50 pages • 1 hour read
Spiros Antonapoulos and John Singer are two friends who bond over being the only men who are deaf in their town. The friends live together and only separate for work. Spiros loves to cook and delights in eating while John loves his company and playing chess with Spiros. Their bond is challenged when Spiros gets sick, and the doctor orders him to keep a healthier diet. When he gets better, Spiros starts acting strangely; he starts shoplifting, and John spends all his money on bail for Spiros. This continues until Spiros’s cousin has him taken to a psychiatric hospital.
John is lonely without Spiros. Though John was educated at a school for children who are deaf and is very intelligent, he has a shy nature, so Spiros was his only friend. Without Spiros to cook for him, John takes his meals at the local New York Café. In his free time, John walks alone around the town.
Biff Brannon owns and runs the New York Café. His wife, Alice, with whom he is distant, is worried about a drunk man who has spent the entire week at the café-bar: Jake Blount is new in town and has been drunk at Brannon’s café for most of the time he’s been there. Though he runs a bar, “Never had he [Biff Brannon] seen a fellow drink so much, stay drunk so long” (7). Jake hasn’t paid his bill at the café yet, but Biff is intrigued by him.
Mick, a 12-year-old girl whose family runs a boarding house, comes into the café for cigarettes. She reports that Jake has been living in the boarding house for three months. Jake makes an incomprehensible comment about the price of cigarettes, and comments that he’s seen John so often at the bar that now John is in his dreams. Jake drunkenly sits with John and talks at him, not realizing that John doesn’t speak back. John seems delighted to have company and tries to follow Jake’s thoughts by reading his lips. Biff feels pity for John and offers him a drink on the house.
Jake brings a Black man into the bar. Though the man is a doctor, he quickly leaves, and another patron reminds Jake that he can’t bring a Black man into a white bar. Jake gets angry and shouts that he is a mixture of different races and ethnicities. He declares that John is the only one who understands what he’s talking about. Biff notes Jake’s anger but dozes off after Jake leaves. Willie, a Black man who works in the kitchen, wakes Biff to tell him Jake is in a fight outside. The police bring Jake into the café, believing that he’s staying with Biff. John writes Biff a note offering to take Jake to the boarding house, where Jake can stay with John in his room.
Biff prepares himself for bed as his wife wakes up and practices her lessons for the Sunday school class she teaches. Biff wonders about Jake’s clearly complicated past and Jake’s affinity for John.
Mick helps look after her two younger brothers, Bubber and baby Ralph; she takes them around in a wagon and stops at a house under construction. There, she climbs the dangerously tall ladder to reach the roof: Mick is proud that she can reach a height most kids are too scared to reach. She admires the town and bright sky while smoking a victorious cigarette. Mick, alone with her thoughts, thinks of music. Though she doesn’t know how to play an instrument, she’s fascinated by music. She hears Ralph crying and descends the ladder. On her way back home, she tells her brothers about a weird recurring dream she has in which she’s drowning in a sea of people. She confesses that the thing she wants most in the world is a piano so she can learn to play music.
Back at the boarding house, Mick’s mother is busy getting food ready for the boarders. Mick goes to her room, which she shares with her older sisters Hazel and Etta. Mick is annoyed with her sisters, who only care about their looks while she is a “tomboy.” Mick goes to her older brother Bill’s room, but he is distracted by books and barely pays Mick any attention. Bill has Mick’s artwork hung up around his room: Most of her drawings are bizarre images of violence, such as people dying in a shipwreck or an airplane crashing. Mick takes out the ukulele she’s been trying to make into a violin. Annoyed with her, Bill snaps that he knew from the beginning that she wouldn’t be able to make it into a violin. Mick feels angry and ashamed.
Mick eats with Bubber and Portia, a Black woman, in the kitchen, and Portia tells them the story of her grandfather’s farm. Portia’s father is a doctor in town and is a good father but strict about books and learning. Portia encourages Mick to attend church, otherwise Mick will wander unhappily for the rest of her life.
Jake wakes up in an unfamiliar room hung over and thirsty. He sees John in the room, and Jake’s memory comes back to him. John hands Jake a card that says: “I am a deaf-mute, but I read the lips and understand what is said to me. Please do not shout” (23). John offers Jake his room to stay in, but Jake refuses. Privately, Jake refers to John as a “dummy.”
Jake is looking for work. He sees an ad for a job as a mechanic and stops by the café to ask about the town. Biff characterizes the town as ordinary, with some rich people and many impoverished people who work at the mills and factories. The mechanic job is for a small amusement ride. Jake walks to the address in the job advertisement and notes the dingy and impoverished-looking neighborhood. Jake meets Patterson, who’s looking for someone to manage his merry-go-round. After Jake accepts the job, he takes a walk around the town. He feels lonely so he strikes up a conversation with a couple of men lounging around. He asks them if there have been any strikes in the town. The men confirm there have been strikes, and the workers were cleared out. That’s how these men moved in; the companies brought them from out of town to replace the strikers. This enrages Jake because he has strong opinions about the moral ineptitude of large companies that control people’s livelihoods.
