42 pages • 1 hour read
Angelou addresses the age-old question “How are you?” and the conventional response, which is devoid of meaning and truth. She states that no one actually wants an answer when they ask the question, leading Angelou to conclude, “I believe in that way we learn to give and receive social lies” (17). Everybody is aware of this “social lie,” yet we all indulge it, in part to keep the peace and in part because “we do not wish to deal with the truth” (17). We need not be unforgivingly brutal in our response, but Angelou suggests that replying honestly can be “wonderfully liberating.” Angelou cautions that, as we begin to answer this question honestly, people will begin to avoid us: They too have pain in their knees and do not care to hear about you’re the pain in ours. Angelou writes, “But think of it this way, if people avoid you, you will have more time to meditate and do fine research on a cure for whatever truly affects you” (17). Angelou urges the reader to deal with the truth of their situation because it is in confronting truth that one may overcome all ailments.
Angelou comments on entertainers whose trade is their own embarrassment. People who entertain by embarrassing themselves are telling the world that they are unlovable. Further, those who degrade themselves by watching and enjoying this embarrassment are no different than the audience in the Roman Colosseum watching and enjoying another’s death. She states:
We need to have the courage to say obesity is not funny and vulgarity is not amusing. Insolent children and submissive parents are not the characters we want to admire and emulate. Flippancy and sarcasm are not the qualities which we need to include in our daily conversations (18).
Entertainers influence public opinion greatly. Their reliance on vulgarity as comedy becomes a direct offense against the soul insofar as it corrupts it.
There are certain wrongs that correct themselves over time, Angelou writes, but there is one matter that she cannot remain silent on. She writes, “Too many sociologists and social scientists have declared that the act of rape is not a sexual act at all, but rather a need, a need to feel powerful” (19). She concedes that this need exists and that rapists themselves have often experienced abuse. However, she also cautions against this viewpoint, arguing that it provides an explanation for an inexplicable act of violence that is “(devastatingly) sexual” (19).
In premeditated rape, “The stalking becomes, in the rapist’s mind, a private courtship, where the courted is unaware of her suitor, but the suitor is obsessed with the object of his desire” (19). The suitor is the “excited protagonist in his sexual drama” (19). The impulsive rape is also sexual, as the violator is sexually agitated by the surprise encounter with an unprotected victim. Angelou concludes that society should not make rape an acceptable or even explainable occurrence. To say it is about power implies that one must forgive because it is a normal human action; it is solely violence.
Independence, Angelou states, is desirable even though its “taste” is not very appealing. She begins to recall lunch dates with her mother, who would make Angelou’s favorite meal and spend the afternoon with her. Despite her poor living conditions, Angelou restrained herself to seeing her mother only at their appointed lunch dates.
One such lunch date stands out in her mind: “Vivian’s Red Rice Day” (20). Her mother had made red rice, Angelou’s favorite dish. Following lunch, the two left to attend their afternoon plans. As they walked, Angelou’s six-foot frame towering over her mother, Vivian told her that she was the “greatest woman” she had ever met. Angelou writes, “My policy of independence would not allow me to accept money or even a ride from my mother, but I welcomed her wisdom” (21). Angelou began to wonder if she actually could become successful. She decided to cut down on dangerous habits like smoking, drinking, and cursing.
While Angelou was walking down the street in Morocco, a group of men shouted to her, and she was suddenly aware of her short skirt and high heels. She approached them and they invited her to dance. During this interaction, a woman handed Angelou a coffee mug that, much to Angelou’s surprise and disgust, was filled with cockroaches. Afraid of being impolite, she drank the entire concoction of coffee and cockroaches. She held her vomit until she was out of sight.
Later on, she stumbled across an article in Readers Digest about how many nomadic African tribes place three to five raisins into a small cup of coffee to show respect to visitors, much like the four “cockroaches” she had found in her coffee: “There, they had chosen to honor me with those expensive raisins” (23). She decided that, whenever she could, she would sit with others and accept all offerings. She calls this a lifelong lesson, as she is still learning it herself.
Angelou pivots from recounting her youth to relaying specific messages and opinions. She begins with society’s reluctance to confront the truth and its embrace of “social lies.” Ultimately, these lies help us lie to ourselves; for example, people would rather complain silently than work towards fixing whatever ailments limit them. Angelou writes, “Everybody knows the statement is a blatant lie but we all swallow the untruth in part to keep the peace and in part because we do not wish to deal with the truth” (17). This avoidance of the truth renders people bitter.
Angelou then moves to vulgarity and violence, which society often tolerates or rationalizes. Vulgarity seems to awaken the barbaric in us, as laughing at another’s misfortune implies acceptance of society’s worst features. Angelou applies a similar lens to violence—specifically, rape as a violent sex act. She states, “I am concerned that accepting the power theory trivializes and diminishes the raw ugliness of the act, and dulls the razor’s cruel edge of violation” (19). Angelou proposes a stance on violence that refuses any rationalization of the act because to rationalize it is to accept it.
Angelou then addresses independence, stating that youth desires independence despite its hardships. Only her mother—and perhaps by extension only a mother—can breach Angelou’s independent streak with her wisdom. After her mother tells her that she is kind and intelligent, Angelou feels a sense of strength and confidence. She vows to make healthier life choices and believes that she just might become someone. Angelou seems to state that a desire for independence is only productive if one can also accept advice. This idea of humility in dealing with others carries through to Angelou’s anecdote about her time in Morocco, where she adjusts to a new set of customs. She advises us to always be mindful of different cultures and to maintain respect for others even when we do not understand their way of life.
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By Maya Angelou