63 pages • 2 hours read
The silos, or underground bunkers, are buildings that Donald Keene originally designed as above-ground structures to house up to 10,000 people and provide space for living, work, and recreation. The project was originally for a biotecture class that taught the incorporation of living things within a structure, such as gardens that could be grown as part of the structure. Donald is asked to redesign a building so that it can become an underground bunker to house employees of a nuclear waste facility should an accident occur. Donald designs the building with the assumption that it will never be used.
The silos become a motif representing two of the novel’s main themes: The Fight for Survival and Control of Life and Death. While Donald designed these silos with the belief they’d never be necessary, they become the center of a fight to save humanity by a group of people who take it upon themselves to control the fate of all humanity. The silos are the heart of this dystopian society because it’s the only thing that stands between the survivors of a nuclear strike and death. At the same time, the silos are housing what will one day become the basis of a new start for humanity. Without the silos, the survivors wouldn’t have a chance. However, because these silos are built under secrecy and lies—in which even the architect doesn’t know their true purpose, they also become a motif for the book’s darkest theme: Equal Denial of Truth and Lies.
In each silo, a cafeteria on the top level serves most of the occupants, and on one of its walls, a massive screen shows a video feed of the landscape immediately outside the silo. When asked the purpose of these screens, Thurman replies, “To keep them in” (300). Donald becomes obsessed with what the Silo 1 screen displays when he awakens for his first shift. Over time, he sees that most of the men in Silo 1 sit where they can see the screen while they eat, but others don’t. Hal, a man Donald meets on his first shift, tells him that “those who sit and watch, they’re trying to remember something,” and “those of us who don’t want to watch […] we’re trying our best to forget” (49).
The screens symbolize not only the destruction that Thurman and his coconspirators wrought but also the invisible prison that keeps survivors inside the silos. To instill fear in survivors, the screens show them a world that’s uninhabitable and how lucky they are to be inside the silo where the air is breathable. Like the blue pills in Silo 1, the screens are a tool to control survivors.
The rules, regulations, and promises that Thurman and his coconspirators created to govern the survivors are The Order, The Pact, and The Legacy. The Order is the rule book by which everyone must live; it outlines protocol in almost every situation. The Pact is the promise the coconspirators made to one another and to humanity that outlines the silos’ purpose, how long survivors will live in them, and what will happen when the chosen few are allowed to leave them. The Legacy is a group of books, similar to encyclopedias, that tell the history of humanity. While these books describe many subjects exhaustively, they also edit history in a way that prevents survivors from remembering the technology that led Thurman and his coconspirators to wipe out humanity and enable it to begin anew.
These books are the backbone for the new world that humanity will create, and they symbolize humanity’s past, present, and future. The fact that these items aren’t publicly available in the silos and are carefully edited symbolizes the theme of Control of Life and Death, which Thurman and his coconspirators have exerted on the survivors.
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