50 pages • 1 hour read
Content Warning: This section mentions sexual assault.
In examining Melissa’s rape and its aftereffects as well as Turk’s subordination, Johnson raises questions about what constitutes true justice, as well as how justice ought to be administered in a civil society.
One conception of justice, as presented in the novel, holds that it doesn’t matter how justice is achieved—legally or extrajudicially. Broadly speaking, this concept is associated with the not-too-distant past and the mythology of the American West, where individual initiative was favored and encouraged while centralized legal authority was weak or nonexistent. For example, one of the most famous figures of the American West, Wyatt Earp, was a lawman but was most famous for his “vendetta ride” to avenge the deaths of his brothers. As Walt explains to a farmer who complains that Lucian would have allowed him to shoot trespassing hunters, “We’re living in more enlightened times. […] Ain’t it grand?” (74). As Walt’s predecessor, Lucian largely embodies this free-for-all approach, as when he offers to put Turk in his place: “If I had two good legs, I’d go out and kick that little son of a bitch’s ass myself” (121). Following Lucian’s lead, Walt proceeds to physically assault Turk the next time he sees him, leaving him severely injured. From an ethical perspective, Walt’s treatment of Turk mirrors Vonnie’s treatment of the young men who raped Melissa. She gives a proportionally larger punishment to those who committed a more significant crime.
A second conception of justice holds that for society to function properly, the rule of law must be maintained, and vigilante expressions of justice suppressed. This is the position that Walt generally holds, at least in his calmer moments. While he gives into his more violent impulses with Turk, he consistently establishes himself in contrast with stereotypical Western heroes by consistently valuing and pursuing legal justice. Thus, although Walt remains dissatisfied with the outcome of Melissa’s trial, he takes steps to protect the young men who raped her from Vonnie. Similarly, following his attack on Turk, Walt almost immediately regrets his actions, feeling that he should not have resorted to violence. While Walt sometimes struggles with the tension between the two types of justice, his alignment with legal justice ultimately prevails, as shown in his solving the case and ending the novel with a strong network of friends and colleagues.
Each of these approaches reflects on the subjective nature of justice, which Johnson highlights as well. Each person who evaluates any particular situation is likely to arrive at a different conclusion regarding what constitutes a just response. For instance, Ruby chastises Walt for his attack on Turk, just as Walt later refuses to condone Vonnie’s actions. In choosing to uphold the rule of law, Walt effectively sacrifices his personal view of justice, allowing it instead to be administered through institutions that are subject to biases and limitations, as Judge Selby’s lenient ruling demonstrates. To Walt, this is a necessary sacrifice since anything else would entail chaos. Far from being a tangential aspect of his work, Walt views this mandate to maintain order as imperative. As he tells Vonnie while reflecting on his earliest cases as a soldier in Vietnam, “It was my way of introducing a little order into the chaos” (180). Walt often struggles with the emotional impact of life and injustice—at the end of the novel, he is mourning Vonnie’s death—but he does not doubt himself when he chooses to uphold the law.
Throughout The Cold Dish, Johnson explores how belonging to a community strengthens individuals, drawing particular attention to the strength provided through and within the Cheyenne community of northern Wyoming. Perhaps most notably, Johnson contrasts the experiences of Melissa and Vonnie after experiencing sexual abuse. In both cases, the abusers are not given fully satisfying or just retribution, but at this point, the similarities end. Whereas Melissa is given extra care, attention, and support by her community, Vonnie is sent away to boarding school to cover up any whiff of scandal. Although she seeks professional help, Vonnie struggles to come to terms with her traumatic past. By contrast, when Walt sees Melissa for the first time in three years near the novel’s conclusion, she is preparing to attend a community college with a partial basketball scholarship. More importantly, she is closely and happily connected with a network of friends and family who are arguing over who gets to spend the most time with her. Considering their different outcomes, Walt wonders whether changing times or cultural differences can account for the difference between the two women’s experiences. Not all traumas can be resolved through community involvement, but it is clear that Melissa’s social support network is much stronger than Vonnie’s ever was, and she heals and grows more as a result.
