48 pages • 1 hour read
The eye is so close to Arrietty that it fills her entire field of vision. At first, she thinks that it cannot see her and hopes to crawl away among the grass stems unnoticed. However, she hears a booming voice that orders her to stop, and she realizes that the eye belongs to a human being. She has been seen, and although she is initially convinced that she will meet the same fate as Eggletina, she calms down when she realizes that the voice and the eye belong to a boy younger than she is. He threatens to hit her with an ash stick, worried that she will attack him.
Slowly, both the human and the Borrower realize neither means the other any harm. The boy asks if Arrietty can read, saying that since he grew up in India, he is “bilingual” and therefore cannot read. She agrees to read him a book but warns him to go in through the side door to find one since her father is gathering items near the front door. Before he leaves, they argue about whether humans or Borrowers are the most common species on earth. The boy believes that there are many more humans, but Arrietty tries to convince the boy that Borrowers are much more common than humans since the world would not be able to support a large population of such gigantic creatures.
Before the boy leaves to find a book, he asks Arrietty about the Borrowers’ world. She tells him about her family and about how Uncle Hendreary had to leave the house after a human saw him. She describes all of the beautiful items that her parents used to own, borrowed from his Great Aunt Sophy, and how most of their things were destroyed when the kitchen boiler broke and flooded their home. According to Arrietty, Great Aunt Sophy is the only human whom Pod sees regularly, and he lets her see him as well since he knows that she represents no risk. Because she is old and is often drunk on Fine Old Pale Madeira, Great Aunt Sophy believes that the tiny man is just a figment of her imagination. The boy begins to complain about Great Aunt Sophy and the housekeeper, Mrs. Driver, saying that they are always scolding him and telling him what to do.
As Arrietty describes all the items that her father has borrowed over the years, the boy becomes convinced that Borrowers are actually thieves. Arrietty disagrees, claiming that humans exist for the sake of Borrowers. Both children argue that the other’s species is dying out. The boy believes his view is correct because he has only seen two Borrowers but knows hundreds of humans; likewise, Arrietty has seen only one human but claims to know many Borrowers. The boy believes Arrietty and her parents to be the last Borrowers on earth, a declaration that angers Arrietty, who threatens never to read to him. He appeases her by saying that if she does, he will help her get a letter to her aunt and uncle in the badger den two fields away. The boy leaves to grab a book, but before he comes back, Pod calls Arrietty to head home for dinner.
When Pod and Arrietty return home, Homily is waiting for them at the gate, eager to hear about Arrietty’s first borrowing experience. She has made a delicious feast in their absence: two roasted chestnuts to be eaten in slices like bread, along with a few dried currants, crumbs of cinnamon bread, and one potted shrimp for each Borrower. They use silver coins for plates and sit on old thread spools as chairs. Arrietty looks around her familiar home in wonder, seeing everything in a newly appreciative light after her adventure to the outside world. She is especially drawn to watching her mother use their makeshift teapot, an “oak apple” with a piece of quill for a spout.
Homily asks if Pod was able to get her any blotting paper, which she knew was in the morning room. Pod reports that he did not go into that room because he got his “feeling” indicating the dangerous presence of humans. According to Pod and Homily, every Borrower has a different strange feeling they get when a human is nearby. For Pod, this feeling occurs in his head and fingers. Arrietty’s parents ask her whether she had a similar feeling, and when she says no, they tell her that such sensitivity will come with time and that she should learn what her feeling is by standing in their kitchen when Mrs. Driver is in the human kitchen above. Arrietty does not mention the boy, although she feels flustered by lying to her parents, worried that she will slip and somehow reveal what she saw. After dinner, Arrietty sits down with her diary. She tears out a page, writes a quick letter to Uncle Hendreary, and hides it inside another book.
For the next several days, Pod decides not to go borrowing and instead organizes the storeroom, a hole where the family keeps their spare borrowed items. Although Arrietty is usually fascinated by this job, this time she is distracted and frustrated; she wants to go back into the main house so that she can slip her letter under the front mat where the boy said he would look for it. One day, she sees him through the grate, running around the yard pretending to be a train. Despite his proximity to her vantage point, she has no way to reach him, and he cannot hear her yelling over his train noises. She tries to escape the house but cannot even unlatch the first gate.
