63 pages • 2 hours read
In Chapter 25, Austen uses the card game of Speculation to symbolize her characters’ differing values and approaches to life. Playing the game well requires a spirit of ruthless competitiveness and greed—traits that the novel associates with London's modern, individualistic values. Consequently, the Crawfords are experienced and skillful players, while Fanny is unfamiliar with the game. Fanny understands the rules but, even with Henry’s help, lacks the bold, self-serving attitude Speculation demands. Henry’s unsuccessful attempts to “sharpen her avarice, and harden her heart” illustrate Fanny’s stability of character, foreshadowing Henry’s unsuccessful attempts to persuade her to marry him (248). Meanwhile, Mary demonstrates a contrasting ambition and competitiveness in her determination to win, whatever the cost. Her style of play emphasizes that Mary views her relationship with Edmund as a game she intends to win. She is set on not only marrying him but persuading him into an alternative career.
During the trip to Sotherton, the incident with the locked gate is charged with symbolic meaning. Maria perceives the gate as an obstacle standing in the way of what she wants. Her wish to see the landscape beyond represents her unexpressed desire to break free from the restrictions of her engagement. When Mr. Rushworth leaves to fetch the key, Maria and Henry’s conversation is loaded with innuendo and double meanings. Henry’s suggestion that he can help Maria “pass round the edge of the gate” without waiting for the key implies that she need not feel morally restrained by her forthcoming marriage (127). A bystander to the conversation, Fanny is increasingly alarmed by its amoral undercurrent. Her warning to Maria that “you will certainly hurt yourself against those spikes” highlights the damage her cousin will likely inflict on her forthcoming marriage and reputation (127). Nevertheless, Henry helps Maria slip past the gate, foreshadowing their later adultery.
In Mansfield Park, the motif of improvements reinforces the theme of Stability Versus Change. The concept of improvements is introduced by Mr. Rushworth when he reveals he is considering employing the famous landscape gardener Humphry Repton to improve his estate. Austen suggests that the fashion for such landscaping signals a desire for novelty and a disregard for heritage that is by no means an “improvement.” Henry Crawford’s enthusiasm for improving the estates of Mr. Rushworth and Edmund signals his lack of appreciation for the traditions of rural life. Meanwhile, Fanny’s assertion that she hates to see avenues of trees removed in the name of improvement reveals her reverence for nature and the traditional order. Edmund agrees with Fanny, prioritizing the responsible maintenance of his future estate over wholescale change.
Lovers’ Vows, the play that the younger Bertrams, the Crawfords, and Mr. Yates put on before being interrupted by Sir Thomas’s return, is symbolic of both the dangers of acting and the depth of moral decay within Mansfield Park. The play effectively dismantles parts of Mansfield Park, as a theater is erected partially in Sir Thomas’s study. This dismantling is both literal and figurative, as the play represents a peak in the indulgence of the young companions. Henry and Maria flirt heavily and openly, Edmund and Mary enact scenes as lovers, and only Fanny shies away from the play as a matter of principle. Through Lovers’ Vows, Austen explores the risky nature of acting, as straying too far into a character can rationalize bad behavior.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Jane Austen