52 pages • 1 hour read
Content Warning: This section of the guide discusses death, alcohol abuse, sexual assault, self-harm, addiction, and an eating disorder.
It’s April 8, and Sloan Monroe reflects on the second anniversary of the accident that killed her fiancé, Brandon. Sloan calls her friend Kristen while driving to the cemetery. A dog runs in front of the car and inexplicably jumps onto the hood and into the sunroof. A police officer stops Sloan to investigate the situation, and she explains that it’s not her dog. The police officer writes her a ticket for blocking traffic and suggests calling animal control, but Sloan takes the dog home instead. The dog’s tag indicates its name is Tucker and includes a phone number. She calls the number and leaves a message with the owner, Jason, but no one answers or returns her calls. Sloan takes Tucker to the vet where he is diagnosed with a bladder infection, and Sloan explains that she can’t keep the dog. The vet says the only other option is the animal shelter, so she buys food and a leash to care for the dog for longer.
Kristen calls Sloan back to check on her since she and her husband, Josh, know what day it is. Sloan is annoyed by the day’s chaos as she had planned to spend the day talking to Brandon at his grave. Even though this anniversary is significant, Sloan says that “most of the calendar was a minefield of hard days” because every day reminds her Brandon is gone (9).
Ten days later, Sloan has come to enjoy Tucker’s companionship. She takes him on a walk to Kristen’s house, where she spends the most time outside than she has in the past two years. Kristen and Josh’s one-year-old, Oliver, is napping, and seeing baby gear in Kristen’s house reminds Sloan of the life she was supposed to have with Brandon. Before he died in the motorcycle accident, they were planning to get married and start a family. Sloan and Kristen have been best friends since middle school, and now their lives have taken divergent trajectories. Tucker is a sporting dog bred to hunt ducks, and Sloan thinks his arrival on the anniversary was a gift from Brandon since he was an avid duck hunter. Kristen agrees it could be a sign that Brandon wants her to be happy. Sloan calls Tucker’s owner daily and leaves messages but has not received a reply. She calls again, but his voicemail is full.
Jason flies to Australia after a 15-day backpacking trip in New Zealand. When he lands, he charges his dead phone and realizes his voicemail is full. He listens to Sloan’s first voicemail and immediately calls her. She angrily explains that it’s been two weeks, and he’s shown no concern for the dog, so she’s keeping Tucker. Sloan hangs up on him, and Jason tries to call her back, but she won’t answer. He calls Monique, a woman he’s been seeing who was supposed to be watching Tucker. Monique left for New York for two weeks, and Jason is enraged. He tells Monique their relationship is over.
Sloan calls him back, calmer now, and she says that if he can prove he loves Tucker, she’ll give him back. Tucker is Jason’s best friend, his constant companion when he moved to LA from Minnesota. Jason sends her photos of him and Tucker together. He’s a musician and must stay in Australia for two more weeks to shoot a movie, The Wilderness Calls, because he’s creating the soundtrack. Sloan agrees to watch Tucker until he returns. Sloan’s love for Tucker intrigues Jason, and he wants to know more about her. He playfully pretends to interview her as a pet sitter. Sloan won’t give up any personal information except that she’s an artist who works from home. Jason jokes, “I can’t know who my best friend is sleeping with?” (25), and he can tell Sloan is smiling. Jason finds reasons to stay on the phone longer, but she claims he might be a “creeper” and won’t say more about herself. Before ending the call, Jason thanks her for caring for Tucker.
Sloan can’t stop looking at the photos Jason sent of him and Tucker. She feels sad knowing she only has two weeks left with Tucker. Having him around has been a source of comfort during her grief. Josh, Kristen’s husband, was Brandon’s best friend. Since Brandon’s death, Josh has been helping Sloan with various projects around the house, and today, he’s replacing her water heater. After Josh leaves, Sloan sends Jason a picture of Tucker. They flirtatiously text back and forth, and Jason suggests they play a game to get to know each other better by asking one question daily. Jason goes first and asks about Sloan’s art career. She explains that she hasn’t painted much since Brandon’s passing. Jason expresses empathy, apologizing for her loss.
