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hooks discusses the tendency to understand education as key to “racial uplift” (226). She notes, however, that even after Black students graduated with college degrees in record numbers, racism still existed. This is because many Black academics uphold the system of white supremacy. In the Black power movement of the 1960s, people questioned educational systems, and Black students who entered college in the 1970s were ready to challenge the system. For people like Cornel West, college opened up a new intellectual life.
hooks, however, began pursuing an intellectual life in Appalachia before entering college. She found Stanford to be a hostile, racist, sexist, and classist place. There, having an Appalachian or Southern accent was looked down upon. hooks then distinguishes between intellectual work and academic work. The former can be done outside of the academy and a large part of the work is solitary. Academia allows some lower-class people to pursue an intellectual life. However, hooks always admired writers, like James Baldwin and Lorraine Hansberry, more than academics. Some Black academics, she notes, leave the intellectual life to further their academic careers and financial success.
Next, hooks condemns the competitive and hierarchical aspects of academia. She describes working with Cornel West on the essay collection Breaking Bread (2016). It argues that one can become a Black intellectual/academic without assimilating white supremacist ideals. Her contribution to the book describes how academia encourages competition between Black women. Then, hooks discusses a conference that she refused to attend because it wanted to project a unified image of Black female academics.
Solidarity among Black women in academia is not common. It is undermined by competitive Black male academics, who subordinate women. Black men who write nonfiction receive more attention by the mainstream media than Black women, although Black women have had more success in writing fiction. hooks argues that “intellectual work can itself be a gesture of political activism” (234). hooks explains that intellectual work challenges colonialism and is committed to social change, and she rejects the idea that intellectual life is outside of Blackness. She says that Black intellectuals can appeal to people across class by working to end all forms of oppression.
hooks states that she has chosen to make her writing more accessible than other academic work. For example, she wrote a self-help book, a genre that is often portrayed as negative in academia. She notes that public speaking is also useful to reach people from a variety of classes, including people who are not strong readers. Black intellectuals who only care about cultivating a white audience will receive more attention than those who want a diverse audience and refuse to assimilate. hooks adds that the former are often men and the latter are often women.
hooks then argues that Black academics must be open to people critiquing their ideas. They must be willing to change, if necessary, and be accountable. Men also need to avoid competition and should cite Black women when they use their ideas. hooks discusses being at conferences where Black women focus on criticizing Black male academics instead of discussing the issues at hand. She states that more people need to encourage Black men and women to become intellectuals. To this end, it is helpful to remind people that intellectual life can take place outside of the academy. Academia requires networking and serving institutions, while being intellectual requires engagement with ideas. hooks observes that intellectual work requires open-mindedness and is inherently political. She cites Cornel West and agrees with his assertion that intellectuals need to come together to envision new ways of living outside of capitalism.
hooks opens by describing historical bonding between Black people based on skin color, as well as racial background, including some light-skinned Black people who chose not to pass for white but to assert their Blackness. In the 1960s, militant revolutionaries encouraged this behavior and called for people to love Blackness openly. However, some Black people believed that one proved one’s Black “identity by the manner in which one responded to whiteness” (241). She notes that there were Black folks who assimilated and took on white values, as well as separatists who believed Black values were fundamentally different from white values.
Later, she adds, when some Black people began to gain power in the capitalist system, conceptions of Blackness changed. This was due to racial integration replacing segregation after the civil rights movement. Some separatists assert that Black identity is static, while other people believe identity changes. Black nationalists also insist that Blackness is unitary or can be represented in one way. hooks quotes Marimba Ani about Afrocentricity, which centers on the lives and outlooks of African people, rather than Europeans. However, hooks notes that the interests of African people are not all the same, and she warns against adopting a utopian and unitary ideal of Africa.
Next, hooks criticizes Black nationalists who “uphold a vision of patriarchal family life” (244), arguing that it is important to question the male-centered family structure. She observes that, when Black feminists ask these questions, they are treated as traitors. hooks notes that some nationalist groups utilize progressive language about gender to gain new members, but inside the group, they value the intellectual work of men more than women. Many Black nationalists consider feminism and will not discuss Malcolm X’s progressive points about gender. hooks argues that focusing on the patriarchal family structure shows how Black men want to have power over women.
Black nationalists need to change conceptions of Black identity so it is “not sexist, homophobic, patriarchal, or supportive of capitalism” (246). hooks and other Black people who are not nationalists challenge patriarchy and capitalism. hooks states that Black identities can include aspects that are not part of traditional Blackness, and she quotes Cornel West about a new framework for Black identity that is diverse and can be questioned, though it does need to be formed outside of white supremacy. hooks notes that many Black people focus on race and do not discuss class and sexuality, adding that the unitary conception of Black identity has endured because it is connected to the history of Black resistance.
