52 pages • 1 hour read
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Millett’s text attempts to show that sex has profound political implications. To do this requires acknowledging the pattern of dominance and subordination that has informed relations between the sexes throughout history. Arguing that such dominance and subordination is not a natural state of affairs, Millett challenges the idea that men’s dominance of women is not an unavoidable result of biological differences. Instead, it emerges from conditioning, socialization, and enforcement by patriarchal society and the patriarchal state. As a political entity, sex has been the site of both revolution and counterrevolution. The Woman’s Movement in particular, fought to change existing power relations, challenging traditional sex roles to try and secure greater participation for women in the public sphere and more freedom and opportunity. Such revolutionary moves were met by reactionary responses, taking the form of politically repressive moves such as the efforts of Nazi Germany and the late Soviet Union to reestablish the traditional, repressive family and, more importantly, social science’s efforts to legitimize sex roles through new scientific justifications. Millett also draws heavily on literature to demonstrate the political nature of sex, pointing to the reactionary, and often abusive, actions of the heroes of the works of Lawrence, Miller, and Mailer as clear examples of this. It is perhaps through analysis of Genet that the issue is most clear by virtue of his honesty and the homosexual landscape of his novels that challenges biological difference as the determinant of sex roles. Genet helps prove that the oppression of women is the result of socially constructed sex categories or castes.
Millett uses literature to explore the conflation of male sexuality with violence and domination. Studying an excerpt from Miller’s Sexus, Millet finds that the seduction of the character Ida is less a description of sexual intercourse than a depiction of power and exploitation. The penis becomes an instrument of physical punishment. Domination and violence are even more overt in Mailer’s descriptions of male sexuality where characters conflate their penises with guns. It is perhaps most obvious in the scene from An American Dream in which the hero murders his wife and then sodomizes the maid. The two acts of violence, first murder and then rape, serve to establish Rojack’s masculinity and allow him to express a kind of mastery. Although less graphic and violent, Lawrence’s Aaron’s Rod provides possibly the most interesting example because it shows two men who are so disgusted by modern women and so committed to male supremacy that they abandon women all together and live together instead, establishing obvious homosexual overtones. However, like Lawrence himself, they are incapable of conceptualizing male sexuality without domination and soon find themselves in a dispute over who will be subordinated.
Millett critiques the traditional sex roles of male activity and female passivity. The traditional family unit, for example, revolves around men engaging in the pursuits of the public sphere while women stay at home engaging in domestic duties of the private sphere. Even during the sexual revolution, which did much to challenge these understandings (for example, providing access to higher education for women), there was significant resistance from figures such as Ruskin who suggested that such domestic tasks simply reflected women’s passive nature and attempted to justify this using the concept of chivalry. The active/passive dichotomy has long been applied to sexual intercourse also, with the belief that intercourse involves the male seeking gratification and actively penetrating the female who passively relents to sexual contact that she does not desire. After the sexual revolution, Freud did much to reestablish and re-legitimize this understanding, taking the high levels of hyposexuality in women of the period (which might more accurately be seen as a result of cultural conditioning and patriarchal oppression) and using it as evidence that women inherently have low libidos. He went even further to argue that women are actually incapable of actively contributing to civilization because they do not have the super ego that men develop as a result of their fear of castration. Millett argues against the construction of sex roles as innate or natural, insisting instead that they are actually the result of conditioning and socialization.
Millett proposes that the years 1830-1930 saw the first phase of a sexual revolution that began to radically alter attitudes towards sexuality and sex roles and to challenge patriarchal rule. Certainly, a great deal of progress was made in key areas, the Woman’s Movement securing the vote and changing attitudes to women in higher education and work chief amongst them. However, the first phase of the revolution also carried the seeds of its own downfall. Having focused so heavily on changing political structures and material factors, the revolution failed to challenge the root conditions of patriarchy. It brought structural changes but did not alter the foundational beliefs and conditioning underpinning patriarchy. The counterrevolution followed, a concerted effort to restore traditional sex roles and maintain a slightly-modified or reformed form of patriarchal control. On some levels, this was achieved through repressive legislation from oppressive governments. However, the most significant reactionary moves came from social sciences including psychology, sociology, and anthropology, adding a new veneer of scientific respectability to the old beliefs that traditional sex roles and male dominance are natural and biologically predetermined.
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