55 pages • 1 hour read
A significant part of the emotional tension in The Expats revolves around Kate Moore’s retirement from a career in espionage. When the novel begins, Kate is in her late thirties and is presented with the chance to retire early after her husband, Dexter, is offered a lucrative new job in Luxembourg. Dexter pitches the opportunity as one that will enable them to live in comfort and luxury while traveling across Europe. This aligns with Kate’s desire to pivot more of her focus away from work to her family, which began after a failed Mexican politician named Eduardo Torres threatened Kate and her newborn son, Jake. Even though Kate killed Torres and his wife in response to the threat, she comes to realize that as long as she works in espionage, she cannot guarantee the absolute safety of her family.
Settling into her early retirement in Luxembourg, Kate is no more satisfied with her life than she was at work. Her days are often spent away from Dexter, who devotes most of his time to his extremely secretive job. There is also nothing compelling about the time she spends looking after her children: She takes them to school, waits until school is over, and then picks them up. Even as she becomes friends with the other expatriate mothers in her school community, she struggles to form connections with them, unable to tell them anything about what she used to do or how she feels. The only time she finds a semblance of a connection is when she meets Julia Maclean through the American expatriate community.
As Kate begins to form suspicions around Dexter, Julia, and Julia’s husband, Bill, her desire to return to her old life becomes more evident. While the novel initially hints that these suspicions may be a form of paranoia, it speaks to the continued sharpness of her professional skills that her theories turn out to be right. The novel also makes it clear that Kate has no interest in pivoting her career. She entered the CIA immediately after finishing college. Although she tells Dexter that she works as a position paper writer for government think tanks, there is nothing to suggest that she would find as much value in research and writing as she would in the quiet process of impacting world affairs. This is affirmed when Kate decides to infiltrate Bill’s office, sneaking in through the window and feeling the thrill and excitement of danger.
Through Kate’s story, Pavone shows how the comforts of early retirement are often illusory, causing people to believe that what they want is a life without work. From Pavone’s perspective, work enables people to add value to the world, using their unique skills toward something they consider to be impactful. At the end of the novel, Kate affirms this by telling her former colleague, Hayden, that her life feels empty. She thus requests to return to her job in some form, in order to reclaim at least part of her previous identity. Work allows her to move toward something that transcends the mere satisfaction of boredom.
A major element of the novel’s plot involves the secrecy Dexter maintains around his work. His discretion gives Kate room to wonder if he may be involved in something illicit, and if he is involved in a romantic affair. At the same time, Kate is also self-conscious about the secrets she has chosen to keep from Dexter. Specifically, Kate has hidden the truth about her employment with the CIA from Dexter. The longer she keeps her secret, the bigger the secret seems to become. Before and during the events of the novel, Kate repeatedly considers how to tell Dexter about her past. She fears that if he knew what she had done in the line of duty, he would see her differently and choose to break away from her.
This emotional tension is at the heart of Pavone’s message: When one’s relationship is built on secrets, it is difficult to assess whether the other person is really who they claim to be. Kate understands that from Dexter’s perspective, there is no reason for him to believe that Kate has ever killed anyone. If she accepts that killing people is part of her professional identity, then that makes her, to some extent, a killer. But Kate is less sure that Dexter would love a killer, especially because she has never been upfront with this information. However, Kate doesn’t realize that Dexter has already been made aware of her past job, thanks to Julia.
Kate only decides to admit the truth behind her work after Dexter does the same. She realizes that both of them withheld the truth for so long because neither of them knew when the best time was to disclose it. This resonance seems to affirm their relationship, allowing them to grow closer while also acknowledging there are still truths left unsaid. Kate realizes in the end that part of Dexter’s unsaid truth involves Julia’s manipulation of him. Kate disabuses him of the notion that Julia is trying to help him, having understood that Julia had tried to take advantage of Dexter’s skills for her personal gain.
Kate nearly dispatches Julia and Bill when she starts to deduce the same patterns of secrecy in their relationship. Kate cannot determine whether their relationship is authentic or not; she knows that their attachment to each other has resulted in pregnancy, but this does not tell her exactly who might be manipulating whom in their dynamic, and what it will take for them to reach a state of authenticity. It is in this way that Kate sees further resonance between the two relationships, allowing her to empathize with them through their difficulties.
By examining Kate as she trades her career for a commitment to family life, Pavone manages to draw out a subtle critique about the regressive gender dynamics of expatriate living. The novel begins with Dexter appealing to Kate’s desire for luxury and comfort, suggesting that the move to Luxembourg could allow them to enter early retirement. The fact that Dexter’s employer will look after every single one of their needs, including the education of their children, means that Dexter can remove the burden of work from Kate. In time, Dexter suggests, he will be able to join her, provided that he can make the right investments that make work unnecessary for him.
However, Dexter’s offer is only the cover story for his actual purpose in Luxembourg, which is executing the plan to rob Colonel Petrovic and researching investments that would enable him to fulfill his promise of early retirement to Kate. While the cover story is necessary for Dexter to perform the heist, it also places an unnecessary emotional burden on Kate, leaving her to fulfill the traditional female role of the domestic housewife, while Dexter fulfills the traditional male role of the breadwinner. Conversely, Kate spends more time with her children than with Dexter, even as the kids are brought to school. She fills the empty hours by buying groceries, cooking, and preparing for family trips. The only housework Dexter ever seems to do involves repairing a bureau drawer in the children’s bedroom, an act that pleasantly surprises Kate but is later revealed to be a clever way for him to hide information about the work he performs in secret. At one point, Kate becomes frustrated with his mental and emotional absence, as he barely pays attention to his children while at home.
Despite this, Kate is not alone in her suffering. She joins an informal group of expatriate women, who find community at a café where they meet to gossip about their immediate environment. While this community exists at the periphery of the novel, it is a telling detail that highlights the loneliness and boredom that many expatriate women feel when their working husbands leave them alone. Even when Julia arrives in Luxembourg, the cover story she provides Kate aligns with the regressive patterns that characterize Kate’s community—Bill works in finance, but Julia had to give up a career in interior design because it isn’t viable to practice without professional contacts. It thus becomes an act of empowerment when Kate decides not only to ask for her job back from the CIA but to affirm the value of her work life when she confesses the truth to Dexter.
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