Challenging white supremacy is an ongoing process, hooks adds, and one that is based on what you do rather than who you are. Change is an essential part of a fluid Black identity, and fluidity and diversity are important in the quest for liberation and Black self-determination.
hooks begins by claiming that patriarchal values and a lack of coalition building lead to the adoption of capitalistic values in Black communities, which ultimately prevents people from overcoming racism. White power leaders worked to undermine the struggle for Black liberation with assassinations, imprisonment, and the disruption of Black leaders. They also aided specific Black men who assimilated white values, especially in academia, in gaining financial and social status. hooks argues, therefore, that there is a tension between succeeding in academic institutions and being able to be a public speaker for the masses. Black nationalists will reach a wider audience if Black intellectuals stay within predominantly white institutions.
hooks advocates for critical vigilance, stating that criticism should be offered only alongside new strategies for radical social change. She discusses how academic jargon can make progressive thought inaccessible. hooks, and others like her, use the terms that Black conservative nationalists use, such as Black liberation struggle and Black self-determination. However, she offers a different context for them, namely, as ways to improve the lives of Black people. She argues that there should be more accessible classes outside of academia that teach people to disassociate well-being from the excessive consumption of material goods. These classes can counter the narratives presented by capitalist media about the importance of luxury items. hooks adds that the idea that consumption is success causes some Black people to commit crimes since they see unethical white people succeeding and wish to emulate them.
hooks argues that more attention should be paid to how television promotes capitalism in Black communities than to how rap music harms Black communities. Many Black people who become famous in white-dominated media are chosen by white people due to their ability to assimilate. hooks contrasts Malcolm X with Louis Farrakhan in terms of their opinions about capitalism. To achieve Black self-determination, hooks contends, people must decolonize their minds. Decolonization includes learning about the history of resistance, about the institutionalization of white supremacy, and about the media. Critical literacy is key.
Next, hooks condemns bourgeoisie values held by Black people. Unlike Malcolm X, who was critical of capitalism, many Black people want financial success and material goods. She clarifies that she is only condemning excessive consumption and hoarding of wealth, not advocating for austerity. hooks also argues that spirituality outside of patriarchal institutions offers guidelines about how to live simply and avoid excess. She notes that Black people will only gain self-determination if they overcome sexism, homophobia, classism, and nationalism. Black self-determination requires people to take responsibility for changing the world. The goal is to overcome “neo-colonial white supremacy” for not only Black people, but all people (261). hooks envisions traveling schools that can teach people all over the US and tailor their education to the specific needs of different people. She imagines that at these schools people would learn critical consciousness as well as skills needed to change their lives.
hooks laments the fact that racism hasn’t ended. She longs for “a place for the beloved community” (263). She discusses how Martin Luther King Jr. envisioned a place where skin color wasn’t seen. hooks argues that this idea is flawed because it emphasizes erasing differences. She asserts that Black people need to be able to imagine a positive vision for the future, as well as be able to discuss the issues of the present. hooks gives the personal example of working with activists in Appalachia and how decolonizing their minds made small beloved communities possible.
hooks continues by emphasizing the central role of love in radical justice. She argues that “love is the antithesis of the will to dominate and subjugate” (265). Part of this love is affirming differences and being committed to the anti-racist struggle. She warns against following religious fundamentalists and notes that Black nationalists and separatists are cynical about the potential of ending white supremacy. When segregation ended, many white people claimed they were not racist anymore. However, they did not challenge the white supremacist thinking that permeates the media and academia. These people fear Black people, when it is Black people who are the victims of violence.
hooks supports this claim with the example of a colleague of hers at an academic institution. This white woman was sexually assaulted by a Black man, which caused her to fear all Black men. However, she was vigilant in her commitment to anti-racism and overcame those feelings of fear against Black people who were not her attacker. Next, hooks warns against internalized racism that causes Black people to think they are lesser than white people. She says that there are white people, like her friend, who are anti-racists, and so Black people should not hate all white people. While some white people are still committed to racism, hooks contends that there is no inherent racism, only learned racism.
She adds, furthermore, that the idea of inherent racism is an excuse for white people not to take responsibility for their racist actions. They, and Black people, have to continuously work at being anti-racist. However, many people have feelings of hopelessness about the future. These can be overcome by committing to collective action for racial justice and pursuing the vision of the beloved community. People—like hooks—who have created small beloved communities and can envision a positive future for larger ones need to make their voices heard. Beloved community, she says, is where differences are celebrated, problems are addressed, and borders are crossed. Longing for this community will sustain activists through the struggle that is to come.
