1950s and 1960s, buses were central public spaces in the fight for desegregation. The most famous example of this is the Montgomery Bus Boycott, during which Black Alabamians refused to ride the bus for a year. As such the bus in this story symbolizes the civil rights movement. In “Everything That Rises Must Converge,” the bus is full of all types of people, and no one is separated by class or race. However, there is still a great deal of tension between the passengers. Julian’s mother chats pleasantly with the other white women at first, but the conversation ceases as soon as the well-dressed Black man boards the bus. This symbolizes how the simple fact of desegregation is not enough to meaningfully integrate society. There is also a great deal of seat-changing and movement as each passenger tries to find their place in society without the strict rules enforcing segregation. The bus symbolizes the new South and the tension and confusion created by changes in class and race relations.
At the end of the story, Julian’s mother wants to give little Carver a nickel, an act that is “as natural to her as breathing” (194). However, all she can find is a penny, although it is shiny and new. The penny is the symbolic tipping point; giving it to Carver causes his mother to “explode like a piece of machinery that had been given one ounce of pressure too much” (195). It symbolizes the legacy of racism and the subtle ways racism can manifest aside from extreme violence and discrimination. To Carver’s mother, the penny is a way for Julian’s mother to assert her continued superiority. Although Julian’s mother is well-intentioned, the gesture does come from a place of assumed supremacy. Even though she is quite poor (she can’t find a nickel to give to the boy), Julian’s mother still feels like she is better off than Carver and his mother because she is white.
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By Flannery O'Connor