Eventually, Homily convinces Pod to go to the morning room to get her blotter paper, and Arrietty finally has her chance to deliver the letter. She is excited to see a new room and thinks about the Overmantles as she gazes at the mantlepiece, imagining their elegant style, old-fashioned clothing, and upper-class way of life. She wonders where they are now, as she cannot imagine them being willing to live in a badger hole like her aunt and uncle. Suddenly, she remembers her letter and sneaks into the hall to hide it beneath the heavy doormat. When Pod returns with the blotting paper, she helps him roll it up so they can carry it down the hole.
Homily is worried when they return, for she heard Mrs. Driver and the gardener, Crampfurl, discussing their anger at the boy, who has been moving the mats in the hall. Arrietty cannot hide her disappointment, although she tries to feign ignorance to her parents even as she worries that the boy will never find the letter she just placed beneath the mat. She runs to kitchen to listen to the humans’ conversation but falls when she tries to climb onto a spool to get closer to the floor. Meanwhile, Mrs. Driver and Crampfurl sit in the human kitchen above, drinking Fine Old Pale Madeira. They hear the crash of Arrietty’s fall, but Mrs. Driver insists that it is only coal falling in the boiler.
Chapter 9 introduces the second major turning point in the story, when Arrietty is not only seen by the boy but also interacts with him directly. Her fascination with the novelty of being outside clearly obscures her sense of the danger she might be bringing to her family, an occurrence that demonstrates Arrietty’s naturally trusting nature and reveals that she is still prone to the naively innocent tendencies of childhood despite her incipient maturation. This trusting nature is further revealed in her blithe willingness to reveal the closely kept secrets of her family’s history and current residence to the boy, who, according to traditional Borrower wisdom and mores, should be viewed as a source of potential danger and discovery rather than as a source of friendship and camaraderie. Although Arrietty knows that her parents will not approve of her talking to a human, she does not consider this knowledge reason enough to think twice about engaging in conversation and striking bargains with this curious young human.
Just as the boy and Arrietty represent two very different realities, their first conversation likewise reveals the sharp contrasts between their perspectives on the world. Ironically, they both rely on examples from their own sharply limited points of view as “proof” that their own views of the world are the most accurate, and through this whimsical conversation, Norton advances the idea that normalcy itself is merely a matter of perspective. Thus, the author provides further glimpses of the world from the Borrower point of view and uses her creative comparisons to allow readers to envision a bowl of soup as a vast ocean and to more fully understand Arrietty’s incredulity at the idea that millions of such “oceans” could possibly exist in the world. Their conversation also reveals the childhood ignorance in both the boy and Arrietty, both of whom speak as if they are entirely sure of themselves. This is particularly evident in their discussion of being bilingual. The boy is embarrassed that he cannot read but blames it on living in India. It is unclear whether he knows what being bilingual actually means, but he is sure of one thing: Bilingual people cannot read. As evidence, he reports that his older sisters are not bilingual anymore but that they can now read. Displaying a similarly childish credulity, Arrietty takes him at his word.
Chapters 9-12 also introduce the conflict between the boy and Mrs. Driver, the story’s central villain. She rules the house and sees the boy as a mischievous scoundrel who is always up to no good. She and the gardener, Crampfurl, often sit in the kitchen drinking madeira and talking about the boy’s exploits, and although at this point they believe his explorations to be the result of his search for a lost ferret, their ill-tempered surveillance of his curious activities serves to foreshadow trouble ahead in the story, for of course the boy’s actions will only become more peculiar and worthy of suspicion the more closely he associates with the Borrowers. These passages thus serve to establish Mrs. Driver as a suspicious, grumpy person who is always on the lookout for wrongdoing in those whom she does not trust. Up to this point, she has been largely a neutral character, more an obstacle to be avoided than a key driver of the plot. However, by establishing her tendencies early on, Norton is able to convey the horrific consequences of her eventual discovery of the Borrowers’ existence.
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