47 pages • 1 hour read
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Ashley steals Ron’s gun. He shoots the snowplow driver in the wrist, planning to kill him even as he promises not to. He feels the strange sensation of someone behind him again. It’s Jay, with Lars’s gun. She pulls the trigger.
Ashley laughs in delight as he checks himself for injuries, amazed at his continuing luck in surviving against all odds. He tries to taunt her but realizes he can’t speak. Terrified, he loses focus and slumps to the ground. Jay returns to Darby, reporting that she shot Ashley in the face. Darby tells Ashley to make the snowplow driver take her to the hospital so she can receive her necessary steroid injections. Jay asks Darby to come, too, but Darby is resigned to death, feeling it was worth it to save Jay. She tells Jay to hand her a pen from her pocket and writes down Kenny’s name and address, along with the word “KIDNAPPER,” so the police will arrest the last person in Ashley’s plot. As she drops into unconsciousness, she hears her mother reassuring her that the nightmare is over and that she is proud of her daughter.
An unsent draft email from Kenny to Ashley, dated Christmas Eve, reports that he is prepared for Jay’s arrival and has “two interested fellas” (181). The unfinished email reports someone knocking “at the front door” (181), implying the police.
In February, after Jay is healthy enough to travel, she and her family visit Provo to thank Darby for saving Jay. Jay thinks of the unclear memories of the weeks following the abduction, when her story became national news. Darby does a rubbing of her mother’s grave while Jay and her family look on. Jay asks about Darby’s assertion that the love between her and her mother was “complicated,” but Darby, more secure in her mother’s affection, says she was wrong.
The brief final section of No Exit presents Jay as the ultimate hero. The parallels drawn between Darby and Ashley in the “Witching Hours” section, which frames them as equal but opposite forces, is thus thrown into question. The novel thereby reasserts the unpredictability of the thriller once more; though the ratcheting tension of the night seems to pit Ashley and Darby directly against one another, Ashley does not kill Darby and Darby does not kill Ashley. Instead, it is the survivor, Jay, who strikes the final blow against the novel’s antagonist. Though this twist occurs at the novel’s climax, Adams offers his readers one final unexpected event: The epilogue begins with someone doing a gravestone rubbing, and the grave is assumed to be Darby’s. However, readers learn that Darby is actually doing the rubbing of her mother’s grave. Jay and her family are merely present.
The catharsis of the novel derives not only from Jay’s and Darby’s survival, Kenny’s arrest, and Ashley’s death, but from Darby’s greater sense of peace regarding her own worth and her mother’s love. Despite being tortured and killing Lars, Darby thinks, “All she knew was that if she were given the choice, she’d do it all over again. Every minute of tonight. All of the pain. Every sacrifice. Because if saving a nine-year-old from child predators isn’t worth dying for, what the hell is?” (180). Darby thus emerges from the novel as a character who is hardened by her experiences, though not necessarily for the worse.
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