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Daya tries again to convince Adeline to leave the house, and Adeline claims that she needs to rework the plot of her next novel. However, Daya ignores her and demands that they go to a club. At the club, they dance with a handful of men, and one intrigues Adeline. They all go to the upstairs VIP area, where the man, Arch, introduces them to his brother, Connor, and three other men: Max and a set of twins, Luke and Landon. Z texts Adeline, telling her that he will cut Arch’s hands off if he touches her, and Adeline worries that she might be endangering Arch. Nonetheless, Adeline resolves not to let Z interfere with her life, choosing to leave with Arch.
The chapter ends with a diary entry dated July 7, 1944, in which Gigi describes how Ronaldo comes right after Serafina goes to school, undresses Gigi, and teases her, but he never stays or goes further than caressing her.
Adeline brings Arch back to Parsons Manor, and she brings him to the sunroom in the back of the house facing a cliff. Arch is in awe of the view of the stars, but Adeline perceives a brief, sad look on his face. They begin to have sex, but Adeline notices a movement and remembers the stalker. They are interrupted by a bang at the door, and Arch jumps to investigate. As he opens the door, Arch reveals that he has a gun, which causes Adeline to panic, wondering both who Arch is and what might happen in a conflict between him and the stalker. After a period of silence, Adeline opens the door and finds a blood-covered rose.
Adeline calls the police, and Sheriff Walters, a family friend of Adeline’s, arrives. He explains that they suspect the murderer would have carried Arch on foot to a car, but he is not aware of the reports Adeline has made about her stalker. Adeline is upset that her reports were not filed, but Walters tells her that her stalker may have done her a favor: Arch and his family are known criminals, involved in dealing cocaine, and Arch, specifically, has been accused of domestic violence. The police leave, and Adeline worries if she will be killed by her stalker or by Arch’s family.
The chapter ends with a diary entry dated September 10, 1944, in which Gigi notes that she has not seen Ronaldo in three days. In the meantime, she had a fight with John, and it seems that John has realized that Gigi is distancing herself from him. Gigi cannot say she loves John anymore, and she feels that her marriage is an affair, in which she is cheating on Ronaldo, not her husband.
Z says that he has committed homicide. He discusses how seeing Arch with Adeline made him upset, leading him to knock on the door, grab Arch, and stab him before knocking him unconscious. Z brings Arch back to his base of operations, which he notes is entirely secure. Next to the table onto which Z straps Arch, Josh lies dead. Before his death, Josh gave up his boss, a man in Ohio, and Z notes that another branch of his organization will take care of him. Though Z is aware of Arch’s family’s crime organization, he does not consider it serious, and he notes that he would not have any involvement in taking them down if not for Arch’s involvement with Adeline.
Z tortures Arch, who is confused that Z is upset about his intimacy with Adeline. Though Z does not explain his feelings to Arch, he thinks of Adeline as his possession and that he needs to kill any men who touch her. With Arch, this issue is conflated with Arch’s history of domestic abuse, which led to his ex-wife’s hospitalization for physical injuries and subsequent hospitalization for PTSD. Z asks Arch if he was going to hurt Adeline, and Arch admits that he planned to hurt her after making her more comfortable with him, which sparks Z to plan an extensive torture session prior to Arch’s death. Z also acknowledges that he will need to kill Arch’s family to avoid any attempts at revenge.
Daya offers to get Adeline a security system, and they arrange to meet and set up the system later in the day. When Adeline checks her mail, she finds a box containing Arch’s hands and a bloody note on her porch. Daya comes immediately, and the two investigate the note, which implies that the Shadow punished Adeline by killing Arch. Daya reveals that Arch’s entire family is dead, and the police found no evidence to connect the crime to anyone.
Later that day, Adeline is distracted from her writing by a thump in her bedroom. She grabs her knife to go investigate, but she does not find anyone. Instead, she finds one of Gigi’s diaries on the floor, when it had previously been left in her nightstand. The diary on the floor is the last of the three, and Adeline notes that the tone of the final entries is frantic; one page is also torn out of the binding. Daya comes over again, and the two look through the information that Daya finds in the police system regarding Gigi’s murder. They resolve that they need to either find out who Ronaldo is or find the missing page to continue their investigation.
That night, Adeline wakes up in a sweat, and she hears footsteps outside her door. The steps come to her bedroom door and stop, and Adeline grabs a screwdriver, moving to the door quietly. The footsteps pause, then they retreat until Adeline hears her front door close. She shifts to a window, staying hidden but looking out to see who was in her house. As Z walks away from the house, Adeline sees him, and he turns to smile at her before walking away.
The chapter ends with a diary entry dated September 18, 1944, in which Gigi notes that Ronaldo was hurt when she saw him. The two have sex, and Gigi is ashamed, but she does not regret it.
Adeline investigates Gigi’s journals, looking for clues about her murder. Daya assists her by sending over documents from the original investigation. Adeline’s investigation is cut short by a thump in the kitchen, and she sees Z outside on her lawn. Adeline charges out of the house and confronts him, pushing him in the chest and demanding to know what he wants. He does not respond but licks his lips and walks away. Three days later, Z shows up on her lawn again, and Adeline grabs her phone to call the police. Z shakes his head, and Adeline pretends that there is another person in the house, first looking up at the sound of footsteps above her, then pretending to yell to someone else in the house. Z is confused, but he stays for 15 minutes, staring at Adeline while she stares back.
