43 pages • 1 hour read
Although Reasons to Stay Alive is a personal journey, it is also an exploration of the attitudes, stigmas, and misconceptions about mental health and mental illness. Throughout the memoir, Haig examines gender biases and the limitations that a lack of lived experience can impose on those trying to understand the scope of mental illness.
Drawing from both personal experience and factual statistics, Haig highlights some of the key problems in society’s relationship with mental well-being. For example, in Chapter 6, Haig claims that depression ends more lives than “warfare, terrorism, domestic abuse, assault, [and] gun crime put together” (25). Since depression is internal and largely invisible, it is not often taken seriously until the tipping point when it becomes too late. Chapter 7 has a tongue-in-cheek tone and lists comments people make about those with depression through the lens of other illnesses and injuries. While the effect is lightly comical, it communicates the gap between expectation and reality in those unfamiliar with the experience of mental illness.
Constantly shifting knowledge about the origins of depression and its biological relationship with the human brain limits society’s ability to understand depression. Imbalances attributed to “melancholia,” an early understanding of clinical depression, have long since been discarded; even myths surrounding chemicals such as serotonin and their relation to depression are being phased out. Each new discovery, rather than revealing more actionable information about the mind, only broadens the landscape of the unknown. This uncertainty has made it difficult for those with mental illness to demand the same respect and compassion as those with physical illness.
Haig points to his own experience with gender bias and the larger gender bias that exists around managing mental health. Chapter 21, “Boys don’t cry,” posits that depression is much more destructive to men than women. The reasons for this, Haig argues, are not biological or neurological, but rather a product of social construction. A similar bias exists around celebrities with mental illness. There is an unconscious though widespread attitude that having a mental illness is, on some level, a choice; it is seen as a sign of weakness, selfishness, or ingratitude. Haig points out that this attitude does not exist around bodily illness or injury. To alleviate misconceptions, he encourages broader and more open pathways of communication to better understand mental health.
Although the memoir deals with difficult and sensitive material, it presents mental illness as ultimately smaller than what life has to offer. In the early chapters, Haig recounts the suffocating hopelessness of his situation. Depression blocked out all hope for a better future. He dramatizes this in the “conversation across time” chapters, in which his past and present self argue about the potential of eventually managing to live not only a balanced and capable life, but one that is fulfilled and joyful. Haig offers these conversations as hope for those with mental illness who are unable to see any hope in the future.
As he came to understand his depression better, Haig found himself enraptured by the idea of time: “I was as obsessed with time as some people are about money. It was the only weapon I had. I would build up hours and minutes like pounds and pence” (85). When speaking about things like mental health and trauma, time is often presented as a softening. Here, conversely, time is presented as a weapon—not an antagonistic force to be feared, but a tool available to those experiencing illness. Haig identified the passage of time as something he could use in his journey toward healing and renewal.
Yet Haig argues that there is a danger of rushing through time in the hope of reaching a state of relative calm and ease—approaching time as something to be hoarded, rather than lived. Haig addresses this issue in Chapters 64 and 65: “Self-help” and “Thoughts on time.” The former is very brief, only five sentences long, an instruction on how to use time in the healthiest and most fulfilling way possible.
The latter is a more thorough exploration of Haig’s perspective on the passage of time and society’s relationship with it. Haig addresses the fear people often have around the passage of time, which connects to the sense of deprivation exploited by marketing companies, as examined in earlier chapters, and the way perception can shape time. Time can be drawn out by pain, but also by mindfulness. This highlights the healing power of time—the gradual passage of it, in which a slow and deep restoration takes place, as well as the act of slowing time to appreciate the moments of joy and truly living.
Haig argues that there is a need for more open communication around mental health issues being faced in the world today. He says that many of the preconceptions surrounding mental illness come from a lack of clear communication and the limitations of language. For example, Haig’s father gently confronts him during a depressive episode; although his father is not antagonistic or unsupportive, the two men are unable to articulate their experiences in the moment and the gulf between them widens.
Even without the societal gender bias in place, they have fractured and insufficient language to communicate. Haig explores this idea in more detail in Chapter 39, “Life on earth to an alien.” He suggests that when trying to explain mental illness to someone with no lived point of reference, each party is regulated to incomplete metaphors that fall short of the entire picture. This is why it’s so important to build a worldwide community and the global conversation around mental health.
Haig’s memoir also examines the specific word choices associated with depression and anxiety, which contribute to misconceptions of those who live with these illnesses. In Chapter 2, “Why depression is hard to understand,” Haig argues that depression is “the wrong word” (14). He quotes the poet Melissa Broder as saying, “what idiot called it ‘depression’ and not ‘there are bats living in my chest and they take up a lot of room, ps. I see a shadow?’” (14). The word depression suggests a state of stasis, rather than an active state of mental erosion and fear. It is perhaps this suggestion of placid stability that makes depression difficult for those not experiencing it to build a complete picture. Our language surrounding mental health is constantly evolving as the global community grows.
As Haig put together his experiences on the page, he discovered the emergence of an online community sharing these experiences. Throughout the memoir he acknowledges the double-edged nature of social media—Facebook and Twitter are included in both Chapters 60 and 61, “Things that make me worse” and “Things that (sometimes) make me better.” However, he generally finds social media a helpful way of connecting with others. One chapter is devoted to the Twitter hashtag #reasonstostayalive, in which people from around the world came together to share the things that keep them going in the darkest of times. Finding solidarity and universality with others is an essential step to managing and overcoming mental illness.
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By Matt Haig
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