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76 pages 2 hours read

Summer of the Mariposas

Fiction | Novel | YA | Published in 2012

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Prologue-Chapter 3Chapter Summaries & Analyses

Part 1

Prologue Summary

Teenage Odilia, the book’s narrator, describes the summer of the mariposas, or butterflies. Almost a year after her father leaves, the drought ends in Texas. She recalls the butterflies landing on everything. That summer, her mother stops being a housewife, admits that her husband has left, and gets a job at a diner to support her five daughters. She instructs the sisters to stay indoors and play Lotería. However, since they are unsupervised, the girls neglect their chores and do as they please. Odilia recalls, “[We] finally had the freedom to do whatever we wanted, wherever we wanted, whenever we wanted” (3). Some days they hike the hills beyond El Indio Highway, following the butterflies. They rest and swim by the Rio Grande. On one such day, they find a dead body in the river.

Part 1, Chapter 1 Summary: “La Calavera/The Skull”

Chapter 1 introduces the Garza sisters: Odilia, the responsible eldest sister; Juanita, the headstrong 14-year-old who fancies herself smarter than the group; beautiful but vain twins Velia and Delia; and youngest sister Pita. The siblings debate over what to do with the body. While Odilia mulls over whether to alert the authorities, Juanita finds a wad of cash and a Mexican driver’s license in the dead man’s pocket. They realize the man was trying to cross the border. Juanita points out that if they alert the authorities, then Border Patrol will be on high alert, affecting others in the area. She insists on returning the man’s body to his family in Mexico, arguing that they can visit their grandmother and find their father in the process. Odilia adamantly disagrees, but her four sisters insist that returning the body is the right thing to do. Odilia invokes the rule of the five sisters: “Together forever, no matter what!” (11). On a far hillside, Odilia thinks she sees a woman in a billowing white dress. She recalls La Llorona, the legendary Weeping Woman who drowned her children and is said to wander the world searching for them.

Part 1, Chapter 2 Summary: “El Pájaro/The Bird”

Odilia’s sisters insist on going to Mexico to find the dead man’s family and their father. Odilia tries to distract them by getting them home and into bed. To keep them from hatching a plan to go to Mexico, Odilia lies to her sisters and tells them their mother is coming home early and that she is going to sleep over at a friend’s house. She locks them in the house and goes to the diner to tell her mother of her sisters’ plan.

Odilia’s mother is frustrated to find Odilia at the diner, as her boss is already upset with her for what he perceives to be her negligence. Odilia’s mother does not allow Odilia to explain her concerns about her sisters. Odilia kills time at her old elementary school. She sees a shower of shooting stars and makes a wish: “I closed my eyes and thought about the one thing I truly wanted—Papá” (37). Odilia falls asleep and wakes up past midnight. She changes into her mother’s work uniform and returns to the house, impersonating her mother. She is woken up by her little sister Pita, who is trying to give Odilia, who she thought was their mother, a goodbye hug. However, Pita’s desire for a farewell hug exposes the younger sisters’ plan. The sisters, led by Juanita, unlock the front door with a set of keys Odilia did not know they had, start their father’s beat-up car, and drive away. Odilia chases after them to join them.

Part 1, Chapter 3 Summary: “La Estrella/The Star”

The sisters pause in their journey before dawn. As they exit the car, Odilia sees two small boys rushing toward the river, their hysterical mother behind them. Without thinking, Odilia chases the boys, worrying that they will fall into the river and drown. When the boys do fall in, Odilia jumps in after them, but she is too late. When she gets out of the river, she realizes that the mother is the legendary ghost La Llorona, who is said to have drowned her children to spite her husband. La Llorona tells Odilia not to be afraid, that she has come to help Odilia and her family become whole again. La Llorona explains that the legend of her death is a lie. She had been fighting with her husband, and her children had escaped and drowned in the river while they fought. She wanders eternally for her children as a self-inflicted punishment.

La Llorona insists that Odilia must take the dead man back to his home and visit her grandmother for the sake of her family’s happiness. She assures Odilia that she is the descendant of the Aztecs. She then gives Odilia an ear amulet with magical powers. However, Odilia may only use its powers five times, and each time must be for a good reason. La Llorona warns Odilia that to complete their mission, she and her sisters must remain good at heart.

La Llorona disappears at dawn, and Odilia hears her sisters thrashing through the brush to find Odilia. When they do encounter her, Juanita demands that Odilia tell her who she was speaking to. When Odilia finally admits the truth, Juanita thinks she is lying and stalks off. Odilia muses, “If I’d known the truth was the one thing that could shut Juanita up for good, I would have stopped lying to her years ago” (58).

Prologue-Chapter 3 Analysis

These chapters establish the sisters’ dynamic. With their mother absent, Odilia becomes the maternal authority figure. However, second-eldest sister Juanita, who views herself as an intellectual, resents the power Odilia takes on. Between their father leaving and the rising tension between the sisters, McCall paints a portrait of a family undone. Odilia notes that her father’s absence has led to their mother working and her sisters’ “wild” behavior.

Though the sisters resent their mother’s sudden absence, the summer of the mariposas briefly feels like a happy idyll. Like the butterflies that land indiscriminately everywhere, “flitter[ing] over cultivated gardens as happily as they danced over thorn-ridden lots and neglected fields” (1), the girls go where and do what they like, observing no rules. Odilia borrows imagery from Greek myth to describe this period of innocence and freedom: “We splashed around in that cold, clear water like river nymphs, born to swim and bathe till the end of days” (4). The arrival of the dead body signals the end of this idyll and the beginning of the quest that will lead them out of innocence and into a more mature understanding of their mother, themselves, and their community.

Juanita, the second-eldest sister who competes with Odilia for leadership of the group, shows her political awareness and compassion as she insists that they must take the body home themselves rather than calling the authorities. A dead body in the river will put the US Border Patrol on high alert, endangering other members of their community. As the sisters undertake their quest, they deal with the border and its enforcers numerous times. The presents the border as an obstacle, demonstrating The Artificiality of the Border in a region where families and communities often span both sides of the line.

Odilia proves herself worthy of her role—both as the leader of the group and as the book’s protagonist—when she dives into the river in an attempt to rescue La Llorona’s children. This selfless and unthinking action is in keeping with her character: She takes on the burden of keeping others safe, whether those others are her own sisters or the children of a stranger. Because she has proven herself worthy in this way, La Llorona blesses her with knowledge—telling her the true story of what happened to her children. She also blesses her with the gift of her earrings, whose protective magic will keep the sisters safe and facilitate their mission.

The character of La Llorona forms part of a pattern in the novel, as it dramatizes and recontextualizes stories and figures from Mexican myth and folklore. Traditionally, La Llorona is an archetype of maternal failure: Having murdered her children, she becomes a monster in the eyes of a patriarchal culture that equates motherhood with womanhood. La Llorona is the anti-mother, the antithesis of Tonantzin, the idealized mother goddess introduced later in the novel. In Summer of the Mariposas, however, La Llorona speaks for herself, revealing that the stories about her are wrong. Her children died by accident, and because of her maternal devotion, she has spent centuries searching for them. In this way, she becomes a symbol not of maternal failure but of the theme of Misunderstood Women, as the novel explores how patriarchal and misogynistic assumptions lead women’s actions to be misconstrued. As Odilia learns La Llorona’s real story, she comes to better understand her mother’s actions as well.

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