Table for Two: Fictions

Towles identified the table discussion as the linking image for this collection, noting that all of the works involve such life-changing, or narrative-changing, conversations. These discussions can be difficult, rewarding, or catastrophic. In “The Line,” these talks result in Pushkin and Irina’s decisions to move to Moscow and New York City. In “Hasta Luego,” Jerry confronts Smitty at a table after their night at the bar.

Towles uses this motif to create and sustain the power of open discussion. For example, the discussion between Jeremy and John in “I Will Survive” adds the necessary context to understand both John and Peggy’s perspectives regarding John’s Saturday activities, and it forces the reader to reflect on the lack of communication between John and Peggy as the real reason behind their divorce. In “The Bootlegger,” Mr. Fein’s conversation with Tommy drives Tommy’s guilt, which is then reinforced by Meredith’s curse. In each conversation, the narrative twists and follows new or more detailed information.

In “Eve in Hollywood,” there are many instances of tableside tête-à-têtes; many reveal the singular perspective of Eve and her fearless approach to flouting convention. One example is Olivia’s date with Wilmot. Eve notes how Wilmot does not let Olivia talk, defeating the purpose of their setting. As such, Eve swoops in and saves Olivia by subverting Wilmot’s domineering conversation, using a false accent, a boisterous tone, and pretending to be Olivia’s cousin—showing that not all conversations are equal in value.