48 pages • 1 hour read
Pasadena, California, is a small but diverse city about 11 miles from downtown Los Angeles. After World War II, increasing numbers of Black people moved north into California from southern states like Texas and Louisiana. This drastically increased the Black population and made Pasadena a haven for migrating families. The city’s diversity continued to grow, with one of the most notable surges occurring in the 1980s when the population increased by 11%; this included a 27% rise in Pasadena’s Hispanic population. Pasadena kept up with its citizens' needs as the cultural landscape changed. Officials changed the city’s election process to reflect the population changes and improve representation for all the city’s cultural groups.
One of Pasadena’s defining landmarks is the Rose Bowl Stadium, a National Historic Landmark where college athletes play the annual Rose Bowl football game. The stadium is the 16th largest in the world; walking around it covers 3.3 miles. This historic site serves as a setting for Korynthia and Loretha, who often walk around the building to support their cardiovascular health.
Loretha Curry, the main character of It’s Not All Downhill From Here, spends much of the novel internally conflicted about her health and how her age impacts it. Her perspective is shaped by 21st-century perceptions of older adults in the United States. Many of these common perceptions about old age develop from stereotypes and biases, often perpetuated by popular media: Sitcoms and reality TV, in particular, craft caricatures of older individuals’ frailty and incompetence. From an early age, Western audiences are bombarded with images of older adults who cannot see, hear, or think well. These images follow the audiences into young adulthood; they inform day-to-day interactions with real-world older people. However, there is a distinct contrast between how the younger and older populations perceive aging. Elderly individuals tend to believe they can remain independent—a core tenant of United States culture—partially because of the marketing campaigns selling youth and claiming staying young is easy and essential.
Loretha Curry is in her late sixties and does not feel old. However, she grapples with societal stereotypes about age and must regularly check in with herself to understand how she thinks about her age. As friends and loved ones die, and Loretha experiences the hardships of staying “young,” McMillan explores what it means to age in the United States, particularly for Black women.
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