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59 pages 1 hour read

Love, Hate and Other Filters

Fiction | Novel | YA | Published in 2018

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Themes

Coming of Age Amid Social and Cultural Expectations

Like much young adult fiction, Love, Hate and Other Filters explores common adolescent themes like young love, identity, and personal agency. In Maya’s case, these topics are complicated by parental and social expectations based on ethnicity, gender, and other factors. Maya experiences first love with her classmate Phil, who initially seems to be her cultural opposite as captain of the high school football team. That Maya and Phil connect despite their different backgrounds reveals that human connection and empathy transcends heritage and religion. The second half of the novel focuses more on Maya’s coming of age story. Asif forces Maya choose between New York and her parents, and she chooses New York. With this choice, Maya crosses the threshold from childhood to adulthood. Since she is disinherited, she becomes responsible for her own choices, actions, and even attitudes. During her first semester at college, in another display of maturity, Maya realizes that her parents did not do anything wrong; they were trying to love and protect her. In light of that, she is open to reconciliation with her parents.

Indian Identity, Tradition, and Expectations

Maya struggles with the traditional expectations of her Indian immigrant parents and the American culture that surrounds her in Batavia, Illinois. She attends an Indian wedding dressed traditional clothes and gold jewelry. Her mother observes that Maya looks like she is going to a funeral. Sofia’s disappointment in Maya is clear when a friend takes Maya to the bride’s dressing room: “Take her, beta, and show her how to be at least a little Indian” (5). When Maya goes to school with Violet on Monday morning, she wears skinny jeans and a V-neck sweater, a clear demonstration of her personality and modern preferences.

Yet Maya does not abandon her heritage entirely. She consciously chooses not to sleep with Phil, a decision that ultimately affirms her Indian upbringing. When Violet sends along a condom for Phil and Maya’s nontraditional prom night, Maya shakes her head. Though she wears a red bikini to swimming lessons with Phil, Maya still asks him to turn around when she is dressing. She also prefers not to kiss Kareem or Phil when others might be watching. She tells Phil that it is her “Indian modesty complex” (257).

The Indian experience of being caught between cultures is an existing subgenre in other books and film. Love, Hate and Other Filters specifically mentions The Namesake. Maya knows the book, and she is in a unique position to explain it to Phil during their tutoring sessions. Examples of other films and books in this genre include Bend It Like Beckham, in which a British Indian young woman wants to play soccer (and to date a non-Indian) against her parents’ expectations. The novel Ayesha At Last is a rewriting of Jane Austen’s Pride and Prejudice that is set among desi (term referring to people who originate from India, Pakistan, Bangladesh, and Sri Lanka) Muslims in Toronto.

Racial Discrimination and Cultural Division Among Peers

Asif and Sofia see a daughter who seems to value her Americanness over being an Indian or a Muslim. But Maya cannot escape her ethnicity, her identity, or her faith. At school, she is the only brown-skinned student among a sea of white-skinned classmates. Her Muslim identity makes her a target after Ethan Branson blows up the federal building in Springfield. Even after Maya tries to explain to her classmate Brian that she is an American, he does not listen or even care. Instead he blames “you… people” for his veteran brother’s missing leg (207). All he can see is Maya’s skin color and her religion. Maya starts to wish that she were a normal (white) American teenager: “I want to disappear, to blend into the throng of students” (178), to be a teenager who can “mourn without fear” (154).

Yet Phil does not see Maya’s culture, religion, or skin color as her defining characteristics. He appreciates how she “knows the right answers” (40). He has had an open mind since first grade, when he was the first classmate to taste Maya’s Indian birthday treat. Violet also sees Maya as a fully-developed person rather than a religious and ethnic minority. In fact, she is the one who encourages Maya to stand up for herself and reports Brian’s verbal bullying to the school dean.

Terrorism, Islamophobia, and Hate

Throughout Love, Hate and Other Filters, readers witness Ethan Branson’s preparations for the bombing and catch glimpses of his life and possible motivations. We also read accounts from Ethan’s neighbors and classmates that provide clues to understanding his actions. Ethan Branson is modeled on Timothy McVeigh, a US citizen who bombed the Alfred P. Murrah federal building in Oklahoma City, Oklahoma, in 1995. The bombing in Love, Hate and Other Filters is a similar act of domestic terrorism. Samira Ahmed uses a familiar figure in the history of American domestic terrorism to help readers place themselves in the story. Like McVeigh, Ethan drives a rented van filled with explosives to blow up a federal building that also has a daycare center; unlike McVeigh, Ethan is a suicide bomber. McVeigh famously said the children who died in 1995 bombing were “collateral damage”; Ethan uses the same words just before he drives into the federal building in Springfield: “A small, dark-haired girl holding her mother’s hand, looking up at her, a smile like sunshine, her dress read as a poppy bursting against green grass. Collateral damage” (137). Ethan leaves behind items in his hotel room, including a copy of a letter written by Timothy McVeigh in 2001 and The Turner Diaries, a novel that McVeigh supposedly read. McVeigh was also a veteran of the Gulf War. Ethan is not a veteran, but Brian Jennings’s brother is.

Love, Hate and Other Filters focuses on domestic terrorism perpetrated by a white supremacist, but Brian Jennings assumes the perpetrator is a Muslim. In this way, the novel also draws on the Islamophobia that pervaded the United States after September 11, 2001. Maya is too young to remember 9/11, but she remembers what her parents told her about it. Islamophobia, as Maya points out, “left American Muslims to fight for their Americanness and their beliefs” (145). Islamophobia also plays a direct role in Asif and Sofia’s refusal to allow Maya to attend college in New York: “We’ll always be scapegoats,” says Sofia (249).

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