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40 pages 1 hour read

The Denial of Death

Nonfiction | Book | Adult | Published in 1973

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Chapters 8-9Chapter Summaries & Analyses

Chapter 8 Summary

Becker argues that culture exists to deny the “creatureliness” of people (159). In Western culture, Christianity offered people the idea that anyone, even the sick and poor, could become part of “cosmic heroism” (160) in the form of Heaven. With the decline of religion in people’s lives in the modern era, one substitute is the “romantic solution” (160), with which people find fulfillment and safety through the love of a romantic partner.

However, Becker reminds us that sex remains a constant reminder of humanity’s creatureliness. Agreeing with the arguments of Rank about romance and sex, Becker argues that, by identifying with a sexual partner, a person negates their own personality (165). Also, no person can be a substitute for another person’s yearning for transcendence. In fact, Becker theorizes that one reason why people become depressed is when they “deflate” (167) themselves in order to maintain a romantic relationship.

Romantic relationships cannot satisfy in the long term because people are “still looking for the absolute, for the supreme self-transcending power mystery, and majesty” (168). This is also why people turn to their parents, a leader, or their boss. Becker argues this particularly affects the lives of women, who often find themselves having to submit to the roles of wife and mother (170). Meanwhile, the “creative type” (171), especially artists, try to find their own answer to the problem of human existence through their work. However, even great art still “pales in some ways next to the transcending majesty of nature” (172) and cannot guarantee the immortality of the individual.

Drawing on Rank again, Becker suggests this is why creative types are the most prone to mental illness, but they also exhibit the “strongest personality type, the one with the largest ego” (173). Becker concludes by noting with Rank and Kierkegaard that the only real solution to the dilemma is to identify with the higher reality of the universe (174-175).

Chapter 9 Summary

Here, Becker defines neurosis. According to Becker, neurosis is “universal” (179). However, Becker sees the label “neurotic” as applied to people whose self-defenses and heroism backfire. Most people are able to live normally by focusing on what Kierkegaard calls philistinism. However, some people struggle with the denial of reality more than others. These people can become fixated on relationships or develop “obsessions and compulsions” (180). Becker sees an irony in how people subconsciously seek to avoid death, but they do so by cutting off parts of their personality and limiting their actions and experiences. Others do so by embracing “too much experience, too large a chunk of the world” (181), which makes it harder for them to fit into normal society.

Following Rank, Becker suggests there is little separating someone who is clinically neurotic and the artist. The neurotic “cannot create” while the artist “takes in the world, but instead of being oppressed by it he reworks it in his own personality and recreates it in the work of art” (184). According to Rank, the neurotic who does not have an outlet like art cannot be comforted by society, culture, or “the natural therapy of everyday life” (188).

The problem has been worsened by modern man, with the decline of religion or what Becker describes as “the eclipse of the sacred dimension” (190). Instead of religion, modern people have adopted the ideas of psychology, social science, and individualism. However, even psychology only addresses part of the problem—the events and traumas within an individual’s life—and not the wider problems with the human condition.

For this modern problem, Rank’s solution is that “the only thing which can ‘cure’ it is a world-view, some kind of affirmative collective ideology in which the person can perform the living drama of his acceptance as a creature” (198). In other words, something has to be found that shares the benefits of traditional religion and how it gave people a sense of being part of something greater. However, Rank’s cure is difficult to achieve for three reasons: it cannot be prescribed like medication; traditional religion, which filled that role, is no longer supported extensively by modern society, weakening it; and the attitudes of modern people include the “banishment of mystery, of naïve belief, of simple-minded hope” (200).

Still, Becker partly supports Rank’s theory in asserting that religion is still an ideal solution, since it holds out the possibility of heroic victory over death itself and provides a God that can offer security and dependency yet is so distant that people can develop their own selves.

Chapters 8-9 Analysis

In these chapters, Becker returns to the subject of The Problem of the Modern World by discussing in more depth why modern cultures fail to help provide people with the sense of heroism and transcendence they need. Becker views modern societies as shaped by the decline of traditional religions such as Christianity and Judaism, in particular the decline of Christianity in North America and Europe since the early 19th century. Along with greater tolerance for other religions and unbelief, as well as science playing more of a role in shaping views of questions like the origins of life, some intellectuals had even predicted the total disappearance of traditional religion in the 20th century. Becker admits this did not happen, but even so, the benefits of traditional religion went into decline. He writes that in the modern world “the church and the community do not exist, or do not carry much conviction” (200).

Still, while Becker does seem to be drawing from trends of his era like declining church attendance rates across Europe and North America, there are other religious happenings in the era. For example, Buddhism and Islam have spread in North America and Europe in the 20th century, and there has also been the emergence of “New Age” religious and spiritual movements like Neopaganism. Indeed, Becker primarily talks about Christianity when he refers to religions, and he largely does not address religious and spiritual traditions outside the West. Even so, Becker views traditional religion as the best viable solution, even if it needs to be adapted to the modern world by compromising it with psychoanalysis and science. Only then can what Becker describes as the “problem of ideal illusion” (207) potentially be solved.

In addition, Becker writes about artists and how they go above and beyond other people in how they approach the problem of the fear of death. Becker argues the artist is better suited than even other creators at channeling their anxieties toward creative and productive ends. Becker suggests that there is a thin boundary between creativity and madness (172), although he is far from the first person to make the suggestion that art has a relation to mental illness. Nonetheless, Becker’s view of art fits with his view that it is by embracing the symbolic, the spiritual, and the mental that we overcome the fear of both death and life.

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