50 pages • 1 hour read
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
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Important Quotes
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Content Warning: The novel and this guide contain discussions of child death/miscarriage, alcohol addiction, and suicide.
The butterflies serve as the foundation for both Kingsolver’s and Dellarobia’s examination of the connections between nature, life, and rebirth. Without glossing over the reality of loss or how human actions sometimes contribute to it, the novel finds hope in nature’s resilience.
While Dellarobia learns about the butterflies’ life cycles, she also has the opportunity to consider her own. In particular, she reflects on the grief and loss of miscarrying her first child—a loss that she has yet to move entirely beyond, although seemingly everyone else in her life has learned to let it go. In addition, her marriage to Cub is figuratively dying (if not dead), which is a source of pain and sorrow for both of them. In this context, learning about the butterflies—their instinctive patterns of migration, their ability to rebound after hibernation, etc.—becomes a source of inspiration for Dellarobia. By the end of the book, she learns that she cannot change her nature, that life takes on many forms, and that a rebirth of purpose and self is possible despite the oppressive environment surrounding her and despite her own past mistakes.
At the same time, Dellarobia’s work in the science lab forces her to contend with the butterflies’ vulnerability: how human behavior is forcing nature to adapt in ways that could eliminate whole species. This too becomes a source of profound grief for Dellarobia, particularly when she realizes that Ovid and many of the other scientists in the lab regard it as too late to save much of the world’s biodiversity. In this way, the novel extends its exploration of grief to the subject of climate change, questioning what it means to accept the loss of creatures like the butterflies. Even here, however, the novel finds some reason to hope. Observing the dedication and passion that the scientists have for their work, despite the apparent futility of it, inspires Dellarobia to go back to college and study to be a scientist herself so she can continue to contribute to the world around her meaningfully. With Ovid and his assistants, Dellarobia has fought to allow life to continue for the monarchs, and through both the efforts of people like her and its own resourcefulness, nature itself will survive in some form.
From the moment Dellarobia leaves the house to have an affair, marriage emerges as a potential source of frustration and dysfunction. Motherhood can be similarly fraught and intersects with marriage in complicated ways; Dellarobia, for example, stays in her loveless marriage out of a sense of obligation to her children. Ultimately, the novel suggests that both marriage and motherhood can be sources of deep fulfillment, but only when they develop in tandem with the people involved.
The unhappiness that can occur when two mismatched people are joined in matrimony is evident in the marriages of both the older and younger Turnbows. Dellarobia has always felt trapped by her marriage, entered into when she was 17 and became pregnant by Cub. The loss of that child to miscarriage foreshadowed the relationship’s trajectory and, the novel suggests, should have brought an end to a marriage between two individuals with little in common. However, as Dellarobia notes to Preston at the end of the novel, people make mistakes all the time, and her marriage to Cub was one such mistake. There likewise appears to be no love or affection in the elder Turnbows’ marriage, one that is also revealed to have been predicated on an unexpected pregnancy. In their case, the marriage hinged on Hester giving up her illegitimate child for adoption, resulting in a relationship that is inextricably intertwined with Hester’s grief—the private agony of seeing that first son, Bobby Ogle, grow up to be the pastor of the local church.
However, the novel does not suggest that marriage is necessarily stifling. Ovid and Juliet’s marriage and mutual respect defines what a marriage should be; as Dellarobia notes, Ovid seems to be more himself rather than less in his wife’s presence, indicating how the couple help one another grow and inspiring Dellarobia to divorce Cub and find the right person for her. Even then, Dellarobia does not suggest that her marriage to Cub was merely an error, as it resulted in two wonderful consequences: Preston and Cordelia.
Motherhood is itself equally complex. It is often central to characters’ decision-making processes, as symbolized by the female butterflies that carry their eggs and care for them, devoting their entire existence to the next generation. At the same time, many mother-child relationships in the novel are troubled, from Dellarobia’s complicated relationship with her mother, who was addicted to alcohol, to her frustration with her cold mother-in-law, Without a mother of her own to look to, Dellarobia tries to do her best by Preston and Cordelia but often falls back on societal expectations of motherhood, which fail to address the nuances of real-world parenting; it is these that lead Dellarobia to stay in her marriage for so long, as she assumes that this is what is best for her children. Ultimately, however, the novel suggests that children cannot thrive when their mother entirely suppresses her own needs—even if she is ostensibly doing so for their benefit. Dellarobia thus realizes that she can only really provide her children with the best model possible by leaving Cub and thus showing them that change can ultimately be for the better.
The arrival of the butterflies in Feathertown, Tennessee, presages the arrival of a similarly out-of-place group: the scientists researching the monarchs, as well as others interested in issues of species preservation, environmentalism, and climate change. These outsiders tend to hold different opinions than the locals, but they also tend to be wealthier, with more access to education and other opportunities. Through the ensuing culture clash, the novel reveals the starkly different worlds that exist within the same country.
A motif throughout the novel involves the scars that poverty has left upon Appalachian Tennessee and other rural communities. Local families rarely go out to dinner, they purchase secondhand clothes from the town’s discount store, and they buy Christmas gifts from Dollar General. Keeping her household afloat is a constant challenge to Dellarobia, and the other people living in her town struggle similarly. By contrast, the many visitors who come to see the butterflies tend to be reasonably well off. Ovid’s young assistants particularly rankle Dellarobia, as when she considers their casual attitude toward using something and then throwing it away—a wastefulness that speaks to their financial resources.
The novel suggests that these socioeconomic differences between Dellarobia’s rural community and the visitors lie at the heart of a wedge between the groups, although the resentment often manifests in ways that are not overtly class-based. In explaining to Ovid why the rural townsfolk stubbornly resist scientific truths, Dellarobia touches upon the concept of tribalism. For a group that does not have much, sticking together and preserving what they have is important, but this poses significant difficulty when it comes to learning from other points of view, ideas, or beliefs. To change one’s mind—to go against the group’s determined set of beliefs—means that one is a traitor, castigated by and estranged from their peers. It is this fear that Dellarobia thinks keeps people from opening up to learning about and from others not of their ilk. This attitude particularly marked in the context of climate change. Dellarobia, while not profoundly religious herself, can understand why the rural farmers hold tight to their religious belief that God alone controls the climate. The demands for action to address climate change seem to threaten the farmers’ way of life, which is already embattled. Moreover, they sense the contempt that many wealthier and better-educated Americans have for them, so the entire topic makes them feel inadequate or unintelligent, and they respond by digging in their heels.
That said, the novel is not simply an indictment of elite America. Throughout the book, Dellarobia becomes increasingly frustrated with her community’s rejection of the ideas of outsiders and habit of sticking solely to what they know. Moreover, she learns that her preconceptions about the educated and well-off are not entirely true; Ovid, for example, did not grow up with access to unlimited opportunities but rather in an impoverished US territory. This understanding places Dellarobia at the heart of the struggle between the scientists and the townspeople. Eventually, she realizes that there are commonalities among all people if one works hard enough to find them, and in deciding to pursue further education, she becomes a bridge between the two worlds.
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By Barbara Kingsolver