62 pages • 2 hours read
In many ways, Christopher is presented as a typical 14-year-old boy. Socially, he has no great power of his own; everything he has derives from his relationship to Master Benedict. Yet Master Benedict values other traits in him, including his intelligence and perception, and Christopher develops these throughout his time with Master Benedict. Christopher has one close friend, Tom, with whom he conducts experiments that would appeal to many young boys in apothecaries’ shops. From the beginning, Christopher’s voice has an easy charm that makes him a likable narrator. Moreover, he has other likable qualities: He is grateful for his position and seems to genuinely care about those around him, down to the pigeons on the roof.
Christopher also has a brave side, which can border on the reckless. His experiments with making gunpowder notify the reader of this immediately. However, this bravery serves him in good stead as he refuses to leave Master Benedict and again later as he refuses to flee the city, even when he is wanted as a murderer and the real murderer is after him. Although he enjoys playing with even the most dangerous substances, Christopher shows a capacity for thoughtfulness early on as he explains his thought processes to Tom. As the narrative develops, so too do Christopher’s capabilities for reflection. His ability to combine both his courage and his thoughtfulness allow him to solve Master Benedict’s murder and emerge triumphant.
Christopher’s intelligence drew him to Oswyn’s attention at the orphanage, and Master Benedict has helped educate him further. Although Christopher can act without thinking about the consequences early in the book, he soon learns that education is more than just knowing facts. As he works tirelessly to decipher Master Benedict’s code, he learns about the power of perseverance and timing, as well. These are what allow Christopher to trap Oswyn in the end.
Master Benedict’s wisdom and knowledge characterize him early in the narrative. An excellent teacher, he has worked to instill both specific knowledge, such as the meaning of codes, in Christopher, as well as greater lessons about how to apply this knowledge. This wisdom is further apparent in his reputation as an apothecary. While other apothecaries, such as Stubb, seem driven by profit and little else, Master Benedict shows a genuine appreciation of the power in his hands as a healer and a desire to use it for good.
Nevertheless, as the action builds in the novel, Master Benedict is revealed to have had great ambitions for himself. Notably, he sought the Prima Materia and searched for ways to tame it. This takes a certain amount of hubris, which Master Benedict realizes too late, after Hugh dies in an accident related to the Archangel’s Fire. While Master Benedict is shown to be wise, Sands also depicts him as fallible; he does not have all the answers, no matter how hard he has strived to reach them.
As Christopher learns more about the Archangel’s Fire, Master Benedict’s fallibility seems understandable. The substance enticed many apothecaries, leading to their downfall, and Master Benedict is no different. However, Master Benedict differs from these others in a key way: the responsibility he takes for passing on the knowledge, and the trust he shows in Christopher’s ability to both discover and handle the Archangel’s Fire appropriately. Here again, his larger wisdom comes into play. Master Benedict sees himself as part of a greater web of people and knows that he has a duty to pass his knowledge on to someone trustworthy. This is a profound responsibility that he carries out after his death.
Tom is Christopher’s closest friend. Also 14 years old, he serves as a foil to Christopher in important ways. He is thoughtful when Christopher is reckless, slow when Christopher is fast, but as loyal and curious as his friend. Tom comes from a large, close family. Although not wealthy, his father makes a good living as a baker. This provides a greater understanding of London society at this time, showing what everyday family life was like and contrasting it with the extraordinary events taking place around the apothecary shop.
Tom’s relationship to his father highlights one of his own primary characteristics: loyalty. Although not a primary antagonist of the novel, Tom’s father illustrates traditional attitudes toward wealth and status that are unfavorable toward Christopher. He is sufficiently concerned with his family’s money and position that keeping Christopher, particularly when he is wanted by the law, is unappealing to him. Tom insists as much as he can. When Tom’s father throws Christopher out of the house, Tom finds Christopher a new place to stay, enlisting Tom’s sisters to help him. Even though Christopher begs him to save himself, Tom stays by his friend’s side throughout the book. In the end, Tom even defeats Wat by hitting him with a rolling pin. Although Tom and Christopher’s characters diverge in important ways, they are united in their loyalty toward each other.
