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The Family Romanov: Murder, Rebellion and the Fall of Imperial Russia

Nonfiction | Book | Middle Grade | Published in 2014

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Chapters 9-12Chapter Summaries & Analyses

Chapter 9 Summary: “My God! My God! What Madness!, 1914”

In June 1914, while the Romanovs are vacationing on a cruise ship off the coast of Finland, Archduke Franz Ferdinand of Austria-Hungary is assassinated by Gavrilo Princip, a Serbian terrorist. Serbia and Russia share a mutual-defense agreement, so when Austria-Hungary threatens to declare war against Serbia, Russia is bound to aid Serbia. As other countries take sides based on their own treaties—Germany with Austria-Hungary, France and England with Russia—it becomes clear that an attack could lead to “a war the likes of which the world had never seen” (127).

On June 30, Empress Alexandra telegrams Rasputin and asks him to pray for peace, but when he runs to respond to her, a strange woman intercepts him and stabs him in the stomach, yelling that “‘I have killed the anti-Christ!’” (127) Eight hours later, a doctor finally arrives and performs surgery on Rasputin, and he survives. Under the care of a specialist sent by Alexandra, Rasputin spends a month and a half in the hospital, worrying all along that war will break out, Germany will defeat Russia, and he’ll lose his special status with the royals. Rasputin desperately telegrams the tsar, saying “‘war will mean the end of Russia and yourselves’” (129), but in the end Nicholas has no choice but to enter the growing conflict.

On August 1, 1914, Germany declares war on Russia, and the following day Tsar Nicholas declares war on both Germany and Austria-Hungary. The war brings about “a sudden rush of loyalty to Russia and [the] tsar” (131), as the formerly rebellious commoners gather and cheer. As the royal family stands on a balcony at St. Petersburg’s Winter Palace, the crowd of 5,000 sings, “God save the Tsar” (132).

Chapter 10 Summary: “In Defense of Mother Russia, 1914-1915”

After the tsar’s declaration, hundreds of thousands of peasant soldiers head off to war. Fleming explains that, similarly to other Russian wars, “It was the peasants who did most of the fighting and dying” (134). The Russians and their enemies soon reach a “stalemate” that marks the beginning of a “long, drawn-out war” (134), one that Russia isn’t prepared for. Shortages of weapons and clothing are so dire that soldiers go into battle without weapons and barefoot. Meanwhile, the tsar receives reports that “‘morale and equipment are in splendid order’” (135), as army commanders hide the true severity of the situation.

Fleming includes an excerpt from the diary of one peasant soldier, Vasily Mishnin, illustrating the army’s lack of preparation and organization. As Vasily’s commander “‘run[s] off into the forest’” (137) amid heavy fire, Vasily imagines that “‘perhaps no one will be able to gather the scattered pieces of [his] body for burial’” (138).

The war also transforms the life of Empress Alexandra herself, as, according to one friend, the empress “‘became overnight a changed being’” (138). Alexandra converts palaces into hospitals and takes nursing classes along with her two eldest daughters, where she steadfastly “‘endur[es] all the sights and smells and agonies of […] a military hospital in the midst of work’” (139). The three royals earn nursing certificates, while the two younger duchesses become “‘patronesses’” (139), helping out at what comes to be called “the Hospital of Grand Duchesses Marie and Anastasia” (139).

From May to September 1915, the Great Retreat pushes back the Russian forces and causes countless casualties; many blame the tsar, who “‘surrounds himself with incompetents’” (140). According to one historian, this retreat marks the moment the soldiers’ “‘loyalty to the monarchy finally snapped’” (141). Outside of the army, morale fades as well, and the Russians’ hatred for Germany leads to the renaming of “German-sounding” St. Petersburg as Petrograd (141). This resentment extends to the German-born Alexandra, and as the people demand the empress’s imprisonment, the tsar knows he must take drastic measures to “quell the nation’s anger” (141).

The tsar takes such action by relieving military commander Grand Duke Nicholas, or Nikolasha, of his duties. Encouraged by Rasputin, who was insulted by Nikolasha and still holds a grudge, the tsar decides to lead the Russian forces himself, while leaving Alexandra to manage state affairs. The tsar then moves to Stavka, where he’s still removed from the actual fighting, and allows his chief of staff to make the “important […] decisions” (143). Nicholas “beg[s]” (144) Alexandra to allow Alexei, now 11, to come to Stavka, and Alexei soon arrives and “adore[s]” (144) his new life of playing pranks and spending time with his father. However, Nicholas’s new position doesn’t change the sequence of “more military disasters […] more dead and wounded men” (145), even as the tsar insists that God’s “‘plan’” will prevail (145). 