Jake returns to John’s room with a gift of grapes. He rants about corruption and feels that John truly understands him. He decides to take up John’s offer to stay with him.
In the town’s Black neighborhood, Dr. Benedict Mady Copeland settles down for the evening with a book by Spinoza. He opens the door for his daughter, Portia, who is with her brother Willie and her husband, Highboy. Portia lives with Highboy and Willie but is visiting her father for dinner. Portia gets annoyed when her father asks her if she’s planning on having children. Dr. Copeland has many opinions about people having too many babies, and he reads new theories on eugenics and birth control. Dr. Copeland is disappointed in his people; he feels that they are too trusting in institutions like government and religion. He believes it is his purpose to educate them. When Portia tells him the story of a grifter passing through town who tricked many Black people into paying for nonexistent government pensions, the story confirms Dr. Copeland’s opinions. Portia defends the Black community and chides her father for using the term “Negro,” which she finds offensive. Portia points out that most people, including his own son, are scared of him. Portia criticizes Dr. Copeland’s need to change people into what he believes they should be and that though he may be smarter than Highland or Willie, Willie and Highland are better people than him. This brings Dr. Copeland to tears and makes Portia feel bad.
Dr. Copeland has two other children besides Portia and Willie, but he’s out of touch with them. Growing up, his children were oppressed by his discipline and strict teachings. Their mother, by contrast, was fun and taught them about religion.
Portia changes the subject. She tells her father about her job working for Mick’s family. Sometimes, they don’t pay her as much as they should, but Portia believes they are good, hard-working people. She believes Mick has potential, but she’s not sure for what. She brings up John, whom Dr. Copeland knows.
Dr. Copeland tries to stay away from white people, who have only ever tried to belittle and infantilize him: Dr. Copeland’s goal is always to maintain his dignity. He met John on a rainy night when John materialized to help Dr. Copeland light his cigarette. The gesture was unexpected and surprising coming from a white man. Now, Dr. Copeland has a patient, a child who is deaf. Dr. Copeland blames himself for the child’s deafness because of his difficult birth. Dr. Copeland wants to reach out to John to ask if he knows of any institutions the child can attend. Portia encourages her father to talk to John, who is kind and tips her for doing his laundry.
When Highboy and Willie arrive to pick up Portia, Dr. Copeland asks her to invite them in. The younger men are nervous around Dr. Copeland, who immediately tells Willie what a disappointment he’s been. Portia stops her father from going too far and insists that they all make up. Dr. Copeland apologizes and the others leave.
Alone again, Dr. Copeland turns to his books to distract himself from the conflicts with his children.
John is delighted to have many more guests as the summer continues: Mick enjoys spending time with him because she finds him a kind and good listener, Dr. Copeland visits John to talk about his patient who is deaf, and Jack and Biff both visit John as well.
John leaves town briefly to visit Spiros at the psychiatric hospital. Spiros is the same—he still likes to eat and drink—but he is uninterested in John’s stories. Still, John tries to entertain his friend. He obtains permission to take him out of the psychiatric hospital for a few hours, but when they are due to return, Spiros refuses and must be physically forced to go back. When John returns to the boarding house, everyone asks him why he didn’t say that he would be leaving.
In Part 1 of The Heart is a Lonely Hunter, McCullers establishes the setting of her novel as a typical Southern town in America with a host of characters who capture both the beauty and the loneliness of ordinary people. Despite being surrounded by people, the characters in this novel struggle with internal conflicts that make them feel alone, unrecognized, and ignored. McCullers details how society enables people to feel this internal conflict; thus. internal conflicts come from external pressures.
For example, Spiros is assumed to have a mental illness when he starts shoplifting. Though this behavior is out of character for him and implies an internal conflict within himself, society judges his behavior as pathological. That Spiros can’t express himself in ways that hearing people can is not considered; rather, his deafness is seen as a handicap that reinforces the idea that Spiros is unwell. Spiros is treated as having a mental illness in part because he is deaf, highlighting McCullers’s criticism of the way her society treats people they don’t understand. It is harder for society to try to understand Spiros, so he is stripped of his autonomy and sent away.
This prejudice extends to John as well, even though he is more popular and respected than Spiros: Jake implies that John is unintelligent because he is deaf. Still, Jake believes that John can understand him in ways that the average person cannot. This emphasizes the paradox of empathy: Jake believes that John understands him, but Jake refuses to try to understand John. John gains the respect of Jake, Biff, Mick, and Dr. Copeland, but it is a respect that is tinged with infantilization. What they like about John is how much he listens, thus allowing them to project their anxieties and ideas onto him without engaging in actual conversations. Dr. Copeland befriends John so he can ask John for solutions to help the child under his care who is deaf, and while this implies more authentic respect than the kind Jake extends to John, it is still one-sided. John first met Dr. Copeland through a kind gesture: lighting Dr. Copeland’s cigarette. The significance of this gesture is heightened by John’s whiteness and Dr. Copeland’s Blackness. John’s gesture towards Dr. Copeland is genuinely altruistic because John asks for nothing in return. But Dr. Copeland’s relationship with John is based on Dr. Copeland’s need for John’s advice. All of John’s friendships, including with Spiros, are based on people needing something from him while John simply enjoys their friendship. If John weren’t deaf, it is likely that he would be treated like any other man. But because of his deafness, people assume that he has an unknowable wisdom that they can use to assuage their own anxieties. When John leaves for two weeks without leaving a note, he returns to people asking him why he didn’t tell them he was leaving. While this concern is a form of kindness, still it places the attention on the people who worried about John and expected him to give them notice of his comings-and-goings. While John is delighted to have new friends, there is a transactional nature to these friendships. If people try to understand John on his own terms rather than only using him as a confidant, then John can truly be freed of his loneliness.
