49 pages • 1 hour read
The relationship between greed, corruption, and anti-Indigenous racism is one of Mean Spirit’s most important and overt themes. All the members of the Osage community who are subject to violence at the hands of white people are targeted because of their wealth: The only way for white people to gain access to the lucrative oil on Osage land is through marriage or inheritance, and yet, the Osage murders are the result of much more than greed. That white people are able to rationalize murder for financial gain shows an insidiously deep anti-Indigenous racism. That so many Osage people are killed and their murders successfully covered up is a sign of the widespread corruption among community members, business owners, and even law enforcement and government officials.
This interrelation of greed, corruption, and racism is evident early in the narrative, as the murder of Grace Blanket serves as the narrative’s inciting incident. Because Grace had been one of the wealthiest members of the Osage community, and because disrespectful, dehumanizing rumors about her swirled around the town of Watona, various friends and family members begin to suspect that she was murdered. Belle, shortly after Grace is killed, mulls over the event: “She wanted to read the deep night and decipher the story of what had happened to Grace Blanket. She believed it was a plot since Grace’s land was worth so much in oil” (28). Belle has identified greed as a possible motive for Grace’s murder, and because prejudice abounds in the community, she understands that Grace is looked down upon by many of the white people in Watona. She, Moses, Michael Horse, and eventually Stace Red Hawk all begin to suspect widespread corruption and conspiracy when an increasing number of Osage community members die under mysterious circumstances.
The character of John Hale best embodies this theme, for he is a white man who has spent the entirety of his life among the Osage people, and the result of that familiarity is not respect but prejudice. Anti-Indigenous racism is built into white culture in the region, and because white people like John Hale see their Indigenous neighbors through a dehumanizing, othering lens, it becomes easier and easier for them to justify an escalating series of crimes against the Osage people. John Hale only begins to take issue with Osage land ownership after the discovery of lucrative oil reserves, and is driven by greed to wrest at least some of the profits away from the Osage people. The combination of greed and anti-Indigenous prejudice leads Hale to orchestrate the murder of multiple members of the Osage community, and he relies on his fellow white Watonans to help him carry out complex crimes and to cover them up. Hale and the sheriff are shown to collude in more than one murder, and that kind of corruption becomes endemic in Watona.
The state-sanctioned exploitation of Indigenous people, their land, and its resources is a theme that runs through much of Linda Hogan’s work. In this text, the exploitation of Indigenous people centers around oil rights. White men marry Osage women for their oil rights and wealth, the US government tries to separate the Osage people from their money, and meanwhile the oil boom is destroying the land.
To white men in Watona, “The women [are] business investments” (33). There are multiple instances in Mean Spirit of white men marrying Osage women for their money, which the men often mismanage. For example, the sheriff courts Lettie, and although he appears sincere in his affection for her, it is ultimately revealed that his desire to marry her was part of a broader plot to gain access to the oil reserves on her family’s land. Ruth’s white husband, Tate, has likewise married her for financial gain, as becomes apparent when he is discovered to be part of Hale’s gang. Nola, whose white husband does appear to truly love her, is nonetheless used for her money because her father-in-law withdraws sizeable sums from her accounts to invest them. Given the exploitation of Osage women around her, Nola can never be sure that her husband does not harbor secret malign intentions toward her, and the stress of not knowing ultimately drives her to fatally shoot him.
The Osage people are also exploited financially by the government and its management of land leases and oil profits. Men like John Hale are routinely allowed to underpay the Osage people for the right to lease their land, and John Hale uses his knowledge of the law and his contacts in the government to take further advantage of Belle Graycloud, twisting and bending the terms of his lease to build larger livestock enclosures on the property that he rents from her. The Osage people are subject to these exploitive practices because they lack the knowledge and political power to self-advocate, a reality made even clearer by the system of financial guardianship, which limits their access to their own money. Those who are deemed unfit to manage their own money are appointed “guardians,” who charge the Osage people exorbitant fees. At every turn, the Osage people are exploited by white people.
The exploitation of the Osage people is shown to be inextricably connected to the exploitation of the land itself. The Osage people realize that “It’s more than a race war: They are waging a war with earth. Our forests and cornfields are burned by them” (13). The discovery of oil on Osage land initially seems like a financial boon to the community, and yet it proves to be the source of not only exploitation and violence but a series of linked murders. In addition, the oil boom ultimately results in the destruction of the very environment it was supposed to help. Oil derricks abound on once-pristine land, but the oil also becomes an environmental disaster. When a string of fires break out, various characters note that it is the land’s way of protesting and of fighting back: “He was sure he heard the words behind the bush. It was the sound of earth speaking. It was the deep and dreaming voice of land” (186). The exploitation of people, resources, and the environment are connected and must be analyzed together.
The clash between traditional Osage cultural practices and the ways of white people is at the core of Mean Spirit’s narrative. The cultural conflict that is evident in the contrast between Osage characters like Grace who embrace modernity and white culture, and those who, like Michael Horse, remain deeply connected to Osage traditions, is as much a threat to the community as oil and murder.
Michael, Nola, and Belle are all traditionalist in their orientation to culture, and although Nola seems to embrace white society when she accepts a marriage proposal from a white man, she ultimately returns to traditional Osage beliefs and practices. Michael Horse, an elder, is one of the most traditional of the Osage people. He is “the last person in Indian territory to live in a teepee” and is the firekeeper for a sacred fire that he inherited from his ancestors (31). Although he lives in Watona at the beginning of the narrative, he ultimately returns to the hill. This move reflects his dynamism as a character, but also indicates the general trajectory of the Osage people who live in and around Watona: Because of the murders and the pain that oil has brought to the community, many Osage people choose to return to traditional ways of living with the land rather than remaining among the white people in Watona. That so many Osage people choose this path suggests that modernity has failed to live up to its promises. Belle, the matriarch of the Graycloud family and a deep believer in Osage traditions, cannot help but be disappointed that so many of the younger generation have chosen to embrace white culture. She and the other women in her generation agree “about what a shame it was that their daughters were growing up and rushing headlong into the new ways” (56).
Belle is also protective of animals that are sacred to the Osage people, and is jailed for confronting hunters who have killed a large number of sacred eagles. She is visibly distraught over the death of these animals, and although the white people, including the sheriff, do not understand her anguish, her community members realize that the killing of the sacred eagles and bats represents another intrusion of white culture into Osage territory. The killing of sacred animals thus symbolizes the ways in which modernity is “killing” traditional Indigenous culture in Osage territory, and Belle’s acts of defiance represent the Osage community’s fight against the encroachment of white culture.
Oil is this text’s most overt symbol of modernity and the advance of white culture within Indigenous communities. It is marketed as opportunity, as progress, and as a harbinger of positive change, yet oil brings mostly pain and suffering to the Osage people, resulting in multiple murders in the Osage community. Through its representation of the problematic oil boom, the novel suggests that modernization is a fraught process.
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By Linda Hogan