In addition to observing cultural differences that allow the Cheyenne community to thrive, Walt also has a direct experience with Cheyenne mythology as he carries George and then Henry to safety. During this trying ordeal, the spirits of the Old Cheyenne appear around Walt, providing him with much-needed guidance, encouragement, and support. On one occasion, Walt is about to freeze to death and fall asleep when a group of “insistent” voices calls to him, keeping him from losing consciousness. What could have been a lonely, desperate, and probably doomed journey through the blizzard instead becomes a kind of dance, with the spirits matching Walt’s own steps “precisely.” In addition to highlighting the value of companionship under trying circumstances, this experience also highlights the power of shared belief to create bonds that endure through generations, not just between those who are living at any particular time.
In addition to these examples focusing on the richness of Cheyenne culture, Johnson also draws attention to another tight-knit community, which consists of Walt and his friends and associates in Absaroka County, including Henry, Vic, Ferg, Lucian, Ruby, and Dorothy. As Vic explains while justifying her decision to turn down two high-paying job offers, she simply “lost interest in being anywhere else” (351). The real value of such a community, then, is that it offers each individual the chance to feel valued and even needed. This is shown most clearly in Henry and Walt’s friendship. Seeing his friend struggling with his grief, Henry frequently steps up, cooking him meals, hiring contractors for him, and offering honest advice. The novel is bookended with two such moments—when Walt is grieving his wife and later when he is mourning Vonnie. This highlights the men’s importance in each other’s lives and how vital Henry’s support is in helping Walt overcome his struggles.
Through Walt’s character arc, Johnson explores the nature of grief, as well as the necessity of moving forward despite losses. As the novel opens, Walt is grieving on two fronts. First, he is mourning the death of his wife, Martha, four years earlier. Second, he is haunted by the disappointing outcome of the trial of the young men who raped Melissa. Whereas his grief over Martha’s death mostly impacts his personal life, Walt’s concerns about the trial take a toll on his professional life, as he endlessly reviews old case files to the point of neglecting current responsibilities. For example, on the day that Walt assigns Vic to investigate what turns out to be Cody’s dead body, she accuses him of doing “nothing but [sitting] in [his] office, on [his] ass, all day” (7). He responds by falsely claiming to be ill. Moments such as this suggest that Walt’s grief manifests as a loss of energy and enthusiasm, a point that is reinforced by his partially finished house that remains much as it was when Martha died.
Walt’s self-directed attempts to handle his grief mostly consist of coping mechanisms that mask his pain. Accordingly, he spends lots of his time eating, drinking, watching TV, and otherwise relaxing. None of these pursuits is necessarily bad per se, but Walt carries them to unhealthy extremes. A tipping point for Walt comes through Henry’s intervention. Recognizing Walt’s stagnation, Henry presents a fourfold plan to get Walt’s life back in order, including hiring contractors to finish his home, getting him into shape, dating, and finding a spiritual connection. With Henry’s help, Walt begins to make improvements in each of these areas. At the same time, the investigation into Cody’s death reinvigorates Walt’s professional life, lending more urgency to his work. Cultivating new romantic relationships is also important for him, finding a balance between honoring his wife and giving himself new chances for happiness. As he confesses to Vonnie, “That measly, little, pathetic attempt at the beginnings of a romance […] are all I’ve had to go on for the last three years. It may not seem like much to you, but for me it was giant steps” (111). By re-engaging with key people and purposes in his life, Walt begins to break the cycle of discouragement and inactivity
The real test of Walt’s progress, however, takes place in the novel’s final pages, as another major setback leaves him devastated, this time following Vonnie’s death. Once again, Walt retreats from engaging with the world, even avoiding all interactions with his friends and coworkers. At first, it appears that Walt is set to fall into an even deeper, more debilitating slump than before, but once again, his friends come to his rescue. Instead of allowing Walt to wallow in his misery for several years as he did following Martha’s death, Vic and Henry are determined to help him move forward much more quickly. They know that grief can and will fill whatever time is available, but a persistent and observant friend can help break the cycle. Although Walt’s endpoint may seem like a regression, Vonnie’s loss only adds to and doesn’t replace Walt’s previous sources of grief. In this context, his willingness to begin speaking with Henry after a few weeks of solitude is, in fact, a significant step forward.
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