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The first story is set during the first wave of emigration from China. Chinese men began immigrating to the United States to work in the California gold rush of the 1850s and on the construction of the first railway systems beginning during the 1860s. These early groups of immigrants were almost entirely male and established communities on the West Coast, primarily in California. Although Chinese workers were instrumental in the construction of the first railroads, these Chinese workers were heavily exploited and were the targets of constant racist abuse. Because they were often paid less than their white counterparts, they were seen as a threat by white workers worried about losing their jobs to immigrants. Opposition to Chinese immigration became so widespread that in 1882 Congress passed the Chinese Exclusion Act, which barred further emigration from China for the next 10 years. The act was extended multiple times in the form of new legislation and the restrictions were not eased until the passage of the Magnuson Act in 1943.
Anna May Wong, born Wong Liu Tsong in 1905, became the first Chinese American film star in Hollywood. She began her career during the silent film era and eventually reached international stardom. Like her fictional representation in The Fortunes, Anna was born in Los Angeles to Chinese American immigrants and became fascinated by film as a young girl. Her first role was as an extra in the film The Red Lantern in 1919, and within a few years she had become an internationally recognized face as well as a fashion icon and supporter of Chinese Americans in Los Angeles. Although Anna was popular and successful, her career began during an era when interracial relationships, onscreen and off, were seen as taboo and representation for people of color was limited. Even when scripts called for Asian characters, Wong was often passed over in favor of white actresses who donned makeup to appear Asian, a practice called “yellowface.” The most notable of these snubs was for the role of Olan in the film version of Pearl S. Buck’s prizewinning novel (set in China) The Good Earth. Anna went on to star in a series of films and television shows, and although she was renowned as the first Chinese American film star, she never achieved the level of stardom that white actresses did during her day. Still, she remains an important part of the history of Chinese Americans in the United States and marks an early instance of minority representation in the film industry.
Vincent Chin was a Chinese American man murdered because he was mistaken for Japanese by two white auto workers in June of 1982. His story in The Fortunes is relatively close to Chin’s real-life killing. Chin was celebrating his bachelor party at a strip club in Highland Park, Michigan, and was targeted by two white men employed at the local Chrysler plant, Ronald Ebens and his recently laid off stepson Michael Nitz. At the time, the United States was experiencing an economic recession, and the decline of the American auto industry was widely blamed on the success of Japanese automotive companies. There was widespread fear and panic that American jobs were at risk because of Japanese car companies, and anti-Japanese sentiment increased due to this fear of economic competition. Since it was not unusual for white Americans to fail to distinguish between Japanese, Chinese, Korean, or other Asian immigrant groups, the rising anti-Japanese sentiment led to a rise in attacks against even Asian Americans who were not Japanese. Ebens and Nitz were initially charged with second-degree murder, but they accepted a plea deal that reduced the charges to manslaughter. They were sentenced only to three years of probation and were each ordered to pay a fine. While the judge tried to cite their lack of criminal records as reason for the light sentencing, it was obvious to many that a combination of their whiteness and rampant anti-Asian sentiment at the time were responsible. A public outcry against the verdict led to an activism campaign and in 1984 the two men were charged with a hate crime in federal court. Ebens was found guilty and sentenced to 25 years in prison, but Nitz was acquitted. Ebens’s conviction was overturned in 1986. At subsequent re-trial he was acquitted on all charges.
China’s one-child policy was a population control measure implemented between 1979 and 2015 to curb rampant population growth and alleviate poverty. The policy allowed most families to produce only one child, and because of cultural preference for male offspring, it resulted in the abortion of many female fetuses and the infanticide, abandonment, and adoption of countless female babies. The policy had far-reaching social, cultural, demographic, and economic impacts on China, resulting in a massive uptick in Chinese adoptees in the United States. It is still highly controversial and its effects are hotly debated. The policy was developed as a result of overpopulation during the 1970s and was meant to address hunger, poverty, and other social issues. It was criticized by many rural parents who relied on their children to perform agricultural labor, and allowances were eventually made for families in remote areas dependent on farm work. By the mid-1980s, the policy was loosened, and in 2015 families were officially allowed two children. In 2021, all limits were removed and, in a sharp reversal, financial incentives were put in place to encourage families to have more children.
The impact of this policy was felt disproportionally by women. China was highly patriarchal at the time, and boy children were valued much more highly than girls. Although many female fetuses were aborted and many female babies were the victims of infanticide, those who lived often experienced great difficulties. John and Nola’s adoption happens during this period, and it is an accurate reflection of the uptick in US-bound adoptions that took place during the years of the policy. Although the Chinese Communist Party credits the policy with lifting the country out of poverty, it resulted in a population-wide gender imbalance and has been criticized both for its direct impact on Chinese women and for the extent to which it bolstered gender discrimination and gender-based violence.
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