As the primary antagonist of the novel, Oswyn initially seems good to both Christopher and the reader. A Puritan, he holds different religious beliefs than the current king, which puts him in a vulnerable position. Nevertheless, he has used the power available to him as a member of the Apothecaries’ Guild to seek out disadvantaged children, such as Christopher, who might make good apprentices. This, combined with his seeming appreciation for Christopher’s gifts and willingness to help him solve his master’s murder, makes Oswyn a sympathetic character.
It is not until the book’s climax that the reader realizes that Oswyn is the primary antagonist—one step behind Christopher. Christopher has realized that Oswyn and Wat know each other as master and apprentice, leading him to conclude that Oswyn is behind the murders. Indeed, he is. He believes that the king loves pleasure too much, and that a revolution needs to happen—hence his desire for the Archangel’s Fire. He is blinded by his desire for political change and does not realize the trap that Christopher has set for him. Although deceptive and dangerous, Oswyn has his own motivations for seeking the Archangel’s Fire. Despite his evil actions, he shows an appreciation for Christopher and his talents.
Initially, Lord Ashcombe seems like one of two primary antagonists (the other, Stubb, dies early in the novel). He comes to investigate Master Benedict’s murder, and Christopher feels the need to hide the ledger page even from him. As the king’s agent, Lord Ashcombe has an enormous amount of power. His early encounters with Christopher show that he is both strict and clever. However, this strictness becomes a liability for Christopher as the action rises and Christopher becomes a suspect. Lord Ashcombe is not above shaking Tom and hurting him to get information about Christopher’s whereabouts (though he is unsuccessful). His position with the king allows him to do this, and he does not hesitate to use his power.
Nevertheless, Lord Ashcombe proves to be helpful as Christopher’s search for the murderer continues. He comes to the mausoleum when Christopher summons him and attempts to fight against Oswyn’s men, showing a level of bravery. As the action falls, he helps restore Christopher to his position and ensure his professional future.
In a sense, Lord Ashcombe serves as a foil for Oswyn. Oswyn seems good at first then turns out to be evil; Lord Ashcombe seems at first evil then turns out to be good. However, Sands is careful to leave shades of gray in both characters. In the end, Christopher refuses to give Lord Ashcombe the recipe for the Archangel’s Fire out of fear he would use it for military purposes. This demonstrates that, even though Lord Ashcombe is an ally, this alliance is necessarily limited due to his position in the government.
The three apprentices working in conjunction with Oswyn—Wat, the Elephant, and Martin—are both antagonists to and foils for Christopher. Throughout the novel, they work for Oswyn, killing Master Benedict and other apothecaries and attempting to kill Christopher. In some ways, they have a great deal of loyalty for Oswyn, darkly mirroring the loyalty that Christopher shows to Master Benedict. However, the key difference is that Oswyn has not earned this loyalty through wisdom and kindness, as Master Benedict has. Instead, he has entrapped them with his power and ambition.
Although the apprentices antagonize, threaten, and endanger Christopher, they are not presented as complex characters. Instead, they are extensions of Oswyn and his desires. This emphasizes the social role of apprentices in English society at this time; they “belonged” to their masters.
The other members of the Apothecaries’ Guild Council, Sir Edward Thorpe and Valentine Grey, are not depicted as evil in and of themselves. Instead, Sands shows how their indifference to anything that does not interest them directly has a negative impact on society. They are slow to work on solving Master Benedict’s murder. Later, they are careless with Master Benedict’s property and his will. Overall, they seem unconcerned with Christopher’s welfare, position, or future. This is evident toward the end of the narrative, when they attempt to remove him from his apprenticeship. Christopher only retains it because a larger power, the king (through Lord Ashcombe), steps in.
Yet Sands does not depict these men as greedy, like Stubb, or evil, like Oswyn. Instead, they undertake misguided actions out of what they perceive as their own self-interest. Nevertheless, this self-absorption also endangers Christopher and appears as an overwhelmingly negative force in the novel as he is forced out of his home and profession.
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