A similar transactional relationship is reflected in the town’s treatment of Dr. Copeland. The white people in the segregated town can respect Dr. Copeland as an educated and useful doctor but treat him as “other” due to his Blackness. McCullers defies her culture’s insistence that Black narratives and voices are stereotypically devoid of richness by writing Dr. Copeland and his family as complex characters with private fears and desires. Portia loves going to church, working at the boardinghouse, and being with her family and husband, but there is much that is lacking in Portia’s life: She doesn’t yet have a child, she is at odds with her father, she no longer has her beloved mother, she is relatively impoverished, and she endures racism in her segregated hometown. Still, Portia exudes positivity. Her dignity comes from enduring the difficult parts of life by relying on the love she’s created for herself. Her father’s fight to maintain his dignity is much more disciplined and radicalized by his anger, which is an emotion that white people would rather not engage other than to stereotype Black men as angry and therefore dangerous. Dr. Copeland is a voracious reader and an intelligent man determined to defy white men’s expectations. This fight for dignity means that Dr. Copeland sacrifices his happiness, having a good relationship with his children and a kinship with the Black community. A life of having to prove white people wrong means that Dr. Copeland has a difficult time humbling his ego—he believes he knows what Black people should do and is therefore ashamed of and resentful towards Black people who do not act in the way he’s decided is necessary. This places a wall between Dr. Copeland and his community. He tries to maintain an active inner life through his reading, but he is ultimately lonely. Through Dr. Copeland’s internal and external conflicts, McCullers highlights the negative effects of racism.
Jake is also battling internal struggles though his are as yet undisclosed in the narrative. Jake has many opinions about the injustices in his society. The power of capitalist companies over the average man and racism enrage him. Yet Jake doesn’t extend this deep criticism of his society to his own prejudices of John. Jake is a flawed and complex person who seems to turn his anger against himself. Sometimes, he hurts himself with alcohol, and other times he punishes himself through remaining isolated. Jake’s multi-layered nature is true of all the characters in this novel, emphasizing McCullers’s message that people are beautiful because they are flawed and on their own journeys to find happiness. Mick’s nightmare, in which she drowns in a sea of people, is symbolic of this message. Mick is constantly surrounded by her family and the boarders in her family’s house, but she feels alone because she knows she is at odds with her society. Mick doesn’t quite belong: She is not feminine like her older sisters, she doesn’t play an instrument though she is at heart a musician, and she challenges herself to achieve things without witnesses. Mick has the potential to be a powerfully autonomous and independent woman in a society that relegates women to kitchens and motherhood. But without others’ recognition of her specialness, Mick may end up in trouble.
Everyone in this novel observes one another and wonders about one another, yet they don’t extend themselves to others to get to know them better. In part, this is a self-defense mechanism. In not asking others to be vulnerable, the characters can protect themselves against exposing their more vulnerable selves. Even in a small town, people are scared to truly get to know one another, and on a larger scale, society oppresses individuals because the fear of shame and ostracization keeps them hidden within themselves. Perhaps only John avoids this because his ostracization and difference is obvious. John can’t hide his deafness and therefore can’t pretend he is anything other than who he is. John therefore presents an allegory through which McCullers writes an ideal person: Kind, gentle, compassionate, and authentic though not without his own flaws and pains.
In this novel, the setting is important. The heat of the Southern summer is a constant motif for tension. What’s more, the setting’s normativity is the very thing that makes it notable. McCullers’s fictitious town can be anybody’s small rural town. The town is characterized by juxtapositions: Black versus white, rich versus impoverished, hearing versus not hearing, young versus old. The reader can relate to a society built on similar juxtapositions. McCullers therefore uses setting to encourage her readers to consider their own community.
In Part 1, McCullers alludes to the 17th-century Dutch philosopher Spinoza, whose beliefs echo the ideas in The Heart is a Lonely Hunter. Spinoza’s ideas included the notion that there is one self-contained and eternal substance, which means there is no separation between God and nature: Everything is contained in God. This reflects McCullers’s position as a Catholic writer, and themes of Catholicism, while not paramount, are always present in her work. Ethically, Spinoza believed that perfect blessedness was not about morality but about the completeness of the individual. McCullers’s characters struggle to find completion and strive toward happiness, though they may not achieve it.
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