Chapter 11 Summary: “The Reign of Rasputin, 1915-1916”

In 1915, Rasputin receives countless visitors in his Petrograd apartment, from nobles to peasants, all asking for help because of Rasputin’s “influence” (146) over the empress. Rasputin needs only to write a note to government officials, and “‘all doors in Petrograd’” will open (146); further, Rasputin always receives compensation for granting favors. Meanwhile, the policemen ordered by the tsar to guard Rasputin report on his frequent drunkenness, and when their “Staircase Notes” become public (147), Russians decry both the charlatan and the “narrow-minded” empress (147).

Still, Alexandra continues to call Rasputin to her, and he always “manag[es] to sober up” and take on “the role of a holy man” (147). Alexandra is convinced Rasputin can see “‘far ahead,’” with a “‘wisdom endowed by God’” (147-48), and thus she relies on his counsel throughout the war. Rasputin uses this opportunity to speak out against ministers whom he sees as threats, since most of them hate him. Rasputin suggests replacements for these ministers, unqualified men he chooses “‘because they liked him’” (149), and so from 1915 to 1917, ministers are constantly fired and then replaced in a sort of “leapfrog” (149). Russians quickly lose even more faith in a government now run by “incompetent, mediocre men” (150).

By fall 1916, many Russians see Rasputin as “the actual ruler of Russia” (150), leading the tsar and his wife like a puppet master. During a meeting of the Duma, one member, Prince Felix Yusupoz, realizes the only solution is to kill Rasputin, and he asks four men to help him: Duma deputy Vladimir Purishkevich; the tsar’s cousin, Dmitri Pavlovick; army doctor Stanislaw Lazovert; and officer Sergei Sukhotin.

On December 29, 1916, Rasputin arrives at Prince Yusupov’s palace, where he believes he will be introduced to Yusopov’s beautiful wife, Irina. Yusopov feeds Rasputin delicacies “laced with cyanide,” but the poison has “no effect at all” (152). After two hours, Yusopov finally shoots Rasputin in the back, and he’s pronounced dead—until the supposed corpse rises and lunges at Yusupov, then runs out of the palace. Purishkevich pursues and fires repeatedly at Rasputin, who still lives, until Yusupov joins in by battering Rasputin with a club. Finally, the assassins roll the body in a curtain, tie it up, and throw it into the Neva River through a hole in the river’s frozen surface. Three days later, policemen exhume the body and discover Rasputin’s right arm had been freed from the ropes; apparently, he was still alive and struggling when he entered the water.

However, an official autopsy tells a different story. First, there’s no trace of cyanide in Rasputin’s stomach, and secondly, the gunshot wound to Rasputin’s head would have “killed him instantly” (154)—meaning he was already dead when he was thrown in the water. Whatever the cause of Rasputin’s death, it causes rejoicing all over Russia, with people “‘kiss[ing] in the streets’” and calling the murderers “heroes” (154). The royal family receives the news of the Rasputin’s death with a very different reaction; as one courtier says, they sense that “‘something terrible’” has been set into motion, and is “‘moving relentlessly toward them’” (155).

Chapter 12 Summary: “It All Comes Tumbling Down, January-March 1917”

By January 1917, the war has caused dire shortages across Russia, even as the nobles continue their extravagant lifestyles and “gossip” about Rasputin’s small, private funeral (156). The tsar remains at the palace, rather than returning to Stavka, but he’s trapped in “‘a state of helplessness’” (157) and Alexandra still runs the government. At the same time, the commoners, convinced the government doesn’t care about them, appear on the verge of another rebellion, and Duma member Alexander Kerensky calls for the tsar to be “‘removed’” (159). The tsar’s friend, Sandro, makes a “last-ditch effort” (159) to convince Nicholas to appoint more qualified ministers, but the royals display “‘total blindness and deafness’” (161), refusing to act and instead choosing full “‘submission to God’” (160).

In March 1917, Nicholas returns to Stavka while workers in Petrograd begin to strike and protest in the streets. The tsar orders his military commander to stop the mobs, effectively “unleashing soldiers with rifles and machine guns on his own people” (162). Two-hundred protestors are killed on March 11 as the crowd only grows larger and more furious, while the soldiers, most of them peasants themselves, are reluctant to fire; meanwhile, Nicholas passes the evening “playing dominoes” (163).

On March 12, protestors reassemble, ready to fight the tsar’s army, but the army has actually “joined the revolution” 164). Commoners and soldiers arm themselves with the royal arsenal, set prisoners free, and burn government buildings. Members of the government attempt to contact Nicholas, but when the tsar “still [does] not understand” the severity of the situation (165), the ministers leave their posts.

The protestors arrive at Tauride Palace, where the Duma is meeting, demanding a government that will listen to its people. Kerensky, who had called for Nicholas to be removed, encourages Duma President Rodzianko to take power. The Duma creates a temporary Provisional Government, which will maintain order until a national assembly meets to create a new government. On the same day, the Petrograd Soviet is resurrected as “a union of workers and soldiers” (166) and also meets in the Tauride Palace.

