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64 pages 2 hours read

It's Trevor Noah: Born a Crime: Stories from a South African Childhood

Nonfiction | Autobiography / Memoir | Middle Grade | Published in 2019

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Part 1, Chapters 1-4Chapter Summaries & Analyses

Part 1, Chapter 1 Summary: “Run”

Religion plays a central part in Trevor Noah’s life with his mother, Patricia. They go to church services four days a week, with a main service on Sunday. At different points in Noah’s childhood, they go to different churches: a super-modern megachurch he refers to as “mixed church” because of its diverse congregation, a “white church” whose hour-long services revolve around a “deep analysis of the scripture” (6), and a “black church” whose services last three or four hours, ending only when “the pastor cast demons out of people” (8).

One Sunday, on the way to white church, Noah’s mother’s car won’t start. As a result, she, Noah, and his nine-month-old brother Andrew need to take the “minibuses.” This makes the hours-long trip from their neighborhood of Eden Park even longer. Eden Park is near several sites that experienced the worst of the violence after Nelson Mandela was released from prison and apartheid neared its ending, when Noah was nearly six. Noah grew up surrounded by the conflict between the “very militant and very nationalistic” Zulu-led Inkatha Freedom Party (12) and the Xhosa-led African National Congress (ANC). Noah’s family is Xhosa, as was Mandela.

These different groups run the informal minibus network, created extrajudicially to transport Black South Africans, who cannot use public transport under the apartheid regime. Run by “violent gangsters,” the routes are unreliable. After “white church” gets out, it is nearly nine o’ clock at night: a dangerous time for Black people to be in an affluent white neighborhood. Noah’s mom decides to hitchhike home, but right when they get a ride, a Zulu bus driver pulls up and starts threatening the man who picked them up for stealing his passengers.

They transfer to the minibus, but the driver gets even more angry when he hears them speaking Xhosa. He speeds dangerously, not allowing them to get off. When they slow down at an intersection, Noah’s mother pushes him out of the car and follows, protecting Andrew with her body as they fall. They outrun the Zulu men and get a ride home from the police.

Part 1, Chapter 2 Summary: “Born a Crime”

In the pre-chapter prologue, Noah explains the back-and-forth colonization of South Africa by the Dutch East India Company and Britain. During their second rule, Dutch Afrikaners went all over the world to “study institutionalized racism” (19). They took these lessons back to South Africa to create “the most advanced system of racial oppression” in the world (20). Noah compares it to the United States’ Indigenous expulsion, Black chattel enslavement, and segregation combined.

Noah explains the racial caste system in apartheid-era South Africa. As opposed to the United States’ “one drop” rule, which categorized people with any degree of Black ancestry as Black, people who have ancestry from a combination of Black, white, and Asian people are called Colored. White, Black, and Colored communities were all segregated from each other. 

With one white and one Black parent, the young Noah identifies as Black and “mixed,” which is an illegal identity in apartheid South Africa. It was illegal for white and non-white people to have sexual relationships. Noah explains that such “race mixing” (21) reveals the “unsustainable and incoherent” nature of the apartheid system, with its strict separation of races (21). Children of this dual ancestry thus pose an embodied threat to the logic of apartheid. 

Noah’s mom, Patricia, is a “rebel.” Not wanting to be a maid or factory worker—the two potential jobs for Black South African women—she took secretarial courses and was hired as a “token” typist in the 1980s, when South Africa was facing international pressure for the human rights violations of apartheid. Patricia refuses to live in the suburban township of Back laborers her family has been relocated to, called Soweto. During this period, Black residents are outlawed in Johannesburg, and all Black South Africans need to carry a work ID in the city. Though Patricia is arrested repeatedly for flouting these rules, she secretly rents a flat in the city.

Patricia lives in the “cosmopolitan and liberal” (25) neighborhood of Hillbrow. Many people there try to lead integrated social lives despite apartheid’s rules, though this is very dangerous. One person she feels safe with is her neighbor, a reserved man who was 46 to her 24. In February 1984, Patricia has a child with him. Noah’s father is not listed on his birth certificate, as that would be illegal. His mother lies and says his father is from Swaziland: as such, Noah’s official birth certificate lists him as Swazi, even though in reality he is Xhosa and Swiss German.

Noah can only be with his father indoors. Outside, they walk on opposite sides of the street to avoid raising suspicion. Patricia finds “cracks in the system” (28) to keep them from getting arrested. It is illegal to be “mixed”—the child of a Black and white parent—but not to be Colored—to have two Colored parents. Patricia invites friends and neighbors who are Colored to go on outings with her and Noah, while she walks behind them as if she is their maid.

In the city, full of Black, white, and Colored people, Noah and his mother can go relatively unnoticed. When Noah spends weeks with his grandmother in the Black-only township of Soweto, he is only allowed in their walled-in yard. If the police see him, they will remove him from his mother’s custody.