Sloan then asks a light-hearted question about what Jason would do in a zombie invasion. He calls her because his answer is too long. Flirtatiously, Jason says he would want her on his survival team. When he asks for a photo, Sloan declines to send one but responds that she does not have a boyfriend when he inquires. She sends him the link to her blog to prove she’s trustworthy. Sloan asks for more time with Tucker if he doesn’t answer her questions, but Jason suggests they spend time with Tucker together when he’s back in LA. Kristen arrives and interrupts their call, but they plan to talk again later.
Jason finds Sloan’s blog, The Huntsman’s Wife. As an avid hunter, Jason is familiar with the blog, as he, his family, and his hunter friends use it for wild game recipes. The blog hasn’t been updated in a while, but Jason scours it to find a photo of Sloan and Brandon. Jason is impressed that his dog sitter is also an attractive cook that he’s admired for a while. He texts Sloan that she can be on his zombie apocalypse survival team.
Sloan tells Kristen about texting with Jason. Kristen is adamant that Sloan break out of her vigil, start painting what she wants, and pursue things with Jason. She demands that Sloan get a Brazilian wax and “climb him like a tree. Or at the very least shake his branches. See what kind of nuts fall out” (44). The following day, Jason texts and asks about Sloan’s visitor. She tells him it was her best friend, Kristen, and Jason guesses they talked about him. Sloan insists she called their date a meeting, but Jason says he’s told all his friends that it’s a date. They tell each other their age, but Kristen won’t give any more information.
Jason’s agent, Ernie, calls him and says his record label demands he record a song he didn’t write. Jason prefers only to sing his material, but recently, he’s been struggling with creativity. The backpacking trip did little to solve his writer’s block, so Jason can’t bargain. When Sloan texts Jason after not texting for a day, he decides to call her. Jason refrains from telling her he’s the opener for The Black Keys because he doesn’t want his celebrity status to impede them from getting acquainted. The flirtatious banter goes back and forth before Sloan asks the day’s question: What’s the most generous thing Jason’s ever done? He tells her that he once donated bone marrow for two people with leukemia. This leads to Jason sharing more about his family and life in Minnesota. Sloan still refuses Jason’s request for a photo but shows him the commission she’s currently working on, a cat in an astronaut suit. Sloan remarks on Jason’s distinctive Minnesotan accent. Sloan mentions that seeing the Northern Lights is on her “bucket list.” Jason says his bucket list now includes wanting to take Sloan on a date.
It’s one week until Jason returns to LA, and Sloan is crushing on him. They talk on the phone all day and even watch a movie together while on the phone. She wants to send him a picture but worries she’s let her appearance go since Brandon’s death. Sloan takes Tucker to PetSmart for grooming, something she’d mentioned to Jason. Flowers are waiting for her from him with a note attached that says, “Sloan, do you like me? Check one.” (65) She calls Jason to thank him for the flowers, and he says his daily question is the same as on the note. Sloan says yes.
Sloan and Jason talk every day for hours. They agree to meet somewhere instead of him coming to her house, but Sloan admits she feels she knows him deeply after two weeks. Jason asks to speak to Tucker, and the dog instantly recognizes his owner’s voice when she puts the phone to his ear. Sloan sends Jason a link to something she made for him, and they hang up.
Sloan sends Jason a video of all of Tucker’s adventures entitled “My vacation with Sloan” (70), and when Jason sees her at the end of the video, her beauty stuns him. Although he’s already fallen for her over the phone, Jason is intensely physically attracted to her. Jason arrives in LA, quickly changes, and waits for Sloan at their agreed-upon location. Sloan is late, and she calls franticly to say that her kitchen is flooding. Jason races to her house and, once inside, stops briefly to take in Sloan’s beauty in person before helping her shut off the faucet and clean up the flood. Tucker is overjoyed to see Jason, and he and Sloan laugh at the hilarity of their first in-person meeting. Jason asks her out to dinner that night.