After another book signing event, Daya and Adeline return to Parsons Manor to find a single light on in the house. Adeline notes that she did not leave any lights on, and, feeling a little drunk, she charges into the house to confront Z again. He is not there, but Daya and Adeline find that the house is full of roses, with a whiskey glass sitting on the counter. They call the police to investigate, and Adeline agrees to spend the night at Daya’s home. Once Adeline settles in at Daya’s house, she is surprised to see a man outside the bedroom window. She turns to call Daya, but Z sends her a text asking if she liked his flowers.
The chapter ends with a diary entry dated November 19, 1944, in which Gigi admits that she is enjoying her affair with Ronaldo. John is not suspicious yet, but Gigi worries that he will become suspicious soon. She notes that John makes her feel like a servant, while Ronaldo makes her feel special and feminine.
Z arrives at his headquarters with a new video from Jay. The video shows four men killing a teenage boy, marking themselves with his blood. This is not the first video of this kind he has encountered, and he suspects that there is a ring of prominent individuals performing this ritual regularly. Z comments on how challenging it is for him to watch videos of trafficking victims being tortured and murdered, maintaining that he is invested in ending trafficking altogether. The first video of the ritual that Z saw involved four senators, though Z suspects that they are just part of the overall scheme.
Later, Z is in Parsons Manor, and he notes that he has experienced some supernatural feelings and presences in the home. He rewatches the video on repeat in Adeline’s kitchen while she sleeps upstairs. Z remembers that he moved to Seattle specifically to end the trafficking ring involved in the ritual, and he is grateful that he met Adeline as a result.
Adeline and Z’s situation intensifies as each of them start taking bolder measures, with Adeline charging Z in her yard and Z killing Arch and filling Adeline’s house with flowers. Adeline’s attraction to Z is becoming problematic, foreshadowing a theme of The Distinction Between Consent and Arousal. This attraction mirrors Gigi’s attraction to Ronaldo with a few key differences. Ronaldo appears to be peaceful while Z admits that he has killed “many men who have worn different faces of the devil” (96), referring to his vigilante work to stop child trafficking. He also kills Arch and his family without compunction. This difference highlights the different reasons for which Gigi and Adeline fall in love with their stalkers. Ronaldo does not seem to want control over Gigi while Z’s focus is on breaking Adeline’s spirit to make her his possession. Z gives Adeline commands, using his nickname for her, “little mouse,” which emphasizes his position of authority or control over her. Arch “trying to lay claim” to Z’s possession, Adeline, is the main reason for Z murdering Arch, with Arch being “a fucking psychopath” (96) as a secondary reason.
Z’s perspective on Adeline clashes with his vigilante role, creating a problematic dynamic and recalling the theme of The Balance of Morality in Determining Character. Though Z sees himself as a hero, saving young girls from trafficking, he views Adeline as child-like, a process of infantilization in which he feels he can “drag her ass out of there” (96) when Adeline goes to a club, just as he dragged children out of Josh’s warehouse. Z’s references to kidnapping Adeline, as well as his assertion that he intends to seduce Adeline, then “deliver the pain when she gets too close to the flame” (103), suggest that Z does not acknowledge Adeline as a person with agency. Instead, he sees her as an object that he can control and manipulate. His actions are undercut by a sense of insecurity, as he notes that Adeline will “search for something else that makes her feel” the way Z feels about her, but also claiming that “she’ll never find it” and that he “won’t let her try” (105). These perspectives contradict one another: If Adeline will never find someone better than Z, there is no reason why he would stop her from trying. The only reason to stop her from seeking out other men would be fear that she might find a better man than Z. Additionally, Z’s ardent passion against trafficking seems to conflict with his desire to dominate Adeline. He notes that he wants “to ease their pain by creating [his own]” (146), by which he means forcing himself to endure watching the videos of the victims, which is painful for him. However, this sentiment may also mean that Z’s predation of Adeline is a manifestation of the pain Z sees inflicted on trafficking victims every day.
Adeline, on the other hand, seems to be falling into Z’s plan, as she begins to feel aroused when Z is on her lawn. She charges him, but she does not bring her knife, implying that she does not want to hurt Z. Much like Gigi, Adeline tries to get Z to talk, mimicking her great-grandmother’s early attraction to Ronaldo. Crucially, Adeline’s chapters of the book are subtitled “The Manipulator,” and Chapter 11 reveals the origin of this title, as Adeline considers her writing to be an act of manipulation, in which she makes readers feel certain emotions and become invested in her characters. In her interactions with Z, however, she is not manipulative until Z is in her yard and she feigns speaking with another person in the house. This introduces the theme of Performance as Deception. Z is confused by this, but he ultimately remains and stares at her, presumably until he is satisfied that no one else is with her. However, this interaction shows that Adeline has the capacity to counter Z’s efforts, leaving the question of her interactions up to her “heady mix of fear and arousal” (132). This interaction also introduces the dynamic of roleplaying into their relationship. Fear and arousal are the same emotions that Gigi expresses as she grows closer to Ronaldo in the diary entries, foreshadowing that Adeline is walking the same path that her great-grandmother did before her.
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By H. D. Carlton