59 pages • 1 hour read
An artist and writer, Chanel Miller grew up outside of San Francisco in Palo Alto, California. A dedicated older sister and devoted daughter, Miller is coming into adulthood just seven months after graduating from college when she is raped while attending a party at Stanford University. Miller struggles to navigate the confusion, anger, and shame that consumes her in the wake of her rape. She states that “it was never in [her] nature to lean on others” (31). It is this independence that isolates Miller from her loved ones and propels her on a journey of recovery. Just months after her rape, she moves to Rhode Island on her own to find refuge in art and find her own way back to herself. She ultimately returns to California to confront her rapist Brock Turner in court and battle the wave of emotions that threaten to overwhelm her. Slowly, Miller finds power in her own voice and regains the boldness that was stripped from her. She gains an understanding of the corrupt systems that silence survivors like her and speaks her truth in a powerful victim impact statement that millions of people around the world read. In writing her memoir, Miller endures a journey through her traumatic memories to find healing and a greater purpose to spread a message of hope to her fellow survivors.
Alaleh Kianerci is a prosecutor with the Santa Clara District Attorney’s office. Assigned to Miller’s case, she works closely with her throughout the legal process, keeping her up to date on developments and giving her advice about how to present herself in court. Although Miller’s experiences with the criminal justice system are often traumatic, Alaleh is a rare beacon of hope and, implicitly, one of the women whose strength and compassion Miller finds comforting in the aftermath of her assault.
Brock Turner is Miller’s assailant. At the time of the rape, he is a freshman at Stanford, which had awarded him a swimming scholarship. Turner’s athletic talent, wealthy background, and gender lead the media to depict him sympathetically in the wake of his arrest, overlooking any details (e.g. a history of alcohol use and harassment) that might cast him in a less favorable light. This treatment is arguably as much a lesson in male privilege and entitlement as the assault itself, and it extends all the way up to his light sentencing. Turner also never seems to take responsibility for his actions, instead depicting himself as a victim of alcohol-induced impaired judgment.
Tiffany is Miller’s younger sister, whom she accompanied to the Stanford party on the night of the assault. Tiffany is supportive and helpful in the aftermath; she picks her sister up at the hospital, provides valuable information to the police on Miller’s assailant, and helps her prepare for her court appearances (while also testifying herself). Nevertheless, Tiffany also serves as a focal point for some of the unhealthy ways Miller responds to her assault. For example, the impact the assault has on Tiffany combines with Miller’s broader feelings of guilt and leads her to criticize herself for “failing” in her role as protective older sister.
Lucas is Miller’s boyfriend. He offers her patient, compassionate, and non-judgmental support in the aftermath of her assault and narratively serves as a counterpoint to the many misogynistic and violent men the book references. Nevertheless, Lucas’s mere existence has ramifications in the sexist system Miller describes, as the fact that another man has “claimed” her does more to corroborate her insistence that the encounter with Brock Turner was nonconsensual than her own words do.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features: