39 pages • 1 hour read
Doris is an 18-year-old woman from a mid-sized city in Germany’s Ruhr Valley; her last name is never given. She has a black and white Weltanschauung, or world view, regarding socioeconomics and gender roles. She lacks education, though she possesses an innate cleverness and an ability to learn, as shown in the ways she manipulates men and uses her sexuality to get what she wants. She can also transform her perspective when new information contradicts her previously held beliefs.
Doris feels restless, wanting to break out of the social confines of her working-class life and enter into the showy, idealized world of film, glitz, and glam. She considers herself better than her social position; this desire, coupled with her Weltanschauung of gender roles, causes her to rely on her sexuality to get what she wants rather than working and becoming independent. Doris divides men into two categories: those with money and those with whom she can have a good time. She struggles to believe that “true love” can actually exist in the world, especially in the chaos of the Weimar era.
Job loss (and the theft of an ermine coat) leads Doris to flee her hometown and head to the bright metropolis of Berlin. Just as before, Doris interacts with many men and gets what she can out of them. She briefly achieves the wealth she so desires by becoming the girlfriend of an elderly and wealthy industrialist who is later arrested and thrown in prison. In her darkest moment, she is rescued by a man named Ernst, and she tries to make him love her so she can enjoy the security of bourgeois life. Even though the relationship doesn’t work out—Doris actually does something unselfish by helping Ernst reunite with his estranged wife, Hanne—Doris’s time with him causes her to reevaluate the importance she has always placed on wealth and stardom.
Left with nowhere to go and no one to take her in, Doris ends the novel contemplating what she thinks are her available options: becoming a prostitute, which sounds less boring than other options; going with a poor man who offers her at least something; or continuing to try and become a star.
Herr Brenner, whose first name remains unknown, lives in the same apartment complex as Tilli and Doris. A wound he suffered during World War I left him blind, so Doris likes to visit with him and tell him all about her experiences in Berlin. Brenner’s marriage is strained because he is unable to work, and his wife is overworked and stressed by having to take care of him. He and Doris have a short affair.
Brenner’s wife decides that she can no longer care for him and decides to send him to a home for invalids. Doris wants to take Brenner out for a night on the town before he leaves. The wife feels that she, since she has been caring for him, should be with him. Herr Brenner wants to go with Doris. Even though he is blind, he “sees” things about Berlin that Doris does not. During their night together in the city, Doris attempts to “show” him everything she finds wonderful about the city by taking him to many clubs and bars and describing everything she sees. She doesn’t realize until the end that what Brenner actually wanted was to spend time with her.
Because he is blind, Herr Brenner is not distracted by bright lights and fashionable clothes. He is able to perceive better Berlin’s darker side: injustice, destitution, and immorality. By the end of their time together, Doris can’t help but see this other side. She finds it difficult to come to terms with that aspect of Berlin.
Ernst is a middle-aged, educated man who works in advertising. He rescues Doris from having to prostitute herself after she has been living on the streets for a week. He is lonely and depressed because his wife, Hanne, left him for another man, so she could pursue dancing.
Ernst embodies the white-collar member of Weimar society (the bourgeoisie) who had a better chance of maintaining employment and who had access to culture (e.g., the poetry of Baudelaire, and the music of Tchaikovsky and Schubert). A representation of economic stability, Ernst’s bourgeois life is a respite from the chaotic and unstable worlds of the proletariat (Doris, Tilli, Therese), the aristocracy (the Onyx family and Mila von Trapper), and the nebulous world of stardom/Glanz (film stars, Alexander).
Karl, a native of Berlin as shown by his accent, lives outside of the city on a small patch of land. He grows a few vegetables and creates handmade puppets and other trinkets, all of which he tries to sell in Berlin. Karl belongs to the unemployed working class, but whereas many of his contemporaries and compatriots wallow in their unemployment, remain idle and/or drunk, and feel depressed by the economic downturn, Karl takes life into his own hands and tries to carve out his own destiny.
Karl is not taken in by the materialistic world surrounding him. His hopes for life are simple: He wants enough work to have a place to live and food to eat, and he wants the companionship of a woman. He is content with belonging to the proletariat.
Alexander is an older, unattractive, married man described by Doris as being an “industrialist.” He represents those who have achieved the position of being a star/Glanz not by birth or inheritance, but through a mix of luck and their own abilities. Alexander appears to have acquired his wealth through illegal means; shortly after his wife returns to Berlin and Doris has to move out of his apartment, Alexander is arrested and thrown in prison.
Tilli is a 28-year-old married woman who takes Doris in shortly after she arrives in Berlin; her husband is often away from home. The Scherers are poor, as work is difficult to find. Tilli dreams of becoming a film star. She becomes a close friend of Doris’s and doesn’t charge Doris anything to live with her. Because Tilli’s husband, Albert, is attracted to Doris, Doris decides to leave before anything might happen. Doris is attracted to Albert but doesn’t want to betray Tilli’s friendship.
Like Doris’s, Tilli’s dreams of stardom never come to fruition in the book. In fact, Tilli’s situation may be worse than Doris’s: Albert is eventually arrested for burglary, as is Tilli for abetting him.
Hanne is Ernst’s musical, artistically talented, and educated wife. She reads Baudelaire and loves the music of Tchaikovsky. After years of marriage, she finds the life of being a German Hausfrau (housewife) unfulfilling. She meets a young artist and runs away with him to pursue a bohemian life as a dancer and artist. The chaos and instability of such a life quickly reveal themselves, and she desires to return to Ernst. She and Ernst are reunited after Doris realizes that she can never replace Hanne, and she brings Hanne and Ernst back together.
Hanne represents Doris’s antithesis because she comes from the affluent and educated white-collar class of the Weimar era, yet both women are swept up in the energy and excitement of evolving gender roles. Both women chafe beneath traditional female roles and ache to break out and express their individuality.
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