This soviet has a very different agenda from the Provisional Government: the union wants to place power firmly in the hands of workers, and Kerensky knows the new government needs the soviet’s backing. Kerensky goes to the soviet meeting just “down the hall” (167), and the two groups agree the Provisional Government will lead for the moment while the soviet becomes “a watchdog of the revolution” (167). However, the soviet demands the new government abolish the tsar’s entire “bureaucracy” (167), which leaves the government with no way to lead the people and will bring “even greater chaos” (168). Meanwhile Nicholas, with no idea of what has happened, prepares to return to the palace at Tsarkoe Selo.

The chapter ends with an account from farmer Juvenale Tarasov, who witnesses the rebellion firsthand. The farmer gives an impassioned speech urging the crowd not to burn the palace, as the nearby Hermitage museum would burn as well. The farmer knows his speech alone does not save the Hermitage, but both the museum and palace survive. Tarasov sees himself as “‘simply a molecule in a storm’” (169).

Chapters 9-12 Analysis

These chapters focus on the arrival of World War I and the violence and upheaval the conflict brings to Russia. Because of Russia’s treaties with other nations, Nicholas has no choice but to join the war, and initially his declaration of war leads to a resurgence of patriotism, as crowds gather and cheer “‘For Faith, Tsar and Country!’” (131). However, the extreme disconnect between rich and poor again influences events, as in actuality the lower classes do “most of the fighting […] and dying” (134), and it is these peasants who must suffer extreme shortages of weapons and clothing. As before, Nicholas refuses to see the reality of his people’s “plight” (135), as he allows his officers to deal with the war effort. Again, the dual themes of Russia’s huge gap in resources, and Nicholas’s willful blindness, lead to an army—and an entire nation—“on the verge of collapse” (135).

Alexandra’s dependence on Rasputin—and her own figurative blindness, as she refuses to see the Rasputin’s shortcomings—only add to the disasters plaguing Russia. Before the damage occurs, however, Alexandra, like Nicholas, participates in her country’s surge of patriotism. Enlisting her daughters to help, Alexandra becomes a trained nurse and, like “‘a changed being’” (138), devotes herself to helping wounded soldiers. However, Alexandra’s positive activities are not as influential as her less-ideal ones, as Alexandra is convinced that Rasputin’s ability to see “far ahead” (148) will help in the war effort.

As the war rages on, the empress’s reliance on Rasputin’s advice places both her country and the security of the tsardom in peril. Rasputin uses the war as an opportunity to get rid of ministers who dislike him and replace them with his friends—a game of “ministerial leapfrog” (149) that leaves the army without the strong leadership it so desperately needs. Meanwhile, Rasputin’s drunken exploits have become public knowledge, so the Russian people see their leaders as puppets—as one political cartoon portrays them—on the strings of a charlatan puppet master (Rasputin). As one Duma member expresses it, the “‘weakness of one man and woman’” has led to “‘the destruction of those centuries-old ties which have sustained Russia’” (150). Alexandra and Nicholas’s damning combination of blindness and inaction have damaged not only their own reputation, but their entire country.

These chapters also include the murder of Rasputin, instigated by Prince Yusupov, who has realized death is the only way to break Rasputin’s hold on the royal family. The circumstances of Rasputin’s death only add to the legend of his otherworldly power, as he initially appears to have survived both poisoning and being shot, and attempts to escape from drowning. However, Rasputin’s death is not enough to save the tsardom, as the casualties and deprivation of war have led the people toward another rebellion.

The theme of Nicholas’s blindness again becomes prominent here, as the tsar’s friends and counselors attempt to warn him of impending rebellion; Nicholas responds, however, with “‘total blindness and deafness’” (161). Nicholas’s inaction turns to cruelty when he commands that his military chief “‘stop the disorders in the capital,’” which means “‘unleashing’” armed soldiers on his own citizens (162). Two-hundred protestors are killed as Nicholas plays dominoes, and as the violence escalates, soldiers join the protestors in defiance of the tsar’s orders. Nicholas’s refusal to listen to and help his people has forced him to pay the ultimate price, as he loses control of Russia entirely.

As this section of The Family Romanov ends, the Duma forms a Provisional Government to replace the tsar’s rule, while the Petrograd soviet also reassembles. In a further development of the book’s theme of rebellion and revolution, these groups represent two possible paths for Russia’s future. While the Provisional Government hopes to develop a democracy that gives the people a voice through elected officials, the soviet plans to give power directly to Russia’s citizens through a communist government. While the Provisional Government and the soviet have agreed to coexist for the time being, Fleming makes it clear the fight for leadership of Russia is far from over. 

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