52 pages • 1 hour read
The narrator of the novel provides a short introduction which acts as a framing device for the story. Do you find this framing device effective, and in what specific ways does it merge genres? What commentary does it offer on the theme of Framing History Through Literature?
To what extent is Renzo defined by his humble beginnings, and what transformations—emotionally, spiritually, and intellectually—does he undergo? Give specific examples to trace his character arc.
What is the symbolic meaning of the plague in The Betrothed? How can the deterioration and reinstallation of Milan also mirror Renzo and Lucia’s relationship?
What role do law and justice play in the novel? To what extent is justice reached, and where does it remain unresolved?
Is Don Abbondio to blame for Renzo and Lucia’s separation? Which other characters and circumstances influence their separation, and do Renzo and Lucia further their time apart in any way?
To what extent are the characters’ lives governed by their faith? Consider the range of faith within the text and examine each primary characters’ relationship to their faith. Who does it sustain and how? Who does it limit and how?
What does the redemption of the Nameless One say about the role of redemption in the novel? Do you think it possible that he would’ve reformed without the arrival of Lucia? Why or why not?
How does the death of Don Rodrigo affect Renzo’s character and allow his to reach full maturation? How does wealth inherited from Don Rodrigo further this effect on Renzo’s character?
Should the narrator be considered a character? Analyze the narrator as if they were a character as you seek your answer.
At the end of the novel, Lucia is convinced to break her vow of chastity and marry Renzo. Is there any evidence to suggest that Lucia was happy in her life of chastity and perhaps would have preferred it after all that has befallen her?
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