In the final section of Killing Rage: Ending Racism, hooks discusses Black communities and identities. She describes her professional colleagues—academics and intellectuals—and advocates for diversity within Blackness. The sources she cites range from her colleagues, such as Cornel West, to some of the most famous Black civil rights leaders, like Martin Luther King Jr. In keeping with her tendency throughout the book to set aspirational goals for Overcoming Systemic White Supremacy, hooks ends the collection by discussing King’s goals along with her own goals for the future and how to work for them.
In the first essay of this section, “Black Intellectuals,” hooks speaks to the worlds of intellectual life and academic life, tracing how they can contribute to Solidarity and Betrayal, respectively. The latter makes up a large part of her career but isn’t central to her identity. hooks draws upon her personal experience at Stanford, which highlights her success within the academic world and her credibility as a source. However, she distinguishes academia from her intellectual life of writing and thinking, which is central to her identity. hooks writes:
Making a distinction between the two types of work, even though they sometimes overlap and converge, allows everyone to appreciate the different nature of commitment that is required when one is primarily concerned with advancing an academic career, in contrast to constructing a life where one can be devoted fully and deeply to intellectual work (238).
Her heroes, Lorraine Hansberry and James Baldwin, are writers and intellectuals, not academics, and hooks indicates her belief in the value of intellectual work throughout the book by frequently referencing writers and intellectuals. By comparison, she references academics much less frequently, and those she does reference, such as Cornel West and Frantz Fanon, are also doing intellectual and politically engaged work. Hooks also advocates for interrogating academics and intellectuals rather than treating them as gurus with blind devotion. Here again, hooks exemplifies her statement in the methodology of her essays, often citing academics and intellectuals only to critique or reject all or some of their claims.
Her idea that political “commitment need not be static. It changes” is reminiscent of Emma Goldman’s writing about anarchism (236). Goldman writes that anarchic politics “is a living force in the affairs of our life, constantly creating new conditions” (Goldman, Emma. Anarchism and Other Essays. Mother Earth Publishing Association, 1911). In addition to advocating for questioning and being open to change, hooks points out the Black Sexism and Misogyny that is present in academia. Women must be thought of as equal to men in the academic and intellectual worlds and the “competitive hierarchical structure” of academia should be replaced with accessible avenues into intellectual life (230). She suggests, therefore, that the problems in academia, like many other political issues, are ultimately tied to the interconnectedness of class, racism, and sexism.
In the next essay, “Black Identity,” hooks discusses Black nationalism and constructions of Blackness. She, again, quotes Cornel West, who is a key figure throughout the book. Like the previous essay’s point about ongoing change in political commitment, hooks argues for a changing Black identity in this essay, stating that there is “no monolithic black community, no normative black identity” (247). It is a fluctuating and diverse identity. This functions as a corollary of the key claims of hooks’s book: She suggests that truly understanding the interconnectedness of race, class, gender, and sexuality demands the embrace of a less monolithic and normative understanding of identity. To be successful in Overcoming Systemic White Supremacy requires the rejection of stringent conceptions of identity that breed division and ultimately have their origins in the white supremacist, patriarchal, capitalist system that people must overcome.
The following essay, “Moving from Pain to Power,” focuses on one of the key terms of the collection: Black self-determination. hooks writes, “Black self-determination is that process by which we learn to radicalize our thinking and habits of being in ways that enhance the quality of our lives despite racist domination” (254-55). This term comes from Black nationalists, who hooks criticizes for perpetuating Black Sexism and Misogyny. Therefore, she wants to reclaim the term from its original context and use it to describe a method for mental decolonization, arguing that Black self-determination should not be associated with patriarchy or consumerism. This, too, is a reflection of hooks’s critique of academia as too inaccessible and needlessly complex. Rather than adopting a neologism to describe the particular way she conceives of this idea, she works with and revises an existing term that might already be familiar to her audience.
In the final essay of Killing Rage: Ending Racism, “Beloved Community,” hooks discusses the small communities she’s built and how they can inspire more and larger communities. She cites Martin Luther King Jr. about a beloved community where no one sees race. Building on this, hooks argues that “beloved community [is] formed not by the eradication of difference but by its affirmation” (265), noting that people ought to celebrate differences. By ending the collection with this essay, hooks underscores her focus on the aspirational project of Overcoming Systemic White Supremacy and imparts an optimistic tone to the text, despite the text’s strong emphasis on the insidious nature of racism and white supremacy. Her reflections in this essay also reinforce the idea that her aspirational vision for community is not an unrealistic one, since, as hooks notes, she already dwells within such communities. Thus, she suggests that building a better world does not require creating something that has never existed before, but rather strengthening and growing already existing forms of community that reject the white supremacist, patriarchal, capitalist system.
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