Part 1, Chapter 3 Summary: “Trevor, Pray”

Noah grows up surrounded by powerful women. The only semi-regular man in his life is his maternal grandfather Temperance Noah, who lives with his second family. His grandmother, Frances Noah, is an active, calculating, and sharp-minded woman. They also live with his great-grandmother Koko, who is smart but fully blind. Many Black children in apartheid-era South Africa are essentially fatherless, as men are away for months at a time working in mines, in prison, or in exile.

Female social life in Soweto centers around religion. The township has about a million people, but is not allowed to have stores, bars, restaurants, or shops, and has no paved roads, sewage, or electricity. Black market shops operate out of homes, like spaza grocery shops in garages or shebeen speakeasies in the backs of houses.

The government allots to each laborer a small plot of land that families build up slowly, as their finances allow. His grandmother has a two-room house with two backyard shanties she rents out to migrant workers. Their house has one outside spigot for four families and a tin outhouse shared by six or seven families. 

When he is five years old, it is pouring rain outside and Noah has to poop. Dreading the outhouse and accompanying flies, he sets up a newspaper to poop on in the kitchen “like a puppy” (43). He is doing his business when he notices Koko by the stove. Though she is blind and cannot see him, she hears something happening and keeps calling out to ask who it is. He finishes his business as quietly as he can and sneaks away, throwing his newspaper-wrapped poop in the trash. 

Later, when the rest of his family gets home, Koko tells Noah’s mother and grandmother about the mysterious sound and smell. They find his poop in the trash can. Since Koko believed no one was home and Noah doesn’t confess, his mother believes a demon came into the house. They burn his poop in the driveway, singing prayers. His grandmother recruits other women to join them in prayer to cast away the demon. That night, Noah prays an apology to God for taking up his time with grannies praying about a “turd.”

Part 1, Chapter 4 Summary: “Chameleon”

In the pre-chapter prologue, Noah discusses the importance of language to identity. Shared language binds people together while differing languages can be used to ostracize people. Apartheid-era South Africa did the latter. The government purposefully isolated linguistic communities, like the Xhosa and Zulu, so they would believe they were different and not unite to resist their oppression.

Noah stands out among the Black residents of Soweto, who call him “Indoda yomlungu,” which means “white man” (51). His mother never discusses race, so initially he has no concept of his dad as “white” or himself as “mixed.” He learns to connect with people via language. His mother made him learn English first, “the language of money” (52). Around the house they speak Xhosa, the “home language” (52). A young Noah observes how his mother speaks Zulu, German, Afrikaans, or Sotho to best adapt to and ease a social situation, and he learns to mimic her. At one point, some Zulu men plan to mug him but back off when he speaks Zulu to them, leading them to believe he is part of their tribe. He becomes a linguistic chameleon to survive.

As apartheid ends, Noah gets a scholarship to a private Catholic school that has “all kinds of kids” (55) sitting, learning, and socializing together. While he values this experience, it keeps him ignorant of the educational racism that surrounds him. At the end of grade six he transfers into a government school and gets placed in the “smart” class, made up almost entirely of white students. At recess, he sees that the majority of students in the school are actually Black. The two groups segregate at lunch and Noah feels caught in the middle.

An Indian student named Theesan calls Noah his “fellow anomaly” (57). When he learns how many languages Noah can speak, he makes Noah show off this “amazing trick” to the Black students. The students tell Noah they are in the “B classes.” At the end of the day, Noah asks the counselor if he can move to the B classes. After many protestations that he is ruining his future by associating with “those kids,” she relents. Even though people perceive him as Colored, when forced to choose a race, Noah “chose black” because of the friends, family, and culture he has always been surrounded by.

Part 1 Chapters 1-4 Analysis

In these chapters, Noah describes the environmental, political, and social setting he grew up in, illustrating the realities of Everyday Life Amid Systemic Racism. Though apartheid begins to end when Noah is about six years old, the racist framework of apartheid-era South Africa animates all aspects of his childhood environment. Through these chapters, Noah’s adult narrative voice intersperses non-chronological anecdotes from his childhood with historical facts and deft socio-political commentary.

The young Noah spends his time in two physical environments: the city of Johannesburg and the township of Soweto. The architects of South Africa’s apartheid government studied and deliberately emulated other forms of systemic racism around the world, including in the United States—Noah describes the apartheid system as akin to a combination of chattel slavery, Jim Crow segregation, and the forced displacement of Indigenous Americans. Each of these types of systemic racism is evident in the physical environment of the country. Under apartheid, the government designated the major cities and affluent residential areas as white-only spaces. Those spaces depended on Black labor while forcing the Black South Africans who worked there to reside in distant, under-resourced “ghettos,” where they did not even have public transportation to connect them to their jobs in the white towns and cities. Black South Africans were only allowed in these spaces if their ID and papers indicated that they provided labor useful for the city—among residents of the Black township of Soweto, this was usually mining for men and domestic labor for women. Noah describes Soweto as “a prison designed by our oppressors” (39). Though a million people live there, there are only two roads in. This is by design, so the police can easily trap the citizens inside and firebomb them in case of uprisings. Black South Africans were forcibly relocated, exploited for labor, and segregated. Only Black people are allowed in Soweto, meaning that Noah’s presence in his family’s home is illegal. Similarly, only white people are allowed to live in the city, meaning that both Noah and his mother are illegal there. In both of his physical homes, Noah is “a crime”: This crime of simply existing is the first iteration of the theme of Crime in Apartheid and Post-Apartheid South Africa.

The deep division that animates South Africa in Noah’s youth also affects the political and social environments he finds himself in as he grows up. When he is a toddler and very young child, he does not understand why he isn’t allowed to socialize with other kids in Soweto. Young children often do not understand the complex social forces that dictate things like race relations, but they still feel the effects in their lives. Young Noah feels like a “prisoner”: at one point, he digs under the fence for freedom, not understanding that being seen in Soweto as a “mixed” kid would get him removed from his mother’s custody by the police.

Even as a child, Noah understands that race is socially constructed. As a child he “didn’t know what race was. My mother never referred to my dad as white or me as mixed” (52). He understands that all three of their colors differ, but he does not read any greater significance into this difference. Noah’s lived experience accords with the scientific evidence “that race is a social construct without biological meaning” (Gannon, Megan. “Race is a Social Construct, Scientists Argue.” Scientific American, 2016). The apartheid government attempted to segregate and hierarchize people whom it categorized as either “white,” “Indian,” “Colored,” or “Black,” with white people being supposedly superior to non-white people according to apartheid’s racial logic. Since Noah identifies as Black but appears Colored and is treated as such, he can see that their differences are fabricated by the state. To him, his mom and dad are not Black and white, and he “mixed”—they are just a family.

As a preteen attending a government school, Noah is forced to confront his own racial identity for the first time, and he learns new lessens about the challenges of Everyday Life Amid Systemic Racism. At recess, he sees how groups “moved in color patterns across the yard, up the stairs, down the hall” (56). Symbolically, Noah stands in the middle of the white and Black groups, unsure where he belongs. Noah is observing what W. E. B. Du Bois calls “the color line”: the set of barriers (color and otherwise) that separate racial groups. Though Du Bois initially conceived of this concept in the context of American racism, he later reimagined it as affecting all parts of the world. He writes that it is “a matter of cultural patterns, perverted teaching and human hate and prejudice, which reached all sorts of people and caused endless evil to all men” (Du Bois, W. E. B. “The Negro and the Warsaw Ghetto.” Reprinted in Black Thought & Culture, 1952).

Though it is a memoir and not a novel, Born a Crime can be loosely considered a bildungsroman—a coming-of-age story in which the protagonist develops self-awareness and agency as he moves from childhood into adulthood. As Noah learns to identify and understand the patterns of racism around him, he also develops an understanding of himself in defiance of these patterns. Noah sees these “cultural patterns” in people like his school counselor. When Noah requests to join the B Class to be with the Black children, whom he calls “my people” (58), the counselor tells him, “you’re a smart kid […] those kids are gonna hold you back […] You don’t want to be friends with those kids” (58). She calls the Black students “those kids,” lumping them all into a single homogeneous group defined as antithetical to the predominantly white “smart” group. She differentiates Noah, who has considerably lighter skin, from them. Compared to them, she thinks he is a “smart kid.” She is perpetuating the colorist and racist “cultural pattern” of apartheid that says that dark-skinned people are lesser than light-skinned people. This instance is the first time Noah uses his identity to make a political statement: When “forced to choose, [he] chose black” (59), where the children “embraced” him for who he was. In doing so, he begins to reconcile the tension between External and Internal Perceptions of Identity: He chooses to see his own identity as distinct from the identity the teacher assigns him. This is an important step in his coming-of-age journey, as he is acquiring agency and control over his identity within an unjust system.

As an adult, Noah knows that his very existence is a political statement that defies the racist logic that upholds apartheid. Apartheid attempted to separate and hierarchize people, but people mixed regardless of the law. Noah describes himself as the result of his parents’ “crime,” noting that, as a “mixed person,” he “embodies that rebuke to the logic of the system” (21). His existence proves that forced separation between different races based on supposed inherent value or natural inclination is a faulty system designed to uphold the hegemonic power of the few. Thus, Noah’s existence proves that apartheid is untenable.

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