Sloan is still grieving her fiancé’s unexpected death two years prior, leaving her stuck in an emotional limbo, unable to move forward or find joy in her life. Tucker physically leaps into her life, sparking the beginning of a necessary shift in her energy. Jimenez quickly establishes Tucker as a symbol who becomes both a source of companionship and a catalyst for Sloan to open herself up to reentering life. Tucker’s appearance symbolizes The Beauty of Second Chances and how love and companionship can come into someone’s life unexpectedly, often when they need it most but don’t recognize it immediately. Caring for Tucker opens the door for Sloan to entertain the possibility of feeling joy again, even with something as simple as caring for a dog.
Tucker brings more than companionship as Sloan’s communication with Jason begins as a simple exchange about the dog but gradually shifts into something more personal. Their text exchanges introduce a playful dynamic and establish chemistry that Jimenez uses to build narrative anticipation. Sloan and Jason’s meet-cute comes first through Jason’s dog. Thus, Tucker becomes a bridge between Sloan’s past and future. By caring for Tucker, Sloan finds a renewed sense of responsibility and purpose, gradually healing through her affection for him and bringing her closer to Jason. This establishes the theme of Finding Love After Loss. Despite her resistance to sharing personal details, Jason’s warmth and humor intrigue Sloan, making her feel something she thought was lost forever. She slowly lets down her guard and becomes vulnerable enough to share with Jason about Brandon’s death. Jimenez uses the healing romance trope as connecting with Jason through Tucker assists Sloan in moving past her roadblock of grief. She fears the potential risks but is drawn to him, nonetheless. This marks her first steps toward vulnerability and healing. The author juxtaposes Sloan’s excitement of attraction with her inner conflict between her loyalty to her late fiancé and her desire for happiness. This struggle with guilt and self-permission to move on highlights the nuances of healing and the slow, complex steps it requires. By being open to getting to know Jason, Sloan begins a journey to overcoming the heartbreak of losing Brandon by allowing herself to love again. Her romance with Jason is her second chance at happiness; it brings her hope that joy and love can come back unexpectedly, even after an unexpected, sudden loss.
Jason is a musician but hides his celebrity from Sloan and doesn’t wholly embody a rock star’s high-profile lifestyle. Sloan’s down-to-earth personality is intriguing to him, and his eagerness to connect with her makes her more willing to open up. As Sloan and Jason grow closer, Jimenez establishes the foundation for their emotional intimacy before they even meet physically. Their phone conversations, exchanges about life, and shared vulnerabilities lay the groundwork for a romance based on understanding and support. Jimenez infuses their banter with humor to balance Sloan’s grief and facilitate their connection, creating moments of joy and revealing how laughter can offer relief even amid lingering pain. Jason and Sloan’s connection develops over the phone via texts and calls, and they acknowledge that physical distance creates challenges. Nevertheless, this allows them to develop emotional intimacy before exploring their physical attraction.
Sloan and Jason differ in their personalities but share a mutual passion for Art as a Form of Expression and Connection. However, due to distinct challenges, both need help in their artistic pursuits. Grief suffocates Sloan’s creativity. Since Brandon’s death, she has used art purely for financial survival, neglecting her desire to use it for self-expression. This inability to create is a direct reflection of her emotional turmoil of feeling trapped, uninspired, and overwhelmed by her loss. Art, which once brought her joy, has now become a painful reminder of the life and future she lost. Kristen’s insistence that Sloan paints for pleasure again highlights how grief has overshadowed her artistic spirit. Conversely, while Sloan and Jason’s shared passion for art offers connection and inspiration, it also creates tension. Sloan prefers a quiet, reflective approach to her art, often working in solitude. Jason, however, thrives as a public figure, showcasing his creations to the world. As Jason’s career skyrockets, he faces the harsh realities of burnout. The expectations of fame impose relentless pressure to deliver hit after hit, which conflicts with his desire to produce genuine music. This struggle to reconcile his artistic integrity with industry demands fuels his creative block and makes him feel increasingly disconnected from his craft. Jimenez establishes these tensions here, which foreshadow increasing complications that will affect the protagonists’ dynamic.
